The band reunited in January 2007 for a reunion tour that lasted until August 2008.
Biography
The Police formed in early 1977 in London by Stewart Copeland (drums), Gordon Sumner, better known as Sting (bass and lead vocals), and Henry Padovani (guitar). Andy Summers later joined the group, and after a very short stint as a quartet, Padovani left the band. The Police became one of the most popular bands in the late 70s and throughout the 80s.
The Police are notable as one of the first mainstream white pop groups to adopt reggae as a predominant musical form and to score major international hits with reggae-styled material. (The first all-white reggae band with permanent members and frequent recording in Europe was Peps Blodsband, lead by Peps Persson from south Sweden who changed from blues to reggae 1974/75). Although reggae was already very popular in the United Kingdom (due to the large number of Caribbean immigrants) and a number of Western European countries, reggae was little known in the United States and rejected by most black artists in U.S, and prior to the emergence of the Police only a handful of reggae songs had enjoyed any significant chart success. The Police, UB40, The Clash and Bob Marley (Jamaican, partly living in England after being shot in Jamaica, are considered with a number of new wave, rock and ska bands as one of the leaders of the Second British Invasion of the U.S.
The Police were strongly influenced by reggae (especially reggae drumming and base lines), jazz and, in the beginning, punk rock – something that came to be shifted more and more towards pop during the 80s. Their lyrics also changed from challenging, but yet somewhat politically restrained punk- and new wave lyrics, to after 1982 in some songs emphasize environmental awareness and human oneness. The biggest hits, however, had romantic or sexual themes. The Police met together with other "white" British bands which played reggae, as UB40, criticism from black English rastafarian reggae bands like Aswad (in a BBC documentary on TV) and Steel Pulse, for being accomplices in the music industry of "Babylon", stealing the Caribbean slave descendants' musical treasure. This criticism has later been withdrawn. Aswad has even made the covers of Police songs like "Roxanne".
Tension grew between the band members, because unlike most other bands, they did not share songwriting credits. They released their last album, Synchronicity, in 1983, selling over 8 million copies. Synchronicity is critically regarded as their best album, with hits such as Synchronicity II, King of Pain, and probably their best known song, Every Breath You Take. In 1984, after touring in support of Synchronicity, The Police went on hiatus while Sting pursued his acting and solo music careers. Two years later, The Police reformed and played a few concerts for Amnesty International. Soon after the band went into the studio. Sting wanted to re-record their old songs but Andy and Stewart wanted to leave the originals alone and only two songs were re-recorded during these studio sessions. Although the group is considered to have disbanded in 1984, 1986 was the last time The Police engaged in any musical activity.
In 1992 the band released "Message in a Box", their 4 CD box set, and performed at Sting's wedding to Trudie Styler. A live CD was released in June 1995. On March 10, 2003 The Police were inducted into the Rock and Roll Hall of Fame and performed Message in a Bottle, Roxanne and Every Breath You Take.
The Police reformed in 2007 and opened the Grammy award ceremony of that year with a performance of Roxanne. Towards the end of May the band began a world tour. In 2008 the tour ended at Madison Square Garden, New York on August 7, and The Police disbanded for good. Sting was quoted towards the end of the tour that he had achieved closure with the band and revealed that The Police would never tour or record again.
Sting has said that the material on the album Ghost in the Machine were inspired by the writings of Arthur Koestler, and that the Police's final studio album Synchronicity was influenced by the writings of Carl Jung. Sting also peppers his songs with literary allusions: the song "Don't Stand So Close to Me" mentions Vladimir Nabokov's novel Lolita; "Tea in the Sahara" alludes to the novel The Sheltering Sky by Paul Bowles; and "Wrapped Around Your Finger" refers both to the sea monsters Scylla and Charybdis, from Greek mythology, and to Mephistopheles, from the German legend of Faust .
Discography
* Outlandos d'Amour (1978)
* Reggatta de Blanc (1979)
* Zenyatta Mondatta (1980)
* Ghost in the Machine (1981)
* Synchronicity (1983)
Visions Of The Night
The Police Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Seen the darkness fall
I've heard a mountain fall away from sight
Heard the thunder call
Seen the beast I call my father
Creature of the night
I feel the creeping darkness close
They say the meek shall inherit the earth
How long will you keep it?
They sow a harvest but what's it worth?
There's no one left to reap it
Gazed into the visions of the night
Seen the darkness fall
I've heard a mountain fall away from sight
Heard the thunder call
Seen the beast I call my father
Creature of the night
I feel the creeping darkness close
That electric light
They say the meek shall inherit the earth
How long will you keep it?
They sow a harvest but what's it worth?
There's no one left to reap it
Gazed into the visions of the night
Gazed into the visions of the night
Gazed into the visions of the night
Gazed into the visions of the night
They say the meek shall inherit the earth
How long will you keep it?
They sow a harvest but what's it worth?
There's no one left to reap it
Gazed into the visions of the night
Gazed into the visions of the night
Gazed into the visions of the night
Gazed into the visions of the night
I have gazed into the visions of night
I have gazed into the visions of night
Gazed into the visions of night [x10]
The Police's song "Visions of the Night" depicts a surreal, dreamlike state. The singer has witnessed eerie sights and sounds, from darkness falling to a mountain collapsing out of sight. The singer also describes encountering a "beast" who they consider to be their father, a symbol of a dark, perhaps even abusive presence in their life. The creepy atmosphere is enhanced by the image of "creeping darkness" that threatens to close in on the singer. Meanwhile, the repeated lines "They say the meek shall inherit the earth / How long will you keep it? / They sow a harvest but what's it worth? / There's no one left to reap it" suggest a feeling of futility or despair. Despite all the planting, toiling, and waiting, there seems to be no payoff in the end.
What makes "Visions of the Night" haunting and intriguing is the sense that the singer is caught in a cycle of darkness and tension. The repetition of the chorus underscores this feeling, as if the singer is unable to break free from the visions that plague them. The song leaves us to wonder if the visions are symbolic, representing the singer's internal struggle, or if they are literal events that the singer has witnessed. Either way, the song captures the eerie, unsettling experience of being trapped in sleepless wakefulness.
Line by Line Meaning
Gazed into the visions of the night
I have seen through the darkness of the night.
Seen the darkness fall
I have witnessed the night overshadowing the day.
I've heard a mountain fall away from sight
I have perceived a mountain vanishing from sight through sound.
Heard the thunder call
I have heard the message from the lightning strike.
Seen the beast I call my father
I have seen the demonic figure who I consider as my father.
Creature of the night
A monster that only lives in the darkness of the night.
I feel the creeping darkness close
I sense the approach of the obscure and terrifying fate.
That electric light
A false illumination that obfuscates the reality.
They say the meek shall inherit the earth
The submissive ones will eventually have the ownership of the world.
How long will you keep it?
Until when will the dominant force keep their rule?
They sow a harvest but what's it worth?
A futile attempt to profit from planting crops.
There's no one left to reap it
There's no one to enjoy or work for the unproductive product.
I have gazed into the visions of night
I have observed the obscure world repetitively and effectively.
Gazed into the visions of night [x10]
An indication of intense focus and self-reflection to achieve personal growth.
Lyrics © Universal Music Publishing Group
Written by: GORDON SUMNER
Lyrics Licensed & Provided by LyricFind
Daniel
on Roxanne
Algum leitor sabe a letra de Saludos Caballeros ?
Até agora não conseguí !
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