The Smiths signed to the independent label Rough Trade Records in 1983 and released their first album, The Smiths, in 1984. They based their songs on the songwriting partnership of Morrissey and Marr. Their focus on a guitar, bass, and drum sound and a fusion of 1960s rock and post-punk was a rejection of the synth-pop sound that was predominant at the time. Several Smiths singles reached the top 20 of the UK Singles Chart, and all their studio albums reached the top five of the UK Albums Chart, including the number-one album Meat Is Murder (1985). They achieved mainstream success in Europe with The Queen Is Dead (1986) and Strangeways, Here We Come (1987), both of which entered the top 20 of the European Albums Chart.
Internal tensions led to the Smiths' breakup in 1987, followed by public lawsuits over royalties. Their live album Rank (1988) reached the top 10 in Europe. Since the band's dissolution, the members have refused offers to reunite and have all separately stated that the band is finished and will never reunite.
Full Wikipedia article: https://en.wikipedia.org/wiki/The_Smiths
Studio albums
The Smiths (1984)
Meat Is Murder (1985)
The Queen Is Dead (1986)
Strangeways, Here We Come (1987)
The Queen Is Dead / Take Me Back To Dear Old Blighty
The Smiths Lyrics
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Put me on the train for London Town,
Take me anywhere,
Drop me anywhere,
Liverpool, Leeds or Birmingham
But I don't care,
I should like to see my
Farewell to this land's cheerless marshes
Hemmed in like a boar between arches
Her very Lowness with a head in a sling
I'm truly sorry, but it sounds like a wonderful thing
I said Charles, don't you ever crave
To appear on the front of the Daily Mail
Dressed in your Mother's bridal veil?
Oh
And so, I checked all the registered historical facts
And I was shocked into shame to discover
How I'm the 18th pale descendant
Of some old queen or other
Oh, has the world changed, or have I changed?
Oh has the world changed, or have I changed?
Some nine-year old tough who peddles drugs
I swear to God
I swear, I never even knew what drugs were
Oh
So, I broke into the palace
With a sponge and a rusty spanner
She said, "Eh, I know you, and you cannot sing"
I said, "That's nothing, you should hear me play piano"
We can go for a walk where it's quiet and dry
And talk about precious things
But when you're tied to your Mother's apron
No-one talks about castration
Oh
We can go for a walk where it's quiet and dry
And talk about precious things
Like love and law and poverty
Oh, these are the things that kill me
We can go for a walk where it's quiet and dry
And talk about precious things
But the rain that flattens my hair
Oh, these are the things that kill me
All their lies about make-up and long hair, are still there
Past the pub who saps your body
And the church who'll snatch your money
The Queen is dead, boys
And it's so lonely on a limb
Past the pub that wrecks your body
And the church, all they want is your money
The Queen is dead, boys
And it's so lonely on a limb
Life is very long, when you're lonely
Life is very long, when you're lonely
Life is very long, when you're lonely
Life is very long, when you're lonely
The Smiths’ song “The Queen Is Dead” was released as the title track of their 1986 album. At first glance, the song is a parody of British patriotism and monarchy, with its opening verse “Oh! Take me back to dear old Blighty, Put me on the train for London Town, Take me anywhere, Drop me anywhere, Liverpool, Leeds or Birmingham, But I don't care, I should like to see my…” However, the song is much more than just a critique of the British monarchy. It is a commentary on the oppressive nature of societal norms and expectations, and how they can stifle individual expression and creativity.
The song features several characters, including Charles, a member of the British Royal Family, a nine-year-old drug dealer, and the Queen herself. The lyrics are often dark and satirical, with lines like “Her very Lowness with a head in a sling, I'm truly sorry, but it sounds like a wonderful thing,” and “I broke into the palace, with a sponge and a rusty spanner, she said, ‘Eh, I know you, and you cannot sing.’”
The chorus of the song, “The Queen is dead, boys, and it's so lonely on a limb,” could be interpreted as a metaphor for the feeling of isolation and loneliness that comes with challenging societal norms and expectations. The song implies that those who try to break free from these norms will face ridicule and rejection, but ultimately, it is worth taking the risk to be true to oneself.
Line by Line Meaning
Oh! Take me back to dear old Blighty,
The singer longs to return to England, which they refer to as 'Blighty'.
Put me on the train for London Town,
They express a desire to go to London, which is affectionately called 'London Town'.
Take me anywhere,
They are open to going anywhere, as long as it is in England.
Drop me anywhere,
The artist doesn't have a specific preference or destination in mind.
Liverpool, Leeds or Birmingham
These are just a few examples of places the artist wouldn't mind going.
But I don't care,
The singer doesn't have a strong preference for where they end up in England.
I should like to see my
The singer is interrupted mid-thought, and it's unclear what they were going to say.
I don't bless them
The artist doesn't approve of or bless the people they are referring to.
Farewell to this land's cheerless marshes
They are bidding goodbye to the bleak, uninviting landscapes of England.
Hemmed in like a boar between arches
The artist feels trapped, like a wild animal caught between two structures.
Her very Lowness with a head in a sling
The Queen, who is the embodiment of the nation, is depicted as being in a fragile state.
I'm truly sorry, but it sounds like a wonderful thing
Despite feeling sympathetic towards the Queen's plight, the artist can't help but find her situation fascinating.
I said Charles, don't you ever crave
The singer is speaking to someone named Charles, asking if they've ever desired something unorthodox.
To appear on the front of the Daily Mail
They are specifically asking if Charles has ever dreamed of being featured in the news or media.
Dressed in your Mother's bridal veil?
The singer is asking if Charles would ever be daring enough to wear something taboo, like his mother's bridal veil.
Some nine-year old tough who peddles drugs
The artist is referencing a young drug dealer who is tough despite their age.
I swear to God
The artist is emphasizing the truth of their next statement by swearing to God.
I swear, I never even knew what drugs were
They are insisting that they have never used drugs before.
So, I broke into the palace
The singer admits to having broken into the royal palace.
With a sponge and a rusty spanner
The artist used unconventional tools to break into the palace.
She said, "Eh, I know you, and you cannot sing"
The Queen recognizes the artist, but dismisses their musical ability.
I said, "That's nothing, you should hear me play piano"
The artist is confident in their piano-playing skills despite not being able to sing.
We can go for a walk where it's quiet and dry
The singer is inviting someone to take a walk with them to a quiet, dry location.
And talk about precious things
The artist is hoping to have a meaningful conversation with the person they are inviting.
But when you're tied to your Mother's apron
The singer implies that it's difficult to have meaningful conversations when you're under your mother's control or influence.
No-one talks about castration
The singer laments the fact that certain topics, like castration, are off-limits or uncomfortable to talk about.
Like love and law and poverty
The singer highlights some of the deep topics they would like to discuss on their walk.
Oh, these are the things that kill me
The artist is passionate about discussing these topics, and it 'kills' them not to be able to discuss them.
But the rain that flattens my hair
The artist is now focusing on something that bothers them - the rain that ruins their hair-do.
Oh, these are the things that kill me
The singer is being somewhat facetious, as they aren't truly killed by their appearance.
All their lies about make-up and long hair, are still there
The singer comments on how society still expects women to conform to certain beauty standards, despite recognizing that they're lies.
Past the pub who saps your body
The artist is passing by a pub that is damaging to the body or health.
And the church who'll snatch your money
The artist is also passing by a church that is after their money.
The Queen is dead, boys
The artist makes a shocking announcement that the Queen is dead.
And it's so lonely on a limb
The singer reflects on how isolating it can be to hold an unpopular opinion or stand alone in their beliefs.
Life is very long, when you're lonely
The artist expresses how long and difficult life can feel when you're going through it alone.
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: STEVEN MORRISSEY, JOHNNY MARR
Lyrics Licensed & Provided by LyricFind