The Pointer Sisters is an American vocal group originally of four sisters … Read Full Bio ↴The Pointer Sisters is an American vocal group originally of four sisters out of the West Oakland Church of God where their father was a preacher. Under management & production of David Rubinson & later Richard Perry, the sisters became a hugely successful act throughout the '70s & '80s, creating a two-and-a-half decades long career. Amongst the many hit tracks included "Jump (For My Love)", "He's So Shy", "Happiness", "Fairytale" and "Neutron Dance". They had many record labels starting with their first failed single on Atlantic on through to long periods with Blue Thumb, Planet, RCA, and later Motown and even SBK.

Bonnie Pointer and June Pointer first formed a secular singing duo in the late '60s and began performing in clubs around the San Francisco Bay area; Anita Pointer and Ruth Pointer later joined them. The Pointer Sisters hooked up with David Rubinson who was a record producer affiliated with Bill Graham. They would perform onstage with the flamboyant Sylvester of The Cockettes, and they'd done some work as background singers on recordings by Elvin Bishop, Boz Scaggs, Cold Blood and other San Francisco Bay Area groups.

Their big breakthrough was a cover of an Allen Toussaint composition originally recorded in 1970 by Lee Dorsey, the song was "Yes We Can Can" released by The Pointer Sisters in March 1973. The girls' voices were added over funky backing tracks laid down with the help of Rubinson's contacts like Tower of Power guitarist Willie Fulton. They sang live around a single mic, with Anita handling lead, and upon release the record soon hit Number 11 on Billboard's pop chart and Number 12 on the R&B chart. In 1974 the group surprised white audiences when they broke the color barrier in at The Grand Ol' Opry when performing their Country Grammy award winning country song "Fairytale" in Nashville. "How Long (Betcha Got A Chick On The Side)" was a 1975 #1 R&B hit from their Steppin LP, with classic funky keys of Herbie Hancock on clavinet & wicked guitar stylings of Wah Wah Watson...

Bonnie Pointer left the group in 1977 for a solo career, and in 1978, the remaining sisters switched labels to Planet & production duties went to Richard Perry who modernized their sound away from a nostalgia based act into a more contemporary look & sound for the 1980's.

They produced the album Energy, with a classic country flavored updates of Sly Stone's "Everybody Is A Star", and a rendition of another Allen Toussaint song called "Happiness". The Perry streak included 1984's Break Out, which did exactly that going triple platinum and winning two Grammys for the singles Automatic and "Jump (for My Love)". This period in the early 80's ostensibly represents the group's commercial peak as a charting act. Their last big hit was Neutron Dance from the Beverly Hills Cop soundtrack.

As the '80s wound down, June Pointer recorded two solo albums, and later left the trio by 2001. Anita also did some solo project work, and had a minor hit with a song called, "Overnight Success."

Anita and Ruth still perform concerts under the group's name. Ruth's daughter, Issa Pointer, is the trio's newest member. June suffered a stroke on February 27, 2006. While hospitalized, she was diagnosed with cancer, which had metastasized in her breast, colon, liver and bones. She died at UCLA Medical Center in Los Angeles, California on April 11, 2006 at the age of 52.

Hey You
The Pointer Sisters Lyrics

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Everybody wants the real thing
No imitations
Everybody wants the same thing
Some tender love
Everybody on the rebound
Breaking into two
Everybody going downtown
I'm reaching out to you

Gotta wonder what the score is
Sure is a shame to me
Don't you see the little children begging
But no one ever sees
In the middle of the night time
Oh I, I got to know

Hey you
Tell me what's been going on
Tell me what's been going on

People living in the city
Don't know their fellow man
People living in the country
Don't buy no master plan
People sent in from Erasure
To seek the promise land
Everybody wants their freedom
But do they understand

Gotta wonder what the score is
Sure is a shae to me
Don't you see the lonely people
We've been following to believe
In the middle of the night time
Oh I, I got to know

Hey you, tell me
What's been going on
This world, our world
What's been going on

Oh, woo, oh
Oh, woo, oh

Hey you

Tell me what's been going on
Tell me what's been going on

Overall Meaning

The Pointer Sisters' song "Hey You" explores the idea of people searching for something real and genuine. The opening lines of the song highlight this theme by stating that "Everybody wants the real thing, no imitations." The lyrics paint a picture of people who are on the rebound, going through a tough time, and seeking genuine love and connection in their lives. The singer of the song, who seems to be observing other people's problems and loneliness, reaches out to someone and implores them to tell her what's been going on in the world.

The lyrics also suggest a wider social commentary on the state of the world. The lines, "Don't you see the little children begging, but no one ever sees" and "People sent in from Erasure to seek the promised land" can be interpreted as critiques of societal inequality and government corruption. The song raises questions about the true nature of freedom and the struggles that people face in trying to find genuine human connection in a world where everyone is looking out for themselves.

Line by Line Meaning

Everybody wants the real thing
Everyone desires authenticity and genuineness

No imitations
There should be no substitutes or fakes

Everybody wants the same thing
All share a common need or want

Some tender love
They crave affection and care

Everybody on the rebound
Everyone feeling the aftermath of a broken relationship

Breaking into two
Emotionally struggling and feeling torn apart

Everybody going downtown
All venturing to seek solace in the city

I'm reaching out to you
Making a plea for emotional connection and support

Gotta wonder what the score is
It's confusing and uncertain

Sure is a shame to me
It's disheartening and regrettable

Don't you see the little children begging
There are innocent and helpless individuals in dire need