Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful and rebellious counterculture of the 1960s. They then found greater success with their own material, as "(I Can't Get No) Satisfaction" (1965), "Get Off of My Cloud" (1965), and "Paint It Black" (1966) became international number-one hits. Aftermath (1966) – their first entirely original album – is considered by The Daily Telegraph to be the most important of their formative records. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. They returned to their rhythm and blues roots with hit songs such as "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums such as Beggars Banquet (1968), featuring "Sympathy for the Devil", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter". Let It Bleed was the first of five consecutive number-one albums in the UK.
Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. That year they were first introduced on stage as "The Greatest Rock and Roll Band in the World". Sticky Fingers (1971), which yielded "Brown Sugar" and included the first usage of their tongue and lips logo, was their first of eight consecutive number-one studio albums in the US. Exile on Main St. (1972), featuring "Tumbling Dice", and Goats Head Soup (1973), yielding the hit ballad "Angie", were also best sellers. Taylor was replaced by Ron Wood in 1974. The band continued to release successful albums, including their two largest sellers: Some Girls (1978), featuring "Miss You", and Tattoo You (1981), featuring "Start Me Up". Steel Wheels (1989) was widely considered a comeback album and was followed by Voodoo Lounge (1994), a worldwide number-one album. Both releases were promoted by large stadium and arena tours, as the Stones continued to be a huge concert attraction; by 2007 they had recorded the all-time highest-grossing concert tour three times, and as recently as 2021 they were the highest-earning live act of the year. From Wyman's departure in 1993 to Watts' death in 2021, the band continued as a four-piece core, with Darryl Jones playing bass on tour and on most studio recordings, while Steve Jordan became their touring drummer following Watts' death. Their 2016 album, Blue & Lonesome, became their twelfth UK number-one album.
The Rolling Stones' estimated record sales of 200 million make them one of the best-selling music artists of all time. The band has won three Grammy Awards and a Grammy Lifetime Achievement Award. They were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Billboard magazine and Rolling Stone have ranked the band as one of the greatest of all time.
Full Wikipedia article: https://en.wikipedia.org/wiki/The_Rolling_Stones
Studio albums
The Rolling Stones / England's Newest Hit Makers (1964)
12 X 5 (1964)
The Rolling Stones No. 2 / The Rolling Stones, Now! (1965)
Out of Our Heads (1965)
December's Children (And Everybody's) (1965)
Aftermath (1966)
Between the Buttons (1967)
Their Satanic Majesties Request (1967)
Beggars Banquet (1968)
Let It Bleed (1969)
Sticky Fingers (1971)
Exile on Main St. (1972)
Goats Head Soup (1973)
It's Only Rock 'n Roll (1974)
Black and Blue (1976)
Some Girls (1978)
Emotional Rescue (1980)
Tattoo You (1981)
Undercover (1983)
Dirty Work (1986)
Steel Wheels (1989)
Voodoo Lounge (1994)
Bridges to Babylon (1997)
A Bigger Bang (2005)
Blue & Lonesome (2016)
Hackney Diamonds (2023)
I Just Want to See His Face
The Rolling Stones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sometimes you feel like trouble, sometimes you feel down
Let this music relax your mind, let the music relax your mind
Stand up and be counted, can't get a witness
Sometimes you need somebody, if you have somebody to love
Sometimes you ain't got nobody and you want somebody to love
Then you don't want to walk and talk about Jesus
You just want to see His face
You don't want to walk and talk about Jesus
You just want to see His face
You just want to see His face
You just want to see His face
You just want to see His face
You just want to see His face
The Rolling Stones's song "I Just Want To See His Face" showcases a seeker's desire to see Jesus' face without the burden of religious conversations. The song highlights the idea of music as a method of relaxation, allowing the listener's mind to wander and connect with a higher power. Sometimes in life, one may feel lost, trouble, or down, and in those moments, this song serves as a reminder to let the music be medicine.
The lyrics touch on the concept that one requires somebody to love, and in the absence of such love, the desire to see Jesus provides comfort. The refrain, "You just want to see His face," emphasizes the yearning for a glimpse or an experience that goes beyond intellectual or religious discourse. The song's last line repeats this message and offers a final plea for a personal experience with the Divine.
In conclusion, The Rolling Stones's "I Just Want To See His Face" taps into the longing for a direct and unmediated connection with the spiritual realm. The song offers a reminder that such a connection can occur regardless of religious affiliation, and that music can serve as a powerful tool to facilitate the experience.
Line by Line Meaning
That's all right, that's all right, that's all right
It's okay to feel uncertain and uneasy sometimes, but everything will eventually be okay.
Sometimes you feel like trouble, sometimes you feel down
Emotions can be turbulent and unpredictable, but music can have a calming effect.
Let this music relax your mind, let the music relax your mind
Music can have therapeutic effects on the mind, and can be a way to escape negative emotions.
Stand up and be counted, can't get a witness
It's important to speak your mind and make your voice heard, but sometimes it can feel like nobody is listening.
Sometimes you need somebody, if you have somebody to love
Human connection is important and can be a source of comfort and support.
Sometimes you ain't got nobody and you want somebody to love
The feeling of being alone and without companionship can be overwhelming and painful.
Then you don't want to walk and talk about Jesus
Religion and spiritual beliefs may not offer solace in times of deep emotional distress.
You just want to see His face
Sometimes a visual representation of a spiritual or religious figure can offer comfort and reassurance.
You don't want to walk and talk about Jesus
Verbal discussions about religious beliefs may not always provide the level of comfort and connection that is needed.
You just want to see His face
A visual representation of a religious figure may be all that is needed to provide a sense of peace and comfort.
You just want to see His face
A strong desire to connect with a religious figure visually may signify a need for emotional support or comfort.
You just want to see His face
The repeated phrase highlights the intensity of the desire to find solace in a visual representation of a religious figure.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Keith Richards, Mick Jagger
Lyrics Licensed & Provided by LyricFind
@TheRealForrestGeorge
That's all right, that's all right, and that's all right.
Sometimes you feel like trouble, sometimes you feel down.
Let this music relax your mind, let this music relax you mind.
Stand up and be counted, can't get a witness.
Sometimes you need somebody, if you have somebody to love.
Sometimes you ain't got nobody else and you want somebody to love.
Then you don't want to walk and talk about Jesus,
You just want to see His face.
You don't want to walk and talk about Jesus,
You just want to see His face.
@branislavpuletic355
That's all right, that's all right, that's all right
Sometimes you feel like trouble, sometimes you feel down
Let this music relax your mind, let the music relax your mind
Stand up and be counted, can't get a witness
Sometimes you need somebody, if you have somebody to love
Sometimes you ain't got nobody and you want somebody to love
Then you don't want to walk and talk about Jesus
You just want to see His face
You don't want to walk and talk about Jesus
You just want to see His face
You just want to see His face
You just want to see His face
You just want to see His face
You just want to see His face
@bobbywhitlock8561
~I am playing the electric piano on this song~The whole thing came from Mick asking me about my Dad being a preacher and if I could play a gospel feel~This was the results~I cranked the vibrato on it and started playing, and Mick Taylor started playing the bass and Charlie started playing the drums and Mick Jagger was sing "That's alright, that's alright, I don't want to talk about Jesus, I just want to see his face"~I was recorded at Olympic Studios in London~
@richardely5053
Very interesting. Thank you for sharing.
@robertwright2852
Yes, indeed, very interesting. What an impressive career you've had...I mean, Sam & Dave, Booker T & The MGs, Bonnie & Delaney, Derek & The Dominoes, session work with the Stones...wow!
@donniemaxwell1929
My favorite album of the Stones, and I love all the Stones records...
@dlancaster1234
Bobby Whitlock Really Bobby?
@EddieHazel74
Bobby Whitlock Beautiful playing. The electric piano on this track had quite an impact on me as a teenager, thank you
@MrSimi71
A very underrated song! I often think that a lot of the Stones' brilliance is in their lesser known material.
@blueschewy2558
As is the case with most groups. The album oriented cuts that don't receive airplay are the most memorable and brilliant.
@TheCrazystupidpeople
I dig the atmosphere of this track. It feels like it's coming out of a gospel cave
@georgeharrison70
Some call this filler....I call this a masterpiece. Can't believe that the critics didn't like this album back in 1972.