Members
Julian Casablancas (vocals), Nick Valensi (guitar), Albert Hammond Jr. (guitar), Nikolai Fraiture (bass), and Fabrizio Moretti (drums)
Formation
The founding process of The Strokes was a serendipitous convergence of childhood connections and a shared musical vision. Julian Casablancas, Fabrizio Moretti, and Nick Valensi, childhood friends with varying musical experiences, came together in the late '90s. The trio's dynamic was enriched with the addition of guitarist Albert Hammond Jr. and bassist Nikolai Fraiture. Bonded by a mutual love for garage rock, punk, and new wave, the quintet officially formed The Strokes in 1998, embarking on a journey to synthesize their diverse influences into a sound that would later redefine the indie rock landscape. The amalgamation of their individual talents and shared passion for music set the stage for The Strokes' rise to prominence in the early 2000s.
Is This It (2001)
"Is This It" The Strokes" debut album released in 2001 under the reputable record label RCA, is an electrifying sonic manifesto that not only redefined the landscape of indie rock but also garnered widespread critical acclaim. Infused with a raw and unfiltered energy, the album became an instant classic, hailed for its gritty exploration of New York City's underground music scene. Featuring iconic tracks like "Last Nite" and "Someday," Julian Casablancas' charismatic vocals, Nick Valensi and Albert Hammond Jr.'s guitar interplay, and the band's overall swagger made "Is This It" a timeless masterpiece. Its critical acclaim propelled The Strokes to the forefront of the early 2000s indie rock revival, cementing their status as trailblazers in the genre.
Room On Fire (2003)
"Room On Fire" the sophomore album by The Strokes released in 2003, seamlessly follows the success of their groundbreaking debut, "Is This It" The Strokes" (2001). While "Is This It" The Strokes" quickly became a cultural touchstone and achieved widespread acclaim, "Room On Fire" faced the challenge of living up to its predecessor's legacy.
From the rhythmic urgency of "12:51" to the infectious guitar riffs of "Reptilia," each track on "Room On Fire" showcases The Strokes' continued commitment to crafting catchy, yet substantive, rock anthems. While not eclipsing the commercial success of their debut, the album solidified The Strokes' standing as stalwarts of the early 2000s rock revival, demonstrating their artistic growth and ability to sustain their unique sound.
Juicebox and First Impressions Of Earth (2005 - 2006)
"Juicebox" by The Strokes, released as a single on November 14, 2005, ahead of their album "First Impressions of Earth," faced an early online leak, adding to the anticipation. Despite this, the track's bold guitar riffs and Julian Casablancas' charismatic vocals contributed to its positive reception, marking a significant moment in The Strokes' musical journey. They also released a catchy B-side "Hawaii".
"First Impressions Of Earth" The Strokes' third studio album released in January 2006, received a mix of reviews. Critics praised the album's experimental departure from the band's earlier sound, commending Julian Casablancas' introspective lyrics, dynamic guitar work, and rhythmic innovation. Standout tracks like "Juicebox" and "You Only Live Once" showcased The Strokes' ability to evolve while retaining their signature coolness. Despite differing opinions, the album marked a bold exploration of new musical territories and sparked conversations about the band's artistic evolution within the indie rock landscape.
Angles (2011)
"Angles" released by The Strokes in 2011, is a pivotal album in the band's journey, receiving a mix of reviews. Critics lauded its experimentation and collaborative nature, showcasing a departure from their previous works. Standout tracks like "Under Cover of Darkness" and "Machu Picchu" received praise for blending The Strokes' signature sound with fresh influences. While some critics found the album's diversity refreshing, others felt it lacked cohesion. Despite mixed reviews, "Angles" signaled The Strokes' return with a revitalized energy, sparking conversations about their evolving musical direction.
Comedown Machine (2013)
"Comedown Machine" released by The Strokes in 2013, is a unique entry in their discography. The album showcases a departure from their traditional sound, embracing a more synth-driven and experimental approach. Tracks like "One Way Trigger" and "Tap Out" demonstrate The Strokes' willingness to evolve, dividing critics but still affirming their capacity for sonic exploration. "Comedown Machine" adds another layer to The Strokes' musical evolution, inviting listeners into a realm of unexpected sounds and creative divergence. The Strokes adopted a media blackout strategy, refraining from interviews and traditional promotional activities. This intentional approach added an air of mystery to the album's release, sparking curiosity and discussions about the band's creative intentions.
Future Present Past EP (2016)
"Future Present Past" is a 2016 EP by The Strokes, featuring tracks like "Drag Queen", "OBLIVIOUS" and "Threat Of Joy" offering a glimpse into the band's evolving sound during the period between their albums "Comedown Machine" and "The New Abnormal".
The New Abnormal (2020)
Produced by legendary music producer Rick Rubin, "The New Abnormal" is The Strokes' sixth studio album, released in 2020 after a seven-year hiatus. The album represents a return to the spotlight for the band and showcases a blend of their signature rock sound with fresh and contemporary elements. Notable tracks include "The Adults Are Talking" and "Selfless". "The New Abnormal" received critical acclaim for its maturity, experimentation, and the band's ability to evolve while staying true to their distinctive style. The album's release was a highly anticipated moment for fans, marking a successful comeback for The Strokes after their extended hiatus.
Albert Hammond Jr. confirmed, that The Strokes are working on a new album, a follow-up to the succesful "The New Abnormal".
Here are the band members' side projects along with their released albums:
Julian Casablancas:
Julian Casablancas - Phrazes For The Young (2009).The Voidz - Tyranny (2014), Virtue (2018).
Albert Hammond Jr.
Albert Hammond Jr. - Yours To Keep (2006), Como Te Llama? (2008), Momentary Masters (2016), Francis Trouble (2018).
Nick Valensi
CRX - New Skin (2016), Peek (2018).
Fabrizio Moretti
Little Joy - Little Joy (2008).machinegum - Conduit (2019).
Nikolai Fraiture
Nickel Eye - The Time Of The Assassins (2008).SUMMER MOON - With You Tonight (2017), Casino Days (2023).
A Minor 4
The Strokes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
saying to me that I would say
every little creature that lives alone
time gets enough to get him sit right down
and now time's a reaching and I'm not there
and in the end and I am said/sad
all the little people, they're in your way
and I'm tired
but I'm older
and I said that I was wrong
and I'm not going that way
see I ain't going that way
and I'm not going that way
and I'm not going that way
in a church wehn went in your in that fate
bring it down and a past in your visit
all the little poeple that run around
and I touch them someone that's underground
and hes always
from the corpses
and all a trying yaw yaw yaw (well that's what it sounds like)
finally a part of something new
I'll show them all back home
where's the child I overheard?
and I'm not going that way
i'm not going that way
I'm not going that way
cause I always go your side in
The lyrics to The Strokes's song A Minor 4 are quite abstract and disjointed making it difficult to determine a clear meaning or message. However, there are a few themes and images that can be discerned from the lyrics.
The song starts off with the singer describing someone on top of him, looking down at him and telling him something. The lyrics suggest that there is a struggle or tension between the singer and the person above him. The second verse seems to be about the passage of time and how it affects everyone differently. The third verse talks about going into a church and encountering the little people that run around. These people may represent the singer's own inner demons or struggles.
Throughout the song, there is a sense of unease and foreboding. The lyrics paint a picture of someone grappling with their own internal conflicts and trying to make sense of the world around them. The repetition of the line "I'm not going that way" suggests a refusal to follow a certain path or to give in to certain temptations.
Overall, the lyrics to A Minor 4 are quite cryptic and open to interpretation. However, they hint at themes of power dynamics, the passage of time, and internal struggles.
Line by Line Meaning
Well on top of me you look this way
You have the upper hand in this situation and are directing your attention towards me.
Saying to me that I would say
You are instructing me on what you expect me to say in response.
Every little creature that lives alone
You understand the struggles of small, isolated beings.
Time gets enough to get him sit right down
You recognize that time has a way of slowing us down and forcing us to take a moment of rest.
And now time's a reaching and I'm not there
Time is catching up to me and I am not prepared for the consequences.
And in the end and I am said/sad
Despite my efforts, I am left feeling defeated and unhappy.
All the little people, they're in your way
You see others as insignificant obstacles in your grand scheme.
And a something..... someone to bowl with
You desire a partner or companion to engage in recreational activities with.
And I'm tired
I am physically or emotionally drained.
But I'm older
Despite my exhaustion, I have gained wisdom and experience over time.
And I said that I was wrong
I have admitted my mistakes and taken responsibility for my actions.
And I'm not going that way
I am refusing to follow a path or pattern that I previously engaged in.
See I ain't going that way
I am definitively rejecting the previously mentioned path or pattern.
In a church wehn went in your in that fate
In a previous time or situation, when I was in your position, it seemed inevitable or fateful.
Bring it down and a past in your visit
You are looking to break down old patterns and behaviors during your visit.
All the little poeple that run around
You see others as insignificant and insignificant beings who don't play a role in your plans.
And I touch them someone that's underground
I am able to connect with those who are hidden or marginalized.
And hes always
This person is consistently present in this particular behavior or pattern.
From the corpses
The source of this pattern may be from a past failure or negative experience.
And all a trying yaw yaw yaw (well that's what it sounds like)
Despite attempts to break this pattern, it continues to persist and repeat.
Finally a part of something new
Breaking this pattern has allowed for a new opportunity or experience.
I'll show them all back home
I will prove to those who doubted me or are no longer present that I am capable of success.
Where's the child I overheard?
I am questioning the whereabouts of someone who may have impacted my perspective or behavior.
And I'm not going that way
I am actively avoiding a previous pattern or direction that I perceive as negative.
I'm not going that way
I repeatedly affirm my rejection of this previous pattern or direction.
I'm not going that way
My rejection of this previous pattern or direction is non-negotiable.
'Cause I always go your side in
Despite this rejection, I am still supportive of you in your endeavors.
Contributed by Ryan P. Suggest a correction in the comments below.
@taitsoulis2013
Well on top of me you'd look this way
Saying to me that I would say
Every little creature that lives alone
Time gets enough to get him sit right down
And now time's a reaching and I'm not there
Yes and I and I have said
All the little people, they're in your way
A little treasure, someone, too far away, oh
And I'm tired
But I'm older
And I said that I was wrong
And I'm not going that way
See I ain't going that way
And I'm not going that way
Yeah, and I'm not going that way
Alright!
And I touch it all, it's in your face
Bring it down and it's past his visit
All the little poeple that run around
And I touch them someone that's underground
And he outsprung the corpse to life
And all the town that was outdoors
Finally a part of something new
I'll show them all back home
As a child I overheard
And I'm not going that way
I'm not going that way
(Take it away motherfucker)
I'm not going that way
Cause I'm always on your side , oh
@CarlosSebastian-iy2ww
Lyrics:
Well On Top of Me You Look This Way
Saying to Me That I Would Say
Every Little Creature That Lives Alone
Time Gets Enough to Get Him Sit Right Down
And Now Time's a Reaching and I'm Not There
And in the End and I Am Said/sad
All the Little People, They're in Your Way
And a Something..... Someone to Bowl With
And I'm Tired
But I'm Older
And I Said That I Was Wrong
And I'm Not Going That Way
See I Ain't Going That Way
And I'm Not Going That Way
And I'm Not Going That Way
In a Church Wehn Went in Your in That Fate
Bring It Down and a Past in Your Visit
All the Little Poeple That Run Around
And I Touch Them Someone That's Underground
And Hes Always
From the Corpses
And All a Trying Yaw Yaw Yaw (Well That's What It Sounds Like)
Finally a Part of Something New
I'll Show Them All Back Home
Where's the Child I Overheard?
And I'm Not Going That Way
I'm Not Going That Way
I'm Not Going That Way
Cause I Always Go Your Side In.
@taitsoulis2013
Well on top of me you'd look this way
Saying to me that I would say
Every little creature that lives alone
Time gets enough to get him sit right down
And now time's a reaching and I'm not there
Yes and I and I have said
All the little people, they're in your way
A little treasure, someone, too far away, oh
And I'm tired
But I'm older
And I said that I was wrong
And I'm not going that way
See I ain't going that way
And I'm not going that way
Yeah, and I'm not going that way
Alright!
And I touch it all, it's in your face
Bring it down and it's past his visit
All the little poeple that run around
And I touch them someone that's underground
And he outsprung the corpse to life
And all the town that was outdoors
Finally a part of something new
I'll show them all back home
As a child I overheard
And I'm not going that way
I'm not going that way
(Take it away motherfucker)
I'm not going that way
Cause I'm always on your side , oh
@trulyj0k3r23
Tait Soulis we
@DANA12100
I say the strokes gather all these unreleased songs rerecord that would make an amazing 5th album lol
@madisonking8057
yo how hype are you rn
@elvisalanbay7443
Omg they need to release all their b sides too after that album
@defoperator7993
Be better than the last 3
@Patsfan-kl1jk
ITS COMING
@dillonhunt7329
Just released it
@raviey0087
I need a compilation of the strokes demos and b sides
@flipperslipper3319
Im pretty sure there is