The Remains broke up in 1966, but their music eventually attracted a strong international cult following. They began performing and recording again in the late 1990s, and have continued to play regularly since then.
The Remains formed in 1964 at Boston University, where all four members were first-year students living in the same dorm in Kenmore Square. Singer-guitarist Barry Tashian and keyboardist Bill Briggs were from Westport, Connecticut, drummer Chip Damiani from Wolcott, Connecticut, and bassist Vern Miller from Livingston, New Jersey. They began playing r&b and rock'n'roll covers, as well as some Tashian originals, at The Rathskeller, a tavern across the square from their dorm. Soon, fans were lining up from Kenmore Square to Fenway Park to see them, and management had to clear out a disused basement to accommodate the crowds.
The band became a popular live act throughout New England and appeared on the CBS TV Program, The Ed Sullivan Christmas Show of 1965. After signing with Epic Records, they enjoyed local hits with a catchy, swinging Tashian original, "Why Do I Cry", and their hard-driving version of the Bo Diddley/Willie Dixon classic "Diddy Wah Diddy". In 1965 the Remains relocated to New York City - where they appeared on 'The Ed Sullivan Show' - and then, after about a year, moved on to California. They recorded an album, The Remains, appeared on NBC TV's 'Hullabaloo', and released the soulful, hard-rocking single "Don't Look Back".
In 1966 came the opportunity which might have broken the band nationally, but proved instead to be their last hurrah: they were offered a three-week stint as an opening act for the Beatles, on what would turn out to be the fab four's final tour. Immediately before the tour, drummer Chip Damiani quit the band, to be replaced by future Mountain drummer N.D. Smart. Said Tashian in a 2012 interview: "We had always been the four of us and we’d played hundreds and hundreds of gigs as the four of us and all of a sudden this big tour comes up and boom! We have to play it with a new drummer who didn’t have the same feel that Chip had. I mean he was a fine drummer but it wasn’t the same band. I just felt like the flame was burning down without our original drummer."
The band broke up in late 1966, and Epic released their self-titled debut album to little fanfare.
In common with many of their garage rock contemporaries, the Remains gradually acquired cult status, and eventually reformed to play at several garage revival shows, such as Cavestomp in New York City in 1998, Las Vegas Grind in 2000 and a tour of major European cities in 2006. They recorded a new album Movin' On in 2002.
Although now associated with the garage rock genre, the Remains were highly accomplished professional musicians and their recordings, while hard-edged, were notably well-produced and arranged.
The band's last single, "Don't Look Back", written by Billy Vera, was featured on the 1972 compilation album Nuggets: Original Artyfacts From the First Psychedelic Era, which garnered further attention with its 1976 re-release by Sire Records, concurrent with a surge of interest in punk rock and 60's garage rock. A later box set version of the album also includes the Remains' first single, "Why Do I Cry"
"Why Do I Cry" is featured briefly in the film Superbad (2007), when the character McLovin is being taken to a party in a police car.
In 2007, Epic/Legacy came out with a reissue of the Remains' 1966 album, which received the following review from rock journalist Mark Kemp in Paste magazine (June 2007): "Had these Boston bad boys stuck it out beyond their 1966 debut, we might today be calling them—and not the Stones—the World's Greatest Rock 'n' Roll Band. As it is, the Remains most certainly are America's greatest lost band."
Kemp's praise echoed the critique written 40 years earlier by rock critic (and subsequent Bruce Springsteen manager) Jon Landau, in Crawdaddy! magazine (January 1967): "They were how you told a stranger about rock'n'roll."
In 2008 a documentary about the Remains, America's Lost Band, directed by Michael Stich, premiered at the Boston Film Festival. Steve Simels of Boxoffice magazine described the film as "a fascinating retelling of one of the great what-might-have-been stories of American music of the '60s."
The Remains' story was also the subject of a stage musical at the 2004 New York International Fringe Festival, "All Good Things," which received acclaim from a variety of critics. (60sgaragebands.com, News & Nuggets, August 31, 2004).
In 2010 the Remains released "Monbo Time", a tribute to 1960's Boston Red Sox pitcher Bill Monbouquette, with revenues going to cancer research.
On February 23, 2014, Rudolph "Chip" Damiani died of a cerebral haemorrhage.
Discography
Studio albums
The Remains (1966, Epic)
Movin' On (2002, Rock-A-Lot)
Other albums
Live in Boston (1984, Eva #12024; recorded in the 1964-1966 era
A Session with the Remains (1996, Sundazed; Capitol Records audition recorded 1966)
Barry and the Remains (1991, Sony; recorded in the 1964-1966 era, includes tracks from The Remains and additional tracks)
Singles
"Why Do I Cry" (1965, Epic)
"I Can't Get Away from You" (1965, Epic)
"Diddy Wah Diddy" (1966, Epic)
"Don't Look Back" (1966, Epic)
"Monbo Time" (2010)
My Babe
The Remains Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh yeah, she don't stand no teasin', my babe
Well, my babe, she don't stand no teasin', she don't stand none of that midnight creepin', my babe
True little baby is my babe
Oh, my babe I know she loves me, my babe
My babe I know she love me she don't do nothin'
but kiss and hug me, my babe, true little baby, my babe
Yeah, my babe don't stand no foolin', my babe
Oh yeah, she don't stand no foolin', my baby
Well, my babe don't stand no foolin' when she's warm
there ain't no coolin', my babe, true little baby, my babe
Well, my baby don't stand no foolin', my babe
Oh yeah, she don't stand no foolin', my baby
Oh yeah, she don't stand no foolin' when she's around
she's so darn coolin', my babe, true little baby, my babe
Well my babe, true little baby, my babe
Well my babe, true little baby, my babe
The Remains's song "My Babe" is a classic blues-rock song that praises the singer's romantic partner for her steadfastness and loyalty. The lyrics are straightforward and repetitive, emphasizing the point that his "babe" doesn't tolerate any mistreatment and only shows love and affection towards him. The repetition of "she don't stand no teasin'" and "she don't stand no foolin'" reinforces the message that the singer's partner is not to be messed with and serves as a warning to any potential suitors or anyone who might try to treat her poorly.
The lyrics also highlight the singer's admiration and love for his girlfriend, describing her as a "true little baby." The mention of kissing and hugging also evokes a sense of intimacy and affection, implying a healthy and loving relationship. The use of the word "coolin'" in the phrase "when she's warm there ain't no coolin'" could also be interpreted as a play on words, as it could refer to both her personality (cool, calm) and her physical warmth.
Overall, "My Babe" is a love song that celebrates loyalty and devotion in a relationship while warning those who might mistreat the singer's "babe."
Line by Line Meaning
Well, my babe, don't stand no teasin', my babe
My sweetheart is not someone who can be teased, she's strong and confident
Oh yeah, she don't stand no teasin', my babe
She doesn't tolerate anyone teasing her, not even for a moment
Well, my babe, she don't stand no teasin', she don't stand none of that midnight creepin', my babe
My lady is smart enough not to fall prey to those who try to creep up on her in the middle of the night
True little baby is my babe
My girlfriend is sweet and innocent, and I love her for that
Oh, my babe I know she loves me, my babe
I am certain that my partner loves me with her whole heart
My babe I know she love me she don't do nothin' but kiss and hug me, my babe, true little baby, my babe
My special someone shows her love through actions more than words, and that's what makes her so special
Yeah, my babe don't stand no foolin', my babe
My darling woman is nobody's fool, and she won't put up with nonsense
Oh yeah, she don't stand no foolin', my baby
She doesn't tolerate people trying to deceive or manipulate her, not at all
Well, my babe don't stand no foolin' when she's warm there ain't no coolin', my babe, true little baby, my babe
When my love is warm and loving, she's unstoppable, nothing can cool her down
Well, my baby don't stand no foolin', my babe
My girl is too smart to fall for any kind of trickery or attempts to fool her
Oh yeah, she don't stand no foolin', my baby
She's always one step ahead of those who try to deceive her, and she won't fall for their tricks
Oh yeah, she don't stand no foolin' when she's around she's so darn coolin', my babe, true little baby, my babe
My lady is so calm and collected that she can cool down any heated situation, and that's why I love her
Well my babe, true little baby, my babe
My girlfriend is true to herself and her values, and I admire her for that
Well my babe, true little baby, my babe
My lady is pure and genuine, and I feel lucky to have her in my life
Lyrics © DistroKid, BMG Rights Management
Written by: Willie Dixon
Lyrics Licensed & Provided by LyricFind