The band reunited in January 2007 for a reunion tour that lasted until August 2008.
Biography
The Police formed in early 1977 in London by Stewart Copeland (drums), Gordon Sumner, better known as Sting (bass and lead vocals), and Henry Padovani (guitar). Andy Summers later joined the group, and after a very short stint as a quartet, Padovani left the band. The Police became one of the most popular bands in the late 70s and throughout the 80s.
The Police are notable as one of the first mainstream white pop groups to adopt reggae as a predominant musical form and to score major international hits with reggae-styled material. (The first all-white reggae band with permanent members and frequent recording in Europe was Peps Blodsband, lead by Peps Persson from south Sweden who changed from blues to reggae 1974/75). Although reggae was already very popular in the United Kingdom (due to the large number of Caribbean immigrants) and a number of Western European countries, reggae was little known in the United States and rejected by most black artists in U.S, and prior to the emergence of the Police only a handful of reggae songs had enjoyed any significant chart success. The Police, UB40, The Clash and Bob Marley (Jamaican, partly living in England after being shot in Jamaica, are considered with a number of new wave, rock and ska bands as one of the leaders of the Second British Invasion of the U.S.
The Police were strongly influenced by reggae (especially reggae drumming and base lines), jazz and, in the beginning, punk rock – something that came to be shifted more and more towards pop during the 80s. Their lyrics also changed from challenging, but yet somewhat politically restrained punk- and new wave lyrics, to after 1982 in some songs emphasize environmental awareness and human oneness. The biggest hits, however, had romantic or sexual themes. The Police met together with other "white" British bands which played reggae, as UB40, criticism from black English rastafarian reggae bands like Aswad (in a BBC documentary on TV) and Steel Pulse, for being accomplices in the music industry of "Babylon", stealing the Caribbean slave descendants' musical treasure. This criticism has later been withdrawn. Aswad has even made the covers of Police songs like "Roxanne".
Tension grew between the band members, because unlike most other bands, they did not share songwriting credits. They released their last album, Synchronicity, in 1983, selling over 8 million copies. Synchronicity is critically regarded as their best album, with hits such as Synchronicity II, King of Pain, and probably their best known song, Every Breath You Take. In 1984, after touring in support of Synchronicity, The Police went on hiatus while Sting pursued his acting and solo music careers. Two years later, The Police reformed and played a few concerts for Amnesty International. Soon after the band went into the studio. Sting wanted to re-record their old songs but Andy and Stewart wanted to leave the originals alone and only two songs were re-recorded during these studio sessions. Although the group is considered to have disbanded in 1984, 1986 was the last time The Police engaged in any musical activity.
In 1992 the band released "Message in a Box", their 4 CD box set, and performed at Sting's wedding to Trudie Styler. A live CD was released in June 1995. On March 10, 2003 The Police were inducted into the Rock and Roll Hall of Fame and performed Message in a Bottle, Roxanne and Every Breath You Take.
The Police reformed in 2007 and opened the Grammy award ceremony of that year with a performance of Roxanne. Towards the end of May the band began a world tour. In 2008 the tour ended at Madison Square Garden, New York on August 7, and The Police disbanded for good. Sting was quoted towards the end of the tour that he had achieved closure with the band and revealed that The Police would never tour or record again.
Sting has said that the material on the album Ghost in the Machine were inspired by the writings of Arthur Koestler, and that the Police's final studio album Synchronicity was influenced by the writings of Carl Jung. Sting also peppers his songs with literary allusions: the song "Don't Stand So Close to Me" mentions Vladimir Nabokov's novel Lolita; "Tea in the Sahara" alludes to the novel The Sheltering Sky by Paul Bowles; and "Wrapped Around Your Finger" refers both to the sea monsters Scylla and Charybdis, from Greek mythology, and to Mephistopheles, from the German legend of Faust .
Discography
* Outlandos d'Amour (1978)
* Reggatta de Blanc (1979)
* Zenyatta Mondatta (1980)
* Ghost in the Machine (1981)
* Synchronicity (1983)
Dead End Job
The Police Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't want no dead end job, I don't wanna be no number
The queue gets longer everyday, I just ain't got time to stay
I ain't gonna run away, all I wanna do is play
Don't wanna be no teacher, I don't wanna be no slave
I don't wanna work no assembly line, like my uncle Dave
The queue gets longer everyday, I just ain't got time to stay
I don't want no dead end job, I don't want no dead end job
I don't want no dead end job, I don't want no dead end job
I don't want no dead end job, I don't wanna be no number
I don't want no dead end job, I don't wanna be no number
The queue gets longer everyday, all I wanna do is play
I just ain't got time to stay, but I ain't gonna run away
Don't wanna be no millionaire, don't wanna own no mint
I don't wanna be no tax exile and I don't mind being skint
The queue gets longer every day, I just ain't got time to stay
I ain't gonna run away all I wanna do is play
I don't want no dead end job, I don't want no dead end job
I don't want no dead end job, I don't want no dead end job
Oh no
I don't want no dead end job, I don't want no dead end job
I don't want no dead end job
I don't want no dead end job, I don't wanna be no number
I don't want no dead end job, I don't wanna be no number
The queue gets longer everyday, I just ain't got time to stay
I ain't gonna run away all I want to do is play
Don't wanna be no millionaire, don't wanna own no mint
I don't wanna be no tax exile and I don't mind being skint
The queue gets longer every day, I just ain't got time to stay
All I wanna do is play, I ain't gonna run away
I don't want no dead end job, I don't want no dead end job
I don't want no dead end job, I don't want no dead end job
I don't want no dead end job, you can stop your dead end job
Stop your fuckin' dead end, you bastard, cunts
Don't want no dead end job
I'm fuckin' pissed off with this dead end job
Camarine
Oh I don't want no dead end job, I don't want no dead end job
I don't want no dead end job, I don't want no dead end job
Dead end
The Police's song Dead End Job is a reflection of the band's earlier days before they achieved fame and success. It speaks about how the prospect of a dead end job or a monotonous life doesn't appeal to lead singer Sting, and he looks to escape such a future by playing music. The lyrics serve as a reminder that life is too short to waste in a job that doesn't satisfy one's goals and aspirations. Sting also looks at how he doesn't want to be a slave to anyone, including being a teacher, and how he doesn't have any interest in becoming a millionaire or owning materialistic things.
The chorus focuses on the repetition of the line "I don't want no dead end job," reinforcing the message of not settling for less and fighting for one's dreams. The closing lines, including profanity, add to the frustration of feeling stuck in one's present situation, a feeling that often leads to expressions of rage or rebellion. The song ends with the word "dead end," emphasizing the theme of avoiding anything that could lead to a dead end in one's life.
Line by Line Meaning
I don't want no dead end job, I don't wanna be no number
I want a fulfilling job where I am valued as an individual, not just a statistic
The queue gets longer everyday, I just ain't got time to stay
The competition for these jobs is increasing and I need to act fast
I ain't gonna run away, all I wanna do is play
I'm not going to give up, I just want to enjoy my life outside of work
Don't wanna be no teacher, I don't wanna be no slave
I don't want a job that requires too much obligation, nor one that feels like a burden
I don't wanna work no assembly line, like my uncle Dave
I don't want a job that lacks creativity or variety, even if it pays well
Don't wanna be no millionaire, don't wanna own no mint
Money and material possessions don't mean everything to me, I just want to be content
I don't wanna be no tax exile and I don't mind being skint
I don't want to evade taxes or use wealth to escape problems, and I'm okay with not having a lot of money
Oh no
Expressing exasperation and despair at the thought of a dead end job
I don't want no dead end job, you can stop your dead end job
I am vehemently against the idea of a dead end job and I encourage others to avoid them as well
Stop your fuckin' dead end, you bastard, cunts
An outburst of frustration and anger towards those who perpetuate the cycle of dead end jobs
I'm fuckin' pissed off with this dead end job
An expression of dissatisfaction and resentment towards the current job situation
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group, BMG Rights Management
Written by: STEWART ARMSTRONG COPELAND, GORDON MATTHEW SUMNER, ANDY SOMMERS
Lyrics Licensed & Provided by LyricFind
Daniel
on Roxanne
Algum leitor sabe a letra de Saludos Caballeros ?
Até agora não conseguí !
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