Duffey proposed some rules that the others agreed to including playing only one night a week at local clubs, doing occasional concerts and festivals on weekends, making records, and keeping their day jobs. Duffey repaired musical instruments, Eldridge was a mathematician, Starling a physician, Auldridge a graphic artist, and Gray a cartographer with National Geographic. The Scene's first home was the Red Fox Inn in Bethesda, Maryland, where they spent six years before starting weekly performances at The Birchmere Music Hall in Alexandria, Virginia.
Bluegrass reached a second peak in popularity in the early 1970s, and the progressive bluegrass style played by The Seldom Scene was particularly popular. Duffey's stratospheric tenor anchored the group, but the vocal blend of Duffey/Starling/Auldridge set a new standard that attracted new audiences to what had been a niche music. Their weekly shows included bluegrass versions of country music, rock, and even classical pop. The band's popularity soon forced them to play more than once a week--but they continued to maintain their image as being seldom seen, and on several of their early album covers were photographed with the stage lights on only their feet, or with their backs to the camera.
Though the Scene remained a non-touring band, they were prolific recorders, producing seven albums in their first five years of existence, including two live albums (among the first live bluegrass albums). But the band's philosophy of not touring and maintaining their day jobs eventually caused some changes in membership.
In 1977, John Starling left the group to focus on his medical career, and was replaced by singer and songwriter Phil Rosenthal, whose song "Muddy Water" had been recorded by the Scene on two earlier albums. Around the same time, the group switched record labels from Rebel Records to Sugar Hill; however, while Starling had been officially the band's frontman, these changes made little significant difference to the band's overall sound.
The band recorded several more albums in the 1980s and firmly established themselves as one of the most influential bluegrass bands. In 1986, Rosenthal and Tom Gray both left the band to focus on other pursuits, and were replaced by Lou Reid and T. Michael Coleman, respectively. Coleman proved to be very controversial, as many purists objected to his use of an electric bass in what is an acoustic genre, but the albums produced by the band after Coleman's arrival maintained the traditional appeal of any of the Scene's earlier albums.
Reid left the band in 1993, and Duffey convinced former member John Starling to return to the band for the next year. During that year the Scene recorded the album "Like We Used To Be," but Starling did not wish to stay with the band long term. He was replaced in 1994 by lead singer Moondi Klein.
Throughout these changes, John Duffey remained the group's spiritual center and greatest influence, and his initial ideas about keeping a light touring schedule and staying close to home continued to prevail. Though there had been disagreements about this philosophy before, it wasn't until after Starling left for the second time that it cost the band a majority of its members at once. During 1995 and 1996, Klein and Coleman, along with original member Mike Auldridge, left the group to form a new band called Chesapeake. This new band became a full-time project for its members, and for a time the Scene stopped recording.
Duffey and Ben Eldridge, the two remaining original members, recruited resophonic guitar player Fred Travers, bassist Ronnie Simpkins, and guitarist and singer Dudley Connell to join the band, and the reconstituted group recorded an album in 1996 and resumed live appearances.
For 25 years The Seldom Scene remained extremely popular in bluegrass circles even with the near-constant personnel changes. But the band was dealt what seemed a crushing blow in late 1996, when founder and leader John Duffey suffered a fatal heart attack. The band again stopped recording and made no live appearances for some years. Duffey had been widely regarded as one of the most powerful and entertaining stage performers in bluegrass, and there was no one who could replace him.
Nonetheless, the band was simply too popular to disappear for good. Banjoist Ben Eldridge, the sole remaining original member and a significant force in banjo music in his own right, assumed leadership of the band. Former guitarist Lou Reid rejoined the band on mandolin. Initially the new Scene concentrated on live performances, but in 2000 the group recorded a new album, "Scene it All." The Seldom Scene continues to tour, and remains on the Sugar Hill label for future recordings.
The band currently consists of Dudley Connell (guitar/lead vocals), Ben Eldridge (banjo), Lou Reid (mandolin/tenor vocals), Fred Travers (dobro/lead vocals), and Ronnie Simpkins (bass/baritone vocals).
John Starling died in May 2019.
Discography
Act I (Rebel, 1972)
Act II (Rebel, 1973)
Act III (Rebel, 1973)
Old Train (Rebel, 1973)
Live At The Cellar Door (Rebel, 1975)
The New Seldom Scene Album (Rebel, 1976)
Baptizing (Rebel, 1978)
Act IV (Sugar Hill, 1979)
After Midnight (Sugar Hill, 1981)
At The Scene (Sugar Hill, 1983)
Blue Ridge with Jonathan Edwards (Sugar Hill, 1985)
15th Anniversary Celebration (Sugar Hill, 1986)
A Change Of Scenery (Sugar Hill, 1988)
Scenic Roots (Sugar Hill, 1990)
Scene 20: 20th Anniversary Concert (Sugar Hill, 1992)
Like We Used To Be (Sugar Hill, 1994)
Dream Scene (Sugar Hill, 1996)
Scene It All (Sugar Hill, 2000)
External links
Official site
Train Leaves Here This Mornin
The Seldom Scene Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
At exactly the wrong time
I looked right at the facts there, but I may as well have
Been completely blind
So, if you see me walking all alone
Don't look back, I'm just on my way back home
There's a train leaves here this morning, and
I don't know, what I might be on
All be so life long
I looked around then for a reason
When there wasn't something more to blame it on
But, if time makes a difference while we're gone
Tell me now, and I won't be hanging on
There's a train leaves here this morning
And I don't know, what I might be on
Ooo, ooo, ooo.. etc...
1320 north columbus was the address
That I wrote down on my sleeve
I don't know just what she wanted
Might have been that it was getting time to leave
And I watched as the smoker passed it on
And I laughed when the joker said, "lead on."
Cause there's a train leaves here this morning
And I don't know, what I might be on
And there's train leaves here this morning
And I don't know, what I might be on
The opening lines of The Seldom Scene's A Train Leaves Here This Morning illustrate a sense of lost control over circumstances. The singer has lost points for being in the right place at the wrong time despite his clear knowledge of the circumstances. The line, "I looked right at the facts there..." reinforces that he had all the information he needed, but for some reason, he couldn't own the moment. The sense of anxiety and frustration is further heightened by the chorus, which notes an uncertainty in what might come next, with the line "And I don't know what I might be on." The song captures the pathos of the perpetual traveler searching for a way back home. We get the sense that the singer is at a crossroads, and the woman he's been associated with is maybe not the trustworthy confidante he once thought. He's been left hanging, uncertain at the possibilities that lie ahead on this train journey.
Line by Line Meaning
I lost ten points just for being in the right place
I received unfair, negative consequences simply because I happened to be in a certain location.
At exactly the wrong time
This negative experience occurred at the worst possible moment.
I looked right at the facts there, but I may as well have
Been completely blind
Although I was aware of what was happening, I failed to take appropriate action and my knowledge was useless.
So, if you see me walking all alone
Don't look back, I'm just on my way back home
If you see me on my own, do not worry as I am simply returning home.
There's a train leaves here this morning, and
I don't know, what I might be on
There is a departing train today and I am uncertain what my next move will be.
She signed me to a contract, baby said it would
All be so life long
My lover promised me forever by signing a lifelong contract with me.
I looked around then for a reason
When there wasn't something more to blame it on
I searched for an explanation when in reality there was no one and nothing to attribute blame to.
But, if time makes a difference while we're gone
Tell me now, and I won't be hanging on
If time will change things while we are apart, inform me now as I do not want to cling on unnecessarily.
1320 north columbus was the address
That I wrote down on my sleeve
I made note of the address I needed to recall on my sleeve.
I don't know just what she wanted
Might have been that it was getting time to leave
I am unsure what my lover required, perhaps it was time for her to depart.
And I watched as the smoker passed it on
And I laughed when the joker said, "lead on."
As I watched a smoker pass me by, I chuckled at the jester's words to carry on.
Cause there's a train leaves here this morning
And I don't know, what I might be on
As a train departs this morning, I remain uncertain of where I will end up.
And there's train leaves here this morning
And I don't know, what I might be on
Another train departs, with my next move remaining unknown.
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: BERNIE LEADON, GENE CLARK
Lyrics Licensed & Provided by LyricFind