1. A soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. In the UK they were known as "The Detroit Spinners" to avoid confusion with British band The Spinners. The band's roots lay in Detroit, where they formed as a doo wop group during the late '50s. Throughout the '60s, the Spinners tried to land a hit by adapting to the shifting fashions of R&B and pop. By the mid-'60s, they had signed with Motown Records, but the label never gave the group much consideration. "It's a Shame" became a hit in 1970, but the label continued to ignore the group, and dropped the band two years later. Unsigned and featuring new lead singer Phillipe Wynne, the Spinners seemed destined to never break into the big leagues, but they managed to sign with Atlantic Records, where they began working with producer Thom Bell. With his assistance, the Spinners developed a distinctive sound, one that relied on Wynne's falsetto and the group's intricate vocal harmonies. Bell provided the group with an appropriately detailed production, creating a detailed web of horns, strings, backing vocals, and lightly funky rhythms. Between 1972 and 1977, the Spinners and Bell recorded a number of soul classics, including "I'll Be Around," "Could It Be I'm Fallin in Love," "Mighty Love," "Ghetto Child," "Then Came You," "Games People Play," and "The Rubberband Man." Wynne left in 1977 and the Spinners had hits for a few years after his departure, but the group will always be remembered for its classic mid-'70s work. Originally, called the Domingoes, the Spinners formed when the quintet were high school students in the Detroit suburb of Ferndale in 1957. At the time, the group featured Bobbie Smith, Pervis Jackson, George W. Dixon, Billy Henderson, and Henry Fambrough. Four years later, they came to the attention of producer Harvey Fuqua, who began recording the group -- who were now called the Spinners -- for his Tri-Phi Records. The band's first single, "That's What Girls Are Made For," became a Top Ten R&B hit upon its 1961 release and featured Smith on vocals. Following its release, Dixon was replaced by Edgar "Chico" Edwards. Over the next few years, the group released a series of failed singles, and when Tri-Phi was bought out by Motown in the mid-'60s, the Spinners became part of the larger company's roster. By that time, Edwards had been replaced by G.C. Cameron. Though the Spinners had some R&B hits at Motown during the late '60s, including "I'll Always Love You" and "Truly Yours," they didn't have a genuine crossover success until 1970, when Stevie Wonder gave the group "It's a Shame." Motown never concentrated on the Spinners, and they let the group go in 1972. Before the band signed with Atlantic Records, Phillipe Wynne replaced Cameron as the group's lead vocalist. Wynne had previously sung with Catfish and Bootsy Collins. At Atlantic Records, the Spinners worked with producer Thom Bell, who gave the group a lush, seductive sound, complete with sighing strings, a tight rhythm section, sultry horns, and a slight funk underpinning. Wynne quickly emerged as a first-rate soul singer, and the combination of the group's harmonies, Wynne's soaring leads, and Bell's meticulous production made the Spinners the most popular soul group of the '70s. Once the group signed with Atlantic, they became a veritable hit machine, topping the R&B and pop charts with songs like "I'll Be Around," "Could It Be I'm Falling in Love," "One of a Kind (Love Affair)," "Ghetto Child," "Rubberband Man," and "You're Throwing a Good Love Away." Not only were their singles hits, but their albums constantly went gold and charted in the Top 20. Wynne left the band to pursue a solo career in 1977; he was replaced by John Edwards. Though none of Wynne's solo records were big hits, his tours with Parliament-Funkadelic were well-received, as were his solo concerts. In October 1984, he died of a heart attack during a concert in Oakland, CA. The Spinners, meanwhile, had a number of minor hits in the late '70s, highlighted by their disco covers of "Working My Way Back to You" and the medley "Cupid/I've Loved You for a Long Time." During the early '80s, they had several minor hits before fading away from the charts and entering the oldies circuit, reprising their earlier material for 1999's new studio effort At Their Best. Long time founding members Billy Henderson and Pervis Jackson have since deceased.
2. The Spinners were a folk group from Liverpool, England, that formed in September 1958. The group was unusual for its time in having a multiracial membership.
They variously had four albums in the UK Albums Chart between September 1970 and April 1972. One of them, Spinners Live Performance (1971), spent three months in the listing and peaked at No. 14.
The band began as a skiffle group with a mainly American repertoire, until they were prompted by Redd Sullivan, a seaman, to include sea shanties and English folk songs. They started out as the Gin Mill Skiffle Group, which included guitarist Tony Davis and washboard player Mick Groves. The group played the Cavern Club, Liverpool for the first time on Friday 18 January 1957, with the Muskrat Jazz Band and the Liverpool University Jazz Band. They played there on a number of occasions on Friday 24 May; Sunday 26 May; Wednesday 5 June; Wednesday 3 July and Friday 16 August 1957. In September 1958 they became the Spinners. They founded a folk club in Liverpool, the 'Triton Club', but soon were performing in London at places such as 'the Troubadour'. Their first album, Songs Spun in Liverpool, was recorded by Bill Leader from live performances. In 1962 Peter Kennedy of the English Folk Dance & Song Society recorded an album with them called Quayside Songs Old & New. In 1963 Philips Records signed them, and they recorded eight more albums over the next eight years. They signed for EMI Records in the early 1970s.
They became popular by reviving some of the greatest folk music and singing new songs in the same vein. Although sounding like traditional English folk songs, some of their material was in fact composed by Jones, such as "The Ellan Vannin Tragedy" and "The Marco Polo". One of their best known songs, particularly in their native Liverpool, was "In My Liverpool Home", written by Peter McGovern in 1962. Cliff Hall also introduced traditional Jamaican songs to their repertoire. One of their albums was called Not Quite Folk.
They produced over forty albums, and made numerous concerts and TV appearances. In 1970, they were given their own television show on BBC One that ran for seven years. They also had their own show on BBC Radio 2. They retired in 1988, after thirty years together, although they led the community singing at the 1989 FA Cup Final and played some Christmas shows in the early 1990s. Members of the group still perform, although Cliff Hall retired to Australia, where he died in 2008.
Their version of the Ewan MacColl song, "Dirty Old Town", was included in the Terence Davies' 2008 memoir/documentary of Liverpool, Of Time and the City. A biography of the group 'Fried Bread and Brandy-O' (the title of their signature tune) was written by Liverpool journalist David Stuckey (with a foreword by Pete Seeger) to coincide with their 25th anniversary, and published by Robson Books.
In 2009 The Liverpool Barrow Boys from Songs Spun in Liverpool was included in Topic Records 70 year anniversary boxed set Three Score and Ten as track 19 on the 6th CD.
Band members
Tony Davis (born 24 August 1930, Blackburn, Lancashire, England, died 10 February 2017)
Mick Groves (born Salford, Lancashire, England)
Cliff Hall (born Clifford Samuel Hall, 11 September 1925, Oriente Province, Cuba, died 26 June 2008, Adelaide, South Australia)
Hughie Jones (born Liverpool, England)
3. The Spinners were a female punk band from Turkey, active in the late 80's and early 90's. They released a demo called “Lalala” in 1991.
Now That We're Together
The Spinners Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Something is bugging almost every one.
The pressure and fear, can turn very clear.
There must be some way to escape.
This mean ol' world can get on your nerves.
So many headaches that you don't deserve.
So if you don't mind, I'd like to prescribe,
For you and Me.
[Chorus]
Now that we're together,
We're gonna sing and try to make it better.
Oh, oh, oh, oh,
Now that we're together,
Forget your cares and think about it later.
Singing a song I good for the heart.
Once you get started, it's quite hard to stop.
You're such a great crowd. Why don't you sing loud.
Oh sing out for me, for you,
For you and Me.
[Chorus]
Now that we're together,
Oh, oh, oh, oh,
Now that we're together,
Oh, oh, oh, oh,
Now that we're together,
Oh, oh, oh, oh,
Now that we're here.
Now that we're together,
Oh, oh, oh, oh,
Now that we're together,
Oh, oh, oh, oh,
Now that we're together,
Oh, oh, oh, oh,
Now that we're here.
Now that we're here.
The song "Now That We're Together" by The Spinners portrays the idea of how the world can be a tough place to live in, with so many stresses and worries. The opening lines of the song, "Where are the smiles, the laughter and fun, Something is bugging almost everyone" imply that something is not right in the world, that everyone seems to be burdened with something or the other. The lyrics further state that the pressure and fear can become clear, highlighting the difficulties in dealing with stress and anxiety in everyday life.
However, the song suggests that there is a way to overcome these challenges. The chorus of the song is uplifting, suggesting that now that we are together, we should forget our cares and have a good time. Singing is presented as the remedy to all our problems in this song. The lyrics suggest that singing a song is good for the heart and once you start singing, it's hard to stop. The Spinners encourage the listener to sing out loud and be a part of a great crowd, which will help them feel better. The message behind this song is that we can find an escape in enjoying the social company, singing and dancing with others, and taking comfort in their presence.
Overall, the song, "Now That We're Together" is an enjoyable and catchy tune that portrays the idea of escaping everyday challenges by finding comfort in social gatherings and singing. It is a cheerful and uplifting song that encourages the listener to forget their worries and have some fun.
Line by Line Meaning
Where are the smiles, the laughter and fun'
The current state of the world is depressing, and it seems like happiness and joy have fled.
Something is bugging almost every one.
There are myriad issues in the world that are causing people to feel overwhelmed and weighed down.
The pressure and fear, can turn very clear.
Stress and anxiety can make things seem hopeless and bleak.
There must be some way to escape.
There has to be a solution to the problems that are plaguing us.
This mean ol' world can get on your nerves.
The negative aspects of the world can be extremely frustrating and disheartening.
So many headaches that you don't deserve.
People are dealing with a lot of problems that they didn't create and that they shouldn't have to face.
So if you don't mind, I'd like to prescribe,
I have a solution in mind that I think could help you.
An old remedy, for you,
It's an old-fashioned approach, but it still works.
For you and Me.
We can both benefit from this solution.
Now that we're together,
Now that we're united and working towards a common goal,
We're gonna sing and try to make it better.
We're going to use the healing power of music to improve our situation.
Forget your cares and think about it later.
Let's take a break from our worries and focus on enjoying the moment.
Singing a song I good for the heart.
Music has a positive effect on our emotional and physical well-being.
Once you get started, it's quite hard to stop.
Music can be addictive in the best way possible - it makes you feel good and you want to keep going.
You're such a great crowd. Why don't you sing loud.
Let's all work together to create the best possible experience for everyone involved.
Now that we're together,
Once again, let's celebrate the fact that we're all united in this moment.
Now that we're here.
Let's make the most of this opportunity and enjoy ourselves to the fullest.
Lyrics © Warner Chappell Music, Inc.
Written by: PHILLIP TERRY, PHILLIP JAMES TERRY, TALMADGE G. CONWAY, THEODORE LIFE, THEODORE LIFE, JR.
Lyrics Licensed & Provided by LyricFind