Soon after, a mutual friend, Tal Bayer moved in. He was very much into ska and reggae and suggested that the band play some of the catchy songs that they loved to drink to. It proved to be the direction they needed, as well as an easier style to cover. Soon, The Slugs were skipping classes and practicing for hours to learn songs by Madness, The Specials, Bad Manners, Mighty Mighty Bosstones, The Skatalites, The Business, and others. Unfortunately, the name The Slugs was already taken and the band needed a new name. Some British neighbors used to refer to the heftier guys in the band as Pietasters, which is British slang for "fat guys". The name stuck and The Pietasters were born.
A few months later, a similar band from the DC area, The Skunks asked The Pietasters to play a local ska night at a bar in Georgetown. The Pietasters were still rough around the edges, but when you’re in college, quality stage performances take second place to getting free beer. Soon, The Pietasters were playing every dive bar in DC. The manager of one such bar befriended the band and helped them record their first record, The Pietasters, more commonly known as Piestomp.
In the summer of 1993, The Pietasters set out on their first national tour in a used school bus they'd bought for $900. The tour was haphazard with stops in Ohio, Oregon, Kansas and even many stops in Canada. By the end of the tour, almost all of the original members quit the band. To this day, only trumpeter, Carlos Linares, and lead singer, Steve Jackson, remain as original members.
The Pietasters auditioned many players and decided on Jeremy Roberts, Toby Hansen and Alan Makranczy as their horn players, Rob Steward (Covington) on drums, and Paul Ackerman on keys. Tom Goodin remained on guitar. The new line-up continued to tour whenever possible, and soon attracted the attention of Bucket Hingley, front man of The Toasters and owner of Moon Ska Records. He asked if The Pietasters wanted to be a part of a tour package called, "Skavoovie 94". The Pietasters accepted and were soon touring with The Toasters and The Scofflaws. The tour was much more organized than their last outing and proved to be very educational. By the end of the tour, The Pietasters were scheduled to record "Oolooloo" on Moon Ska with Victor Rice producing.
Oolooloo came out in the summer of 1995. The Pietasters continued to tour the country, and even managed to record "Strapped Live" between stops in Raleigh, NC and the Black Cat Club in Washington, DC. "Strapped Live" was released in 1996 and quickly became a fan favorite and the closest thing to a live Pietasters show. Throughout this period, The Pietasters had been recording new songs, re-recording older ones, and recording some covers. The results ended up as "Comply", and the song selection foreshadowed their next release.
While touring with The Mighty Mighty Bosstones, the band made a stop in Los Angeles. Backstage at the show, Tim Armstrong from the band, Rancid, approached the band and asked if they'd like to be a part of a new label he was putting together. The Slackers, Hepcat and Dropkick Murphys were already committed and he wanted The Pietasters on board.
After clearing such a move with Moon Ska, The Pietasters signed with Epitaph Records and their next album, Willis was recorded and released in 1997. A tour of the US soon followed as well as their first ever tour of Europe. The Pietasters also made appearances on the Warped Tour and opened for such acts as The Reverend Horton Heat, Cherry Poppin Daddies, and Ozomatli.
By 1999, The Pietasters were in the studio again to record Awesome Mix Tape #6 for Epitaph's Hellcat Records. They finished the album and hit the road again touring Europe with the Warped Tour, then the US again with the Pilfers and Spring Heeled Jack, and closing out 1999 with an opening stint for the legendary Joe Strummer. Years of touring finally took it's toll on Paul Ackerman and Tom Goodin, who amicably left the band. Bassist Todd Eckhardt also left the band and was replaced by Jorge Pezzimenti of The Decpticonz. Erick Morgan, formerly of The Skunks, took over keys, and Toby Hansen replaced Tom Goodin on guitar.
In late 2001, The Pietasters were well into recording their next album when they learned that former bassist, Todd Eckhardt, had died in his sleep. The news was extremely hard on The Pietasters and their fans. The Pietasters soldiered on and released a new album Turbo, a nickname of Todd's, in 2002. The new album's blend of Jamaican riddims and Northern Soul won praise from fans and critics alike. It even caught the attention of James Brown who asked The Pietasters to be his backing band at a sold-out concert in Washington DC in 2003. The following year, The Pietasters released their first ever DVD, Live at The 9:30 Club. In 2006, The Pietasters played the International Ska Circus in Las Vegas.
On August 21, 2007, seventeen years after their inception, The Pietasters released a new studio album entitled, "All Day".
Discography:
Studio albums:
The Pietasters - 1993 on Slug Tone Records
Oolooloo - 1995 on Moon Ska Records
Willis - 1997 on Epitaph Records
Awesome Mix Tape vol. 6 - 1999 on Hellcat Records
Turbo - 2002 on Fueled by Ramen
All Day - 2007 on Indication Records
Rare Albums, EP's, Singles, and Others:
The Ska-Rumptious 7 Inch"" - 1992 on Slug Tone Records
All You Can Eat (EP) - 1992 on Slug Tone Records
Soul Sammich - 1994 on Slug Tone Records
Ocean - 1996 on Moon Records
Strapped Live! (live album) - 1996 on Moon Records
Comply - 1996 on Moon Records
Out All Night (Promo) - 1997 on Hellcat Records
Out All Night (EP) - 1998 on HellCat Records
Yesterday's Over (Promo) - 1999 on Hellcat Records
The Pietasters 1992-1996 - 2003 on VMS Records
Live at the 9:30 Club (DVD) - 2005 on MVD
Band members:
Current lineup:
Stephen Jackson - vocals
Toby Hansen - guitar, trumpet
Jorge Pezzimenti - bass
Rob Steward - drums
Alan Makranczy - saxophone
Jeremy Roberts - trombone
Carlos Linares - trumpet
Jon Darby - keyboard
Past members:
Talmage Bayer - vocals
Tom Goodin - guitar
Pat Kelley - guitar
Todd Eckhardt - bass
Chris Watt - bass
Ben Gauslin - drums
Eric Raecke - tenor saxophone
Rob French - trombone
Caroline Boutwell - farfisa
Paul T. Ackerman - keyboards
Erick Morgan - keyboards
Jeb Crandall - keyboards
Quicksand
The Pietasters Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Here today, gone tomorrow, never thinking loving wouldn't find me
Now my fee is love, I'm after, my courts show the walls of disaster 'cause
refrain:
Love is like quicksand, I'm sinking deeper and deeper baby
But the mountain of my mistakes, is looking steeper and steeper baby
I will solve the things to loving, and it was a case of taking or leaving
So I crossed it off as usual, your love came, I couldn't believe it
So like a child who plays with fire, I'm going after my own desire, 'cause
refrain
Can't you see I'm sinking baby, come on help me now, help me now,
Come on help me now, help me now
This is more than just flirtations, sure it's not a hopeless situation
'cause
refrain (7x)
The Pietasters' song Quicksand is a classic ska tune that speaks about love and its powerful force that can easily consume a person. The first verse describes the singer's initial thoughts about love as just an infatuation, not realizing the consequences that come with it. He just wanted to love and be loved, but now he finds himself trapped, sinking deeper and deeper into what he thought was just a simple feeling. The "bridges behind me" refer to his past actions that he cannot escape from and are preventing him from moving forward in his relationship. He never considered that loving someone could lead to disaster, and now that he's fully immersed in it, he cannot get out.
The refrain of the song repeats the metaphor of love as quicksand, sinking the singer deeper and deeper, and the mistake that led him here looking steeper and steeper. The second verse shows how the singer took his partner's love for granted, thinking it was just another casual thing, and then quickly realizes it was the real deal. The line "So like a child who plays with fire, I'm going after my own desire" describes how the singer is now fully invested in the relationship and is willing to take risks to make it work.
Overall, the song speaks about the ups and downs of love and how it can be both a beautiful and a treacherous experience. Despite its challenges, the song suggests that love is worth fighting for even when we find ourselves sinking deeper and deeper like quicksand.
Line by Line Meaning
I thought it was infatuation, I couldn't find the bridges behind me
At first, I thought it was just a small crush, but now I feel like I'm in over my head and can't turn back.
Here today, gone tomorrow, never thinking loving wouldn't find me
I used to live in the moment, not thinking about the future, but now I realize I might have been wrong about love.
Now my fee is love, I'm after, my courts show the walls of disaster 'cause
I've realized that love is what I truly desire, but I'm afraid that my past mistakes will ruin my chances at finding it.
refrain:
The chorus reiterates the idea that love is like quicksand and I'm sinking deeper and deeper into it.
Love is like quicksand, I'm sinking deeper and deeper baby
Love feels like I'm slowly being pulled down into something deeper and maybe even dangerous.
But the mountain of my mistakes, is looking steeper and steeper baby
My past mistakes are starting to feel more significant and overwhelming the more I fall in love.
I will solve the things to loving, and it was a case of taking or leaving
I believe that I can fix past mistakes and love can be a choice rather than a risk.
So I crossed it off as usual, your love came, I couldn't believe it
I had given up on finding love or fixing things, but then your unexpected love gave me hope.
So like a child who plays with fire, I'm going after my own desire, 'cause
I know I'm playing with danger, but I can't resist the temptation and excitement of pursuing love.
Can't you see I'm sinking baby, come on help me now, help me now,
I'm struggling and need your help to escape this dangerous love that's engulfing me.
This is more than just flirtations, sure it's not a hopeless situation
This is more than just a casual fling, but I believe there's still hope for us despite the challenges.
refrain (7x)
The chorus repeats the message that love is like quicksand and I'm sinking deeper, emphasizing the struggle and danger of pursuing love.
Lyrics © BMG Rights Management
Written by: HERSCHELL GORDON LEWIS
Lyrics Licensed & Provided by LyricFind
Dead
on Set Me Up
The song is about former DC mayor, Marion Barry.
On January 18, 1990, Barry was arrested with a former girlfriend, Hazel Diane Moore, in a sting operation at the Vista International Hotel by the FBI and D.C. police for crack cocaine use and possession. Moore was an FBI informant when she invited Barry to the hotel room and insisted that he smoke freebase cocaine before they had sex, while agents in another room watched on camera, waiting for Barry to accept her offer. During the videotaped arrest, Barry says of Moore, "Bitch set me up.”