The band grew out of an earlier skiffle group formed by McNally, with his friends Brian Dolan (guitar) and Tony West (bass). When the other two members lost interst McNally was joined by his guitarist neighbour Mike Prendergast. They soon recruited Tony Jackson with his home-made bass guitar and amplifier and styled themselves Tony and the Searchers with Joe Kelly on drums. Kelly soon left to be replaced by Norman McGarry and it is this line-up—McNally, Pender (as he soon became known), Jackson and McGarry—that is usually cited as the original foursome.
McGarry did not stay long, however, and in 1960 his place was taken by Chris Crummey (who later changed his name to Curtis). Later that year Big Ron had a successful audition with Mecca and became a ballroom singer. He was replaced by Billy Beck, who changed his name to Johnny Sandon. The band had regular bookings at Liverpool's Iron Door Club as Johnny Sandon and the Searchers.
Sandon left the band in late 1961 to join The Remo Four in February 1962. The group settled into a quartet sharing the vocal lead and billed simply as The Searchers. They continued to play at the Iron Door, The Cavern, and other Liverpool clubs. Like many similar acts they would do as many as three shows at different venues in one night. They negotiated a contract with the Star-Club in the St. Pauli district Hamburg for 128 days, with three one-hour performances a night, starting in July 1962.
The band returned to a residence, at the Iron Door Club and it was there that they tape recorded the sessions that led to a recording contract with Pye Records with Tony Hatch as producer.
Hatch played piano on some recordings and wrote "Sugar and Spice"—the band’s second number one record—under the pseudonym Fred Nightingale; a secret he kept from the band at the time.
After scoring their monumental hit "Needles and Pins", bassist Tony Jackson went solo and was replaced by Hamburg pal Frank Allen of Cliff Bennett and the Rebel Rousers.
Chris Curtis left the band in 1966 and was replaced by the Needles and Pins-influenced John Blunt, who in turn was replaced by Billy Adamson in 1970.
As musical styles evolved, the Searchers could not keep up and as a result, the hits ran out and while they continued to record for Liberty Records and RCA Records, ended up on the British "Chicken in a Basket" circuit although they did score a minor US hit in 1971 with "Desdemona".
The group continued to tour through the 1970s and were rewarded in 1979 when Sire Records signed the band to a multi-record deal. Two albums were released by them, The Searchers and Play for Today (retitled Love's Melodies outside the UK). Both records garnered great critical acclaim but did not break into the charts. They did however revitalize the group's career. According to John McNally, the band were ready to head into the studio to record a third album for Sire when they were informed that due to label reorganization, their contract had been dropped.
In 1981, the band signed to PRT Records (formerly Pye, their original label) and began recording an album but only one single, "I Don't Want To Be The One" backed with "Hollywood", saw the light of day at that time. The rest of the tracks would be released as part of 2004's 40th Anniversary collection.
Soon after the PRT release, Mike Pender left the group amidst great acrimony and now tours as Hollywood. McNally and Allan recruited former First Class vocalist Spencer James to fill Pender's shoes.
In 1988, Coconut Records signed The Searchers and the album Hungry Hearts was the result. A very contemporary sounding release, it featured modern sounding remakes of "Needles and Pins" and "Sweets For My Sweets". While the album was not a major hit, it did keep the group in the public eye.
The band continues to tour with Eddie Rothe replacing Adamson on drums and is considered to be one of the most popular 1960s bands on the UK concert circuit.
for more info see
http://en.wikipedia.org/wiki/The_Searchers_%28band%29
Da Doo Ron Ron
The Searchers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Da doo ron-ron-ron, Da doo ron-ron
Somebody told me that his name was Bill
Da doo ron-ron-ron, Da doo ron-ron
Yeah, my heart stood still
Yes, his name was Bill
And when he walked me home
I knew what he was doing when he caught my eye
Da doo ron-ron-ron, Da doo ron-ron
He looked so quiet but my oh my
Da doo ron-ron-ron, Da doo ron-ron
Yeah, he caught my eye
Yes, oh my, oh my
And when he walked me home
Da doo ron-ron-ron, Da doo ron-ron
He picked me up at seven and he looked so fine
Da doo ron-ron-ron, Da doo ron-ron
Someday soon I'm gonna make him mine
Da doo ron-ron-ron, Da doo ron-ron
Yeah, he looked so fine,
Yes, I'll make him mine
And when he walked me home
Da doo ron-ron-ron, Da doo ron-ron
The Searchers’ song Da Doo Ron Ron is about the excitement of meeting someone new and falling in love. The upbeat tempo and catchy repetitive lyrics make it a fun and popular party song. The first verse starts with the singer recalling the day she met Bill who made her heart skip a beat. The chorus repeats 'Da doo ron-ron-ron, Da doo ron-ron' almost six times adding to the rhythm of the song. It is followed by the second verse where she admits that she recognized Bill’s advances towards her and fell for his charms. The chorus repeats in the second verse and leads to the final verse where the singer can’t wait to make Bill hers and looks forward to a future together.
Line by Line Meaning
I met him on a Monday and my heart stood still
I was smitten by him the moment I saw him.
Somebody told me that his name was Bill
I got to know his name through someone else.
Yeah, my heart stood still
My heart skipped a beat in his presence.
Yes, his name was Bill
Indeed, his name was Bill.
And when he walked me home
As he accompanied me back home.
I knew what he was doing when he caught my eye
I realized he was interested in me when he made eye contact.
He looked so quiet but my oh my
He had a calm demeanor but he surprised me with his interest.
Yeah, he caught my eye
I was drawn to him.
Yes, oh my, oh my
He exceeded my expectations.
He picked me up at seven and he looked so fine
He came to pick me up at seven and he looked very attractive.
Someday soon I'm gonna make him mine
I have a plan to win his heart soon.
Yes, I'll make him mine
I'm determined to win him over.
And when he walked me home
As he escorted me back home.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Jeff Barry, Ellie Greenwich, Philip Spector
Lyrics Licensed & Provided by LyricFind
qwalpo99
I like this version because it’s the only male cover I can find where they sing “when she walked me home.” What’s wrong with having a strong, protective woman by your side?
Rey Canlas
I heard so many versions of this song for me this is the best versions.
John Anthony
Yep I met her on a Monday and her name was Jill. That was 1963. She's still beside me and I'm still crazy about her 56 years later. Life can be good.
Antonio Spirito
I heard this on Pandora
Juliet Reminiec
Is this the same song that Shain Cassidy had as hit with in the late 70s?