The Pogues were founded in King's Cross, a district in north London, in 1982 as Pogue Mahone - "pogue mahone" being the Anglicisation of the Irish póg mo thóin, meaning "kiss my arse". The band specialised in Irish folk music, often playing with the energy of the punk rock scene from which several of the members had their roots.
Their politically-tinged music was reminiscent of The Clash, with whom they played (Joe Strummer produced one of their albums and even joined the group briefly), and used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin, accordion, and more. In the later incarnations of the band, after the departure of Shane MacGowan, electronic instruments such as the electric guitar would become more prominent. The first of The Pogues' albums, Red Roses for Me, borrows much from the punk tradition of MacGowan's previous band The Nipple Erectors (later dubbed The Nips).
Band history
Shane MacGowan (vocals), James Fearnley (accordion) and Spider Stacy (tin whistle) were the original members of the Pogues, in the days when they busked on the streets of London. Before the rest of the group formed, MacGowan and Stacy were rumoured to have played impromptu performances on street corners and city buses which attracted local interest to their talent. They later added Jeremy 'Jem' Finer (guitar, banjo), Cait O'Riordan (bass) and Andrew Ranken (drums). The band rapidly developed a reputation, started releasing independent work, and ended up opening for The Clash on tour in 1984. Shortening their name to "The Pogues" due to lack of radio play for the curse in their name, they released their first album Red Roses for Me that October.
Phil Chevron (guitar) joined the group soon after, then with the aid of punk and new wave forefather Elvis Costello they recorded the follow up, Rum Sodomy & the Lash, in 1985 (The album title is a famous comment attributed, probably falsely, to Winston Churchill and others in describing the traditions of the British Royal Navy). The album cover featured The Raft of the Medusa, though the faces on the characters in Géricault's painting have been replaced with those of the band members. While the first album had featured a higher percentage of traditional songs, Shane MacGowan came into his own as a songwriter with this disc, offering up poetic story-telling, such as "The Sick Bed of Cúchulainn" and "The Old Main Drag," as well as definitive interpretations of Ewan MacColl's "Dirty Old Town" and Eric Bogle's "And the Band Played Waltzing Matilda," the latter of which has become more popular than the original recording.
The band failed to take advantage of the momentum created by the strong artistic and commercial success of their second album. They first refused to record another album (offering up the 4 track EP Poguetry in Motion instead); O'Riordan married Costello and left the band, to be replaced by bassist Darryl Hunt; and they added a multi-instrumentalist in Terry Woods, formerly of Steeleye Span. Looming over the band at this period (as throughout their entire career) was the increasingly erratic behaviour of their vocalist, principal songwriter and creative visionary, Shane MacGowan.
Success & breakup
The band remained stable enough to record If I Should Fall from Grace with God in 1988 (with its Christmas hit duet with Kirsty MacColl "Fairytale of New York") and 1989's Peace and Love. The band was at the peak of its commercial success, with both albums making the top 5 in the UK (nos. 3 and 5 respectively), but MacGowan was spiralling out of control. Following their next album, Hell's Ditch, MacGowan and the band parted company in 1991.
With his departure, the band was thrown into a state of flux. Without their singer, vocal duties were for a time handled by Joe Strummer, before Stacy finally took over permanently. Two politely received albums followed, the first of which, Waiting for Herb, contained the band's third and final top twenty single, "Tuesday Morning" which became their best selling single internationally. In 1996, the Pogues disbanded with just three members remaining.
Post breakup
Shane MacGowan founded Shane MacGowan and The Popes in 1994. They recorded two studio albums in the period up to their split in 2002. MacGowan's autobiography, A Drink With Shane MacGowan, co-written with his journalist girlfriend Victoria Mary Clarke, appeared in 2001. During this time the three other long-term members of the Pogues (Spider Stacy, Andrew Ranken and Darryl Hunt) played together briefly as the Vendettas.
Reunion
The band, including MacGowan, re-formed for a Christmas tour in 2001 and performed 9 shows in the UK in December [2004]. In 2002 Q magazine named The Pogues as one of the "50 Bands To See Before You Die". Also in December 2004, VH1 Conducted a poll to find the best Christmas song ever, with "Fairytale of New York" coming number one with 2,650 of the 10,000 votes cast - over 25%. In early 2005, VH1 conducted another poll to find the 100 greatest number ones that never Were, With The Pogues coming in at number 27.
In July 2005, the band - again including MacGowan - played at the annual Guilfest festival in Guildford before flying out to Japan where they played three dates. Japan is the last place they all played together before MacGowan was originally sacked in 1991, and they have a strong following there. They played a date in Spain in early September. The reunited Pogues played dates in the UK with support from the Dropkick Murphys in late 2005, and re-released their 1987 Christmas classic "Fairytale Of New York" on 19th December, which went straight in at #3 in the UK Singles charts on Christmas Day 2005, showing the song's enduring popularity. On December 22nd 2005 the BBC broadcast a live performance (recorded the previous week) on the Jonathan Ross Christmas show with Katie Melua. "Fairytale of New York" was voted the greatest Christmas Record of all time for the second year running in a poll by UK Music Channel VH1, with "Fairytale of New York" taking in a whopping 39% of the overall vote.
The band was awarded the life-time achievement award at the annual Meteor Ireland Music Awards in February 2006.
In March 2011, the Pogues played a six-city/ten-show sell-out US tour titled "A Parting Glass with The Pogues". In August 2012, The Pogues undertook a 30th Anniversary European Tour.
Discography
Albums
Red Roses for Me - 1984, #89 UK
Rum, Sodomy, and the Lash - 1985, #13 UK
Poguetry in Motion (EP) - 1986, #29
If I Should Fall from Grace with God - 1988, #3 UK, #88 US
Peace and Love - 1989, #5 UK
Yeah Yeah Yeah Yeah Yeah (EP) - 1990, #43 UK
Hell's Ditch - 1990, #11 UK
Waiting for Herb - 1993, #20 UK
Pogue Mahone - 1996
The Best of The Pogues - 1991, #11 UK
The Rest of the Best - 1992
The Very Best of The Pogues - 2001, #18
The Ultimate Collection including Live at the Brixton Academy - 2001, #15 UK
Dirty Old Town: The Platinum Collection
Sayonara
The Pogues Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
So long yankee break my heart
Now there's nothing left but sorrow
Even the best friends they must part
I walked into the nearest bar
I sat and gazed across the sea
I wandered lonely on the beach
She had a red red scarf
Around her neck
Her eyes were green
Her hair was black
She had a red red scarf
Around her neck
Her eyes were green
Her hair was black
Ooh she gave me Mekong Whiskey
Ooh she gave me Hong Kong Flu
Ooh she gave me Mekong Whiskey
Put me on a breeze to Katmandu
(Som-yat-zu, som-yat-zu)
I got new papers in a bordello
With some luckies and my I.D.
My heart was pounding like a hammer
Thai Thai Thai Thai Thai! I am free
She kissed me softly on the lips
She took my hand without a sound
This was our happy ever after
So motherfucker kiss the ground
The Pogues' song "Sayonara" is a poignant piece about the pain of separation. The lyrics begin on a lamenting note, as the singer expresses the sadness of saying goodbye to a loved one. As he walks alone along the seashore, he is consumed by his sorrow, underscored by the mournful whispers of the waves. The accompanying drinks of Mekong Whiskey and Hong Kong Flu, adds to the bittersweet and wistful lyrics. The short-lived pleasure, coupled with the longing for the person he's leaving behind tastes acrid.
The second half of the song transitions into a more whimsical and upbeat tone, as the singer describes his escape from the place that caused him so much pain. "Thai, Thai, Thai, Thai, Thai! I am free," he exults in a joyous shout. His lover joins him in this journey, kissing him softly on the lips and leading him to a carefree existence, finally giving him a chance to escape reality. The song concludes with him bidding farewell to his past and triumphantly declaring his emancipation.
Line by Line Meaning
OK, it's time for Sayonara
It is now time to say goodbye
So long yankee break my heart
Saying goodbye to the yankee is heartbreaking
Now there's nothing left but sorrow
Leaving has led to an overwhelming feeling of sadness
Even the best friends they must part
Friends, no matter how close they are, must eventually part ways
I walked into the nearest bar
Entered the nearest bar
I sat and gazed across the sea
I sat down and looked out at the sea
I wandered lonely on the beach
I walked aimlessly by myself on the beach
The waves just whispered misery
The sound of the waves only added to my feeling of misery
She had a red red scarf
The woman was wearing a bright red scarf
Around her neck
The scarf was wrapped around her neck
Her eyes were green
Her eyes were green in color
Her hair was black
She had black hair
Ooh she gave me Mekong Whiskey
She offered me Mekong Whiskey
Ooh she gave me Hong Kong Flu
She gave me a sickness referred to as Hong Kong Flu
Ooh she gave me Mekong Whiskey
She offered me Mekong Whiskey
Put me on a breeze to Katmandu
The whiskey made me feel like I was being transported to Katmandu
(Som-yat-zu, som-yat-zu)
Repeating a made-up phrase
I got new papers in a bordello
I obtained new documents in a brothel
With some luckies and my I.D.
Along with some cigarettes and my identification
My heart was pounding like a hammer
I was experiencing intense anxiety and anticipation
Thai Thai Thai Thai Thai! I am free
Rejoicing in newfound freedom while in Thailand
She kissed me softly on the lips
She kissed me gently on my lips
She took my hand without a sound
Without speaking, she took my hand
This was our happy ever after
This moment was our perfect ending
So motherfucker kiss the ground
An expression of triumph and defiance
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind