Synchronicity II
The Police (Bass) Lyrics


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Another suburban family morning
Grandmother screaming at the wall
We have to shout above the din of our rice crispies
We can't hear anything at all

Mother chants her litany of boredom and frustration
But we know all her suicides are fake
Daddy only stares into the distance
There's only so much more that he can take
Many miles away something crawls from the slime
At the bottom of a dark Scottish lake

Another industrial ugly morning
The factory belches filth into the sky
He walks unhindered through the picket lines today,
He doesn't think to wonder why

The secretaries pout and preen like cheap tarts in a red light street,
But all he ever thinks to do is watch,
And every single meeting with his so-called superior
Is a humiliating kick in the crotch
Many miles away something crawls to the surface
Of a dark Scottish loch

Another working day has ended
Only the rush hour hell to face
Packed like lemmings into shiny metal boxes
Contestants in a suicidal race

Daddy grips the wheel and stares alone into the distance
He knows that something somewhere has to break
He sees the family home now, looming in his headlights
The pain upstairs that makes his eyeballs ache
Many miles away there's a shadow on the door
Of a cottage on the shore
Of a dark Scottish lake

Many miles away
Many miles away
Many miles away
Many miles away




Many miles away
Many miles away

Overall Meaning

The Police's song Synchronicity II paints a vivid picture of suburban life, where families are stuck in mundane routines and plagued by frustration and boredom. The song describes a morning in which a grandmother is screaming at a wall and everyone has to shout over the noise of their rice crispies just to hear one another. The mother is reciting her litany of boredom while the father stares blankly into the distance, having reached his limit. The scene then shifts to an industrial setting, where the factory spews pollution into the atmosphere and management strides brazenly past picket lines. In this environment, women are objectified and meetings with superiors are unbearable. The final scene takes place during rush hour, where the family must suffer through a suicidal race back home, where a shadow looms over the door of a cottage on the shore of a dark Scottish lake, hinting at something ominous and foreboding.


The song serves as a commentary on the emptiness and despair that can accompany monotonous routines and a life devoid of meaning. It also touches upon the themes of environmental degradation, social inequality, and human alienation in a modern industrial society. The haunting melodies and evocative lyrics, as well as the sparse yet powerful arrangement, create a compelling and thought-provoking work of art.


Line by Line Meaning

Another suburban family morning
Another day in the life of a typical suburban family


Grandmother screaming at the wall
The grandmother is likely senile and shouting at an inanimate object, indicating the sense of frustration and alienation in the household


We have to shout above the din of our rice crispies
The family is so detached from each other that they can't hear anything over the noise of their breakfast cereal


We can't hear anything at all
Their breakfast is serving as a distraction to the point where the family can't even communicate effectively anymore


Mother chants her litany of boredom and frustration
The mother is expressing her feelings of boredom and frustration with her life


But we know all her suicides are fake
The family is aware that the mother is merely threatening to commit suicide as a form of expression, but wouldn't actually follow through with it


Daddy only stares into the distance
The father is distant and emotionally unavailable


There's only so much more that he can take
The father is becoming overwhelmed by the pressures of his life


Many miles away something crawls from the slime At the bottom of a dark Scottish lake
There is something ominous and threatening emerging from the depths of a Scottish lake, which serves as a metaphor for the emotional turmoil and uncertainty in the suburban family's lives


Another industrial ugly morning
The start of another work day in a drab, unappealing setting


The factory belches filth into the sky
The factory is polluting the environment


He walks unhindered through the picket lines today, He doesn't think to wonder why
The worker is able to cross the picket lines without issue, despite the fact that he is benefiting from the work of union organizers


The secretaries pout and preen like cheap tarts in a red light street, But all he ever thinks to do is watch,
The worker objectifies and sexualizes the women in the workplace, indicating a lack of respect or consideration for their feelings


And every single meeting with his so-called superior Is a humiliating kick in the crotch
The worker feels powerless and humiliated during interactions with his boss or manager


Many miles away something crawls to the surface Of a dark Scottish loch
Something unsettling is emerging from the depths of a Scottish lake, mirroring the sense of danger or uncertainty in the worker's life


Another working day has ended
The work day has concluded


Only the rush hour hell to face
The worker must now face the chaos and stress of rush hour traffic


Packed like lemmings into shiny metal boxes Contestants in a suicidal race
People are metaphorically like lemmings, blindly following the crowd and racing towards their deaths


Daddy grips the wheel and stares alone into the distance
The father is again distant and withdrawn, consumed by his own thoughts and concerns


He knows that something somewhere has to break
The father feels that the mounting tension and pressure in his life will eventually become untenable and lead to some sort of crisis


He sees the family home now, looming in his headlights The pain upstairs that makes his eyeballs ache
The father is eager to return home, but is anxious about the emotional turmoil and conflict that awaits him


Many miles away there's a shadow on the door Of a cottage on the shore Of a dark Scottish lake
The ominous force from the Scottish lake is still present, suggesting that the underlying sense of tension and danger is pervasive and ongoing


Many miles away
Repetition of the idea that the sense of danger and uncertainty is pervasive and distant, yet still present in all aspects of the characters' lives




Lyrics © Sony/ATV Music Publishing LLC
Written by: GORDON SUMNER

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@turquoise770

@@Alan_Page That's an interpretation akin to a Stephen King-type novel, a la "The Shining", focusing at an individual level on the particulars of family dynamics (which might have been what the lyric writer intended), but to me, based on the lyrics and the song structure, its seems more of a universal commentary on existentialism as humans move into an increasingly uncertain 20/21st century.

If you notice the song doesn't really have a repeated chorus, just three verses broken up by what seem to musically read as three quasi-bridges (all starting with: "many miles away...), opening in a very futuristic dystopian minor key which sets the whole tone for what you can expect throughout. Suddenly though, it morphs into the major key as the verse begins and paints what seems to a Penny Lane-like picture with suburban family mornings and Rice Krispy breakfasts, yet as the song shifts into a chromatic modulation the lyrics begin to suggest cracks in the facade.

Then in that quasi-bridge ( seeming more to me like a musical aside ), an F natural (outside of the normal F sharps of the keys of A, G and D in which most of the song operates) figures strongly, mirrored in the lyrics with the unrelated topic of something lurking in a Scottish Lake, yet loosely tangential to the topic in the verses by the phrase "many miles away" (from that particular family) - a sort of re-imagining of the comic book technique "meanwhile, on the other side of town...".

There is an obvious tension between the verses ( descriptions of the mundane putting on a stiff upper lip and muddling through an increasingly difficult world to live in) and the seemingly unrelated quasi-bridges ( describing the approach of an ever-closer foreboding), and when I first heard the song, I realized that the clever and gradual elevating of this tension - between the seemingly unrelated subject matter of the verses and this ominous "thing" of the quasi-bridges - was intentionally left to my own imagination to make a connection, really for the very same reason that the ominous "thing" from the bottom of the Scottish lake is not named or described.

While the lyrics of the verses are meant in a haphazard way to approximate our own workaday experiences (confronting boredom, pollution, workplace dynamics, rush hour traffic, ad infinitum - or what might be called "la nausee" according to the mid-twentieth century French philosopher Sartre), the unnamed foreboding mentioned in the quasi-bridges represent an inevitable confrontation with existential threats arising from the consciousness that attempts to unite these seemingly meaningless trivialities and sufferings with ultimate purpose and meaning.

This inevitable confrontation and its resolution are again cleverly omitted as the lyric writer knows that every hearer of the song will eventually in their own way have to respond to the knock on that cottage door (on the shore of a dark Scottish lake), and confront whatever is on the other side; a cliff hanger of sorts as the song ends with a "to be continued..." coda.

As an addendum, notice that in the second quasi-bridge before the instrumental interlude, he sings "a dark Scottish loch", pronounced with fairly good amount of emphasis - perhaps to foreshadow that cottage door (LOCK? - or unlocked?). Yet, again another bit of cleverness.



All comments from YouTube:

@andrewhopkinson8736

Only Sting could sing the words "Rice Krispies" with such conviction.

@okrajoe

So true!

@BevisFriend2010

Bahahaha 🤣

@mariodeleon4350

I had heard Kellogg's took offense to their product being used in such a negative manner that they threatened to sue The Police if they didn't issue a formal apology.....Ok, April Fools! But I wouldn't doubt that happening it in today's world...

@chrisstevens-xq2vb

Because even crispies are part of the great resonant dance

@robynsegg

40 years later and this STILL sounds timeless!!!!!

@robynsegg

@@tendraftsdeep Same here! Definitely a "desert island disc! 🏜️ 🏝️ 💿 And a Happy New Year to U 2! 😂

@coreylapinas1000

No it sounds firmly 80s

@lookoutforfrankie2611

Thats a catchy powerful tune

@chrisstevens-xq2vb

Amazing song with the worst video ever.

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