The band reunited in January 2007 for a reunion tour that lasted until August 2008.
Biography
The Police formed in early 1977 in London by Stewart Copeland (drums), Gordon Sumner, better known as Sting (bass and lead vocals), and Henry Padovani (guitar). Andy Summers later joined the group, and after a very short stint as a quartet, Padovani left the band. The Police became one of the most popular bands in the late 70s and throughout the 80s.
The Police are notable as one of the first mainstream white pop groups to adopt reggae as a predominant musical form and to score major international hits with reggae-styled material. (The first all-white reggae band with permanent members and frequent recording in Europe was Peps Blodsband, lead by Peps Persson from south Sweden who changed from blues to reggae 1974/75). Although reggae was already very popular in the United Kingdom (due to the large number of Caribbean immigrants) and a number of Western European countries, reggae was little known in the United States and rejected by most black artists in U.S, and prior to the emergence of the Police only a handful of reggae songs had enjoyed any significant chart success. The Police, UB40, The Clash and Bob Marley (Jamaican, partly living in England after being shot in Jamaica, are considered with a number of new wave, rock and ska bands as one of the leaders of the Second British Invasion of the U.S.
The Police were strongly influenced by reggae (especially reggae drumming and base lines), jazz and, in the beginning, punk rock – something that came to be shifted more and more towards pop during the 80s. Their lyrics also changed from challenging, but yet somewhat politically restrained punk- and new wave lyrics, to after 1982 in some songs emphasize environmental awareness and human oneness. The biggest hits, however, had romantic or sexual themes. The Police met together with other "white" British bands which played reggae, as UB40, criticism from black English rastafarian reggae bands like Aswad (in a BBC documentary on TV) and Steel Pulse, for being accomplices in the music industry of "Babylon", stealing the Caribbean slave descendants' musical treasure. This criticism has later been withdrawn. Aswad has even made the covers of Police songs like "Roxanne".
Tension grew between the band members, because unlike most other bands, they did not share songwriting credits. They released their last album, Synchronicity, in 1983, selling over 8 million copies. Synchronicity is critically regarded as their best album, with hits such as Synchronicity II, King of Pain, and probably their best known song, Every Breath You Take. In 1984, after touring in support of Synchronicity, The Police went on hiatus while Sting pursued his acting and solo music careers. Two years later, The Police reformed and played a few concerts for Amnesty International. Soon after the band went into the studio. Sting wanted to re-record their old songs but Andy and Stewart wanted to leave the originals alone and only two songs were re-recorded during these studio sessions. Although the group is considered to have disbanded in 1984, 1986 was the last time The Police engaged in any musical activity.
In 1992 the band released "Message in a Box", their 4 CD box set, and performed at Sting's wedding to Trudie Styler. A live CD was released in June 1995. On March 10, 2003 The Police were inducted into the Rock and Roll Hall of Fame and performed Message in a Bottle, Roxanne and Every Breath You Take.
The Police reformed in 2007 and opened the Grammy award ceremony of that year with a performance of Roxanne. Towards the end of May the band began a world tour. In 2008 the tour ended at Madison Square Garden, New York on August 7, and The Police disbanded for good. Sting was quoted towards the end of the tour that he had achieved closure with the band and revealed that The Police would never tour or record again.
Sting has said that the material on the album Ghost in the Machine were inspired by the writings of Arthur Koestler, and that the Police's final studio album Synchronicity was influenced by the writings of Carl Jung. Sting also peppers his songs with literary allusions: the song "Don't Stand So Close to Me" mentions Vladimir Nabokov's novel Lolita; "Tea in the Sahara" alludes to the novel The Sheltering Sky by Paul Bowles; and "Wrapped Around Your Finger" refers both to the sea monsters Scylla and Charybdis, from Greek mythology, and to Mephistopheles, from the German legend of Faust .
Discography
* Outlandos d'Amour (1978)
* Reggatta de Blanc (1979)
* Zenyatta Mondatta (1980)
* Ghost in the Machine (1981)
* Synchronicity (1983)
Ωmegaman
The Police Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
City screams are all I've heard in twenty years
The razor's edge of night, it cuts into my sleep
I sit upon the edge now shall I make that leap?
I'm the Omegaman, I'm the Omegaman
The sky's alive with turned on television sets
The echo makes me turn to see that last frontier
The edge of time closes down as I disappear
I'm the Omegaman, I'm the Omegaman
I'm the Omegaman, I'm the Omegaman
Always talking to myself
The time that's best is when surroundings fade away
The presence of another world comes close to me
It's time for me to throw away this paper knife
I'm not alone in reaching for a perfect life
I'm the Omegaman, I'm the Omegaman
I'm the Omegaman, I'm the Omegaman
I'm so tired
Of the Omegaman...
The Police's song "Ωmegaman" explores the singer's feelings of isolation and disconnection from the world around them. The lyrics describe a world that has become overwhelming and oppressive, represented by the contrast between the "jungle sounds" and "city screams." The singer feels as if they are on the edge of something, both literally and figuratively. They are considering making a leap, perhaps to escape the reality they find themselves in.
Throughout the song, the singer identifies as the "Omegaman," a reference to being the last in a series, the final stage. This may suggest that they feel as if they are at the end of their rope, having exhausted all other options. The singer seeks refuge in solitude, finding moments of clarity when they are alone and the noise of the world around them fades away. Ultimately, the lyrics suggest a yearning for something more, for a perfect life that feels just out of reach.
Line by Line Meaning
The night came down, jungle sounds were in my ears
I was surrounded by the sounds of nature as the night fell
City screams are all I've heard in twenty years
I've been living in the city for two decades and all I hear are the sounds of urban life
The razor's edge of night, it cuts into my sleep
The night is so intense that it disturbs my sleep
I sit upon the edge now shall I make that leap?
I'm at the tipping point, should I take a risk?
I'm the Omegaman, I'm the Omegaman
I'm a powerful and enigmatic figure
The sky's alive with turned on television sets
The night is illuminated by televisions turned on in people's homes
I walk the streets and seek another vision yet
I wander the city in search of something new
The echo makes me turn to see that last frontier
The sound of my footsteps echoes and reminds me of the unknown beyond
The edge of time closes down as I disappear
As I fade away, time seems to come to a stop
Always talking to myself
I engage in deep introspection and self-reflection
The time that's best is when surroundings fade away
I feel most at peace when I'm alone and distractions disappear
The presence of another world comes close to me
I feel a sense of connection to a mystical realm beyond our own
It's time for me to throw away this paper knife
I need to let go of my attachment to mundane things
I'm not alone in reaching for a perfect life
Others strive for the ideal life too
I'm so tired
I'm exhausted
Of the Omegaman...
Of the burden of being the Omegaman
Contributed by Nicholas I. Suggest a correction in the comments below.
Daniel
on Roxanne
Algum leitor sabe a letra de Saludos Caballeros ?
Até agora não conseguí !
daprendiz1@gmail.com