Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful and rebellious counterculture of the 1960s. They then found greater success with their own material, as "(I Can't Get No) Satisfaction" (1965), "Get Off of My Cloud" (1965), and "Paint It Black" (1966) became international number-one hits. Aftermath (1966) – their first entirely original album – is considered by The Daily Telegraph to be the most important of their formative records. In 1967, they had the double-sided hit "Ruby Tuesday"/"Let's Spend the Night Together" and experimented with psychedelic rock on Their Satanic Majesties Request. They returned to their rhythm and blues roots with hit songs such as "Jumpin' Jack Flash" (1968) and "Honky Tonk Women" (1969), and albums such as Beggars Banquet (1968), featuring "Sympathy for the Devil", and Let It Bleed (1969), featuring "You Can't Always Get What You Want" and "Gimme Shelter". Let It Bleed was the first of five consecutive number-one albums in the UK.
Jones left the band shortly before his death in 1969, having been replaced by guitarist Mick Taylor. That year they were first introduced on stage as "The Greatest Rock and Roll Band in the World". Sticky Fingers (1971), which yielded "Brown Sugar" and included the first usage of their tongue and lips logo, was their first of eight consecutive number-one studio albums in the US. Exile on Main St. (1972), featuring "Tumbling Dice", and Goats Head Soup (1973), yielding the hit ballad "Angie", were also best sellers. Taylor was replaced by Ron Wood in 1974. The band continued to release successful albums, including their two largest sellers: Some Girls (1978), featuring "Miss You", and Tattoo You (1981), featuring "Start Me Up". Steel Wheels (1989) was widely considered a comeback album and was followed by Voodoo Lounge (1994), a worldwide number-one album. Both releases were promoted by large stadium and arena tours, as the Stones continued to be a huge concert attraction; by 2007 they had recorded the all-time highest-grossing concert tour three times, and as recently as 2021 they were the highest-earning live act of the year. From Wyman's departure in 1993 to Watts' death in 2021, the band continued as a four-piece core, with Darryl Jones playing bass on tour and on most studio recordings, while Steve Jordan became their touring drummer following Watts' death. Their 2016 album, Blue & Lonesome, became their twelfth UK number-one album.
The Rolling Stones' estimated record sales of 200 million make them one of the best-selling music artists of all time. The band has won three Grammy Awards and a Grammy Lifetime Achievement Award. They were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Billboard magazine and Rolling Stone have ranked the band as one of the greatest of all time.
Full Wikipedia article: https://en.wikipedia.org/wiki/The_Rolling_Stones
Studio albums
The Rolling Stones / England's Newest Hit Makers (1964)
12 X 5 (1964)
The Rolling Stones No. 2 / The Rolling Stones, Now! (1965)
Out of Our Heads (1965)
December's Children (And Everybody's) (1965)
Aftermath (1966)
Between the Buttons (1967)
Their Satanic Majesties Request (1967)
Beggars Banquet (1968)
Let It Bleed (1969)
Sticky Fingers (1971)
Exile on Main St. (1972)
Goats Head Soup (1973)
It's Only Rock 'n Roll (1974)
Black and Blue (1976)
Some Girls (1978)
Emotional Rescue (1980)
Tattoo You (1981)
Undercover (1983)
Dirty Work (1986)
Steel Wheels (1989)
Voodoo Lounge (1994)
Bridges to Babylon (1997)
A Bigger Bang (2005)
Blue & Lonesome (2016)
Hackney Diamonds (2023)
Losing My Touch
The Rolling Stones Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just as we think we've got it all straight
Everything seems to be moving forward
But instead we just sit around and wait
Seems things are in a lock down
Nervous looks all around
Everyone is speaking in whispersNo one wants to make a sound
I'm losing my touch, yeah
Losing my touch
Losing my touch baby, way too much
Baby, get me out of here
It should be clear
Keep an eye on on your front door, baby
I'll be slipping in round the back
I just need a little, a little cab fare
And then I'll let you hit the sack
Cause I'm losing my touch
Losing my touch
Yes I'm losing my touch way too much
Baby, get me out of here
It should be clear, yes
I ain't going to keep it long, baby
But just long, long enough
I've got to pick up my passports
And I've got to get my stuff
Cause I'm losing my touch
Just losing my touch, baby, baby, babyI'm losing my touch way, way too much
Baby, get me out of here
Well it must be clear
Losing my touch
Yes I'm losing my touch
Yes I'm losing my touch way too much
Baby get me out of here
The lyrics of The Rolling Stones’ song, Losing My Touch, explore a feeling of being trapped and unable to move forward in life. The singer describes how, despite their efforts to get everything straight and move forward, they are still stuck waiting and feeling a general sense of tension in their surroundings. Throughout the song, the singer repeats the phrase “losing my touch,” indicating a decline in their abilities or aptitude. Additionally, the singer hints at a desire to escape, potentially the source of their feelings of frustration and stagnation. The second verse is particularly interesting, as it portrays the singer asking to be let in through the back door and mentioning that they need cab fare. While it is unclear what the singer intends to do, the line adds a sense of intrigue and makes the listener question the singer’s motives. Overall, the song is a poignant representation of feeling lost and unable to progress, and the repetitive nature of the “losing my touch” phrase makes the emotion feel more present and pressing.
Line by Line Meaning
Ain't it funny how things happen
Isn't it ironic how life throws unexpected events?
Just as we think we've got it all straight
Just when we think we have everything figured out in life,
Everything seems to be moving forward
Life seems to be progressing,
But instead we just sit around and wait
but in reality, we are not taking action and just waiting for something to happen.
Seems things are in a lock down
It appears that things are at a standstill,
Nervous looks all around
Everyone is displaying anxiety and tension,
Everyone is speaking in whispers
People are speaking in hushed tones,
No one wants to make a sound
Nobody wants to draw attention to themselves or make any noise.
I'm losing my touch, yeah
I am losing my ability to succeed or excel,
Losing my touch
I am no longer as skillful or successful as before.
Losing my touch baby, way too much
I am losing my abilities to an alarming extent.
Baby, get me out of here
I urgently need a way out of my current situation.
It should be clear
It should be obvious or apparent that I need help.
Keep an eye on on your front door, baby
Please watch your front door for me, my love,
I'll be slipping in round the back
I will enter from the back,
I just need a little, a little cab fare
I only require a small amount of money for a taxi,
And then I'll let you hit the sack
Afterwards, I will let you go back to sleep.
I ain't going to keep it long, baby
I won't stay for long, my love,
But just long, long enough
Just long enough to get what I need and be on my way.
I've got to pick up my passports
I need to retrieve my passports,
And I've got to get my stuff
And collect my belongings.
Yes I'm losing my touch way too much
I am losing my skills and abilities excessively,
Well it must be clear
It should be evident or obvious,
Baby get me out of here
Please help me escape from this situation.
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: KEITH RICHARDS, MICK JAGGER
Lyrics Licensed & Provided by LyricFind
@user-n3i3w
Hey Keith, do you think there's anyone besides you who could write such a wonderful song. You're not just a great rock 'n' roll-legend but also a great composer.
@pamelacapozzoli4011
Love this song and the way Keith is singing this song.
Thank you for sharing The Rolling Stones 🥂🍾
@deadpolevault
The Stones still kicking ass!!
@msglimmertwin52
My gosh I'm crying. Thank you Keith for this beautiful piece of music.
@blueeyes205
The Stones never disappoint. Keep on Rocking Keith
@TeresaLewis-jt9kt
you have reached many people
@blueeyes205
@@TeresaLewis-jt9kt 👍🏼
@GTRxMan
These later Keith Richards ballads simply sublime.
@jobebrian
Definitely. I remember when Bridges to Babylon came out … I was just gobsmacked at the delicacy of the song. And his perfectly tender delivery. More Keith, I say.
@Cheryle-z9v
He is a true artist in every sense of the word. His music is so heartfelt. Love him.