Members
Julian Casablancas (vocals), Nick Valensi (guitar), Albert Hammond Jr. (guitar), Nikolai Fraiture (bass), and Fabrizio Moretti (drums)
Formation
The founding process of The Strokes was a serendipitous convergence of childhood connections and a shared musical vision. Julian Casablancas, Fabrizio Moretti, and Nick Valensi, childhood friends with varying musical experiences, came together in the late '90s. The trio's dynamic was enriched with the addition of guitarist Albert Hammond Jr. and bassist Nikolai Fraiture. Bonded by a mutual love for garage rock, punk, and new wave, the quintet officially formed The Strokes in 1998, embarking on a journey to synthesize their diverse influences into a sound that would later redefine the indie rock landscape. The amalgamation of their individual talents and shared passion for music set the stage for The Strokes' rise to prominence in the early 2000s.
Is This It (2001)
"Is This It" The Strokes" debut album released in 2001 under the reputable record label RCA, is an electrifying sonic manifesto that not only redefined the landscape of indie rock but also garnered widespread critical acclaim. Infused with a raw and unfiltered energy, the album became an instant classic, hailed for its gritty exploration of New York City's underground music scene. Featuring iconic tracks like "Last Nite" and "Someday," Julian Casablancas' charismatic vocals, Nick Valensi and Albert Hammond Jr.'s guitar interplay, and the band's overall swagger made "Is This It" a timeless masterpiece. Its critical acclaim propelled The Strokes to the forefront of the early 2000s indie rock revival, cementing their status as trailblazers in the genre.
Room On Fire (2003)
"Room On Fire" the sophomore album by The Strokes released in 2003, seamlessly follows the success of their groundbreaking debut, "Is This It" The Strokes" (2001). While "Is This It" The Strokes" quickly became a cultural touchstone and achieved widespread acclaim, "Room On Fire" faced the challenge of living up to its predecessor's legacy.
From the rhythmic urgency of "12:51" to the infectious guitar riffs of "Reptilia," each track on "Room On Fire" showcases The Strokes' continued commitment to crafting catchy, yet substantive, rock anthems. While not eclipsing the commercial success of their debut, the album solidified The Strokes' standing as stalwarts of the early 2000s rock revival, demonstrating their artistic growth and ability to sustain their unique sound.
Juicebox and First Impressions Of Earth (2005 - 2006)
"Juicebox" by The Strokes, released as a single on November 14, 2005, ahead of their album "First Impressions of Earth," faced an early online leak, adding to the anticipation. Despite this, the track's bold guitar riffs and Julian Casablancas' charismatic vocals contributed to its positive reception, marking a significant moment in The Strokes' musical journey. They also released a catchy B-side "Hawaii".
"First Impressions Of Earth" The Strokes' third studio album released in January 2006, received a mix of reviews. Critics praised the album's experimental departure from the band's earlier sound, commending Julian Casablancas' introspective lyrics, dynamic guitar work, and rhythmic innovation. Standout tracks like "Juicebox" and "You Only Live Once" showcased The Strokes' ability to evolve while retaining their signature coolness. Despite differing opinions, the album marked a bold exploration of new musical territories and sparked conversations about the band's artistic evolution within the indie rock landscape.
Angles (2011)
"Angles" released by The Strokes in 2011, is a pivotal album in the band's journey, receiving a mix of reviews. Critics lauded its experimentation and collaborative nature, showcasing a departure from their previous works. Standout tracks like "Under Cover of Darkness" and "Machu Picchu" received praise for blending The Strokes' signature sound with fresh influences. While some critics found the album's diversity refreshing, others felt it lacked cohesion. Despite mixed reviews, "Angles" signaled The Strokes' return with a revitalized energy, sparking conversations about their evolving musical direction.
Comedown Machine (2013)
"Comedown Machine" released by The Strokes in 2013, is a unique entry in their discography. The album showcases a departure from their traditional sound, embracing a more synth-driven and experimental approach. Tracks like "One Way Trigger" and "Tap Out" demonstrate The Strokes' willingness to evolve, dividing critics but still affirming their capacity for sonic exploration. "Comedown Machine" adds another layer to The Strokes' musical evolution, inviting listeners into a realm of unexpected sounds and creative divergence. The Strokes adopted a media blackout strategy, refraining from interviews and traditional promotional activities. This intentional approach added an air of mystery to the album's release, sparking curiosity and discussions about the band's creative intentions.
Future Present Past EP (2016)
"Future Present Past" is a 2016 EP by The Strokes, featuring tracks like "Drag Queen", "OBLIVIOUS" and "Threat Of Joy" offering a glimpse into the band's evolving sound during the period between their albums "Comedown Machine" and "The New Abnormal".
The New Abnormal (2020)
Produced by legendary music producer Rick Rubin, "The New Abnormal" is The Strokes' sixth studio album, released in 2020 after a seven-year hiatus. The album represents a return to the spotlight for the band and showcases a blend of their signature rock sound with fresh and contemporary elements. Notable tracks include "The Adults Are Talking" and "Selfless". "The New Abnormal" received critical acclaim for its maturity, experimentation, and the band's ability to evolve while staying true to their distinctive style. The album's release was a highly anticipated moment for fans, marking a successful comeback for The Strokes after their extended hiatus.
Albert Hammond Jr. confirmed, that The Strokes are working on a new album, a follow-up to the succesful "The New Abnormal".
Here are the band members' side projects along with their released albums:
Julian Casablancas:
Julian Casablancas - Phrazes For The Young (2009).The Voidz - Tyranny (2014), Virtue (2018).
Albert Hammond Jr.
Albert Hammond Jr. - Yours To Keep (2006), Como Te Llama? (2008), Momentary Masters (2016), Francis Trouble (2018).
Nick Valensi
CRX - New Skin (2016), Peek (2018).
Fabrizio Moretti
Little Joy - Little Joy (2008).machinegum - Conduit (2019).
Nikolai Fraiture
Nickel Eye - The Time Of The Assassins (2008).SUMMER MOON - With You Tonight (2017), Casino Days (2023).
Life is Simple
The Strokes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
About some pain that they once felt
There's no one I disapprove of more or root for more than myself
I wanted to pretend that it was better, better, better on the phone
I didn't wanna tell you I was jealous, jealous, jealous and alone
So we talk about ourselves and how
To forget the love we never felt
You never were so sure, was the moment
Don't try to stop us
Don't try to stop us
Don't try to stop us
Get out of the way
Got to get to climb your tree in the light of the living ghost I see
She sees her father in that old man's eyes while secretly he stares at her thighs
Animals on TV singing about some pain they felt at some point
I didn't wanna tell you I was jealous, jealous, jealous, what's the point?
As I watched the velvet drapes appear
And the door was closed for forty years
As we hide what we don't want to hear
As we hide our dream, near here
He is coming from a part of hell
Where, like Nanbu, I don't go down well
He can tell that we're oblivious
It's addiction and routine as well
Making fools out of the best of us
Making robots of the rest of us
In that sense, I tell, in America today
There's a crime, just like going out westward, says
Don't try to stop us
Don't try to stop us
Don't try to stop us
Get out of the way
The Strokes's song "Life is Simple" is a commentary on the human condition in the 21st century, where people are consumed by their own insecurities, fears, and desires. The lyrics paint a picture of a society that is fixated on material possessions, social status, and fame. The opening lines, which speak of "Animals on TV singing about some pain that they once felt," suggest that the characters in the song are watching reality TV shows or celebrities talking about their personal struggles. The use of animal imagery may also indicate that these people are not fully human, but rather have become creatures of consumption, existing only to consume and be consumed.
The singer of the song is torn between his desire to appear happy and his inner jealousy and loneliness. He tries to pretend that he is better off without the person he is speaking to, but in reality, he feels envious of their happiness. The line, "All the old jokes that work so well, you never were so sure, was the moment," is an acknowledgement that the shared memories and humor they once shared were never really as fulfilling as they pretended them to be. The verse ends with a defiant "Don't try to stop us, get out of the way," which suggests that these characters are determined to do what they want, no matter what anyone else thinks.
The chorus of the song uses vivid imagery to suggest that the characters are trying to escape their past and present reality by climbing a tree in the light of a "living ghost." The living ghost can be interpreted as a metaphor for the past, which haunts the characters even as they try to escape it. The line "She sees her father in that old man's eyes, while secretly he stares at her thighs," suggests a generational divide, where the younger generation is trying to reject the values and beliefs of their parents, but are still influenced by them.
Overall, "Life is Simple" is a critique of modern society and the human condition in the 21st century. It speaks to the universal struggle of feeling alone, jealous, and insecure, while trying to find meaning and purpose in a world that is often devoid of it.
Line by Line Meaning
Animals on TV singing
The media constantly bombards us with performers who sing about their pain and struggles.
About some pain that they once felt
These performers sing about things that they may have overcome long ago or may not even be true.
There's no one I disapprove of more or root for more than myself
I have a complicated relationship with myself where I both criticize and support myself more than anyone.
I wanted to pretend that it was better, better, better on the phone
I didn't want to be honest and tell the truth about my emotions when talking on the phone.
I didn't wanna tell you I was jealous, jealous, jealous and alone
I felt envious and sad, but I didn't want to reveal those feelings to the person I was talking to.
So we talk about ourselves and how
We distract ourselves from our true feelings by focusing on our own problems or lives.
To forget the love we never felt
We try to forget about love that we have never actually experienced or that we feel is unattainable.
All the old jokes that work so well
We repeat jokes that are familiar to us even though they may not be funny anymore.
You never were so sure, was the moment
We are never completely certain if we are making the right decision or if we are in the right place at the right time.
Don't try to stop us
We do not want anyone to prevent us from pursuing our desires or dreams.
Get out of the way
We want others to move aside so that we can follow our own path without any obstructions.
Got to get to climb your tree in the light of the living ghost I see
We must make an effort to succeed despite the presence of past memories or obstacles that continue to haunt us.
She sees her father in that old man's eyes while secretly he stares at her thighs
Someone may see something familiar or recognizable in someone else, while the other person's attention may be on something entirely different.
As I watched the velvet drapes appear
I witnessed the arrival of something luxurious and expensive.
And the door was closed for forty years
Something that was inaccessible or unavailable for a long time has finally become available.
As we hide what we don't want to hear
We often suppress or ignore information or feelings that we find uncomfortable or unpleasant to deal with.
As we hide our dream, near here
We keep our desires and aspirations hidden from others or even ourselves, because we fear failure or judgment.
He is coming from a part of hell
Someone is coming from a situation or environment that is difficult, painful, or undesirable.
Where, like Nanbu, I don't go down well
The person is coming from a place where they may not be accepted or welcomed, like the way Nanbu (a type of Japanese whisky) may not appeal to everyone's tastes.
He can tell that we're oblivious
The person is aware that we are unaware or ignorant about something important.
It's addiction and routine as well
Our actions and behaviors may be the result of being stuck in repetitive patterns or habits that we cannot break out of.
Making fools out of the best of us
Even intelligent or successful people can be vulnerable to making foolish decisions or mistakes.
Making robots of the rest of us
Others may become robotic or less human-like by blindly following orders or routines without questioning or thinking for themselves.
In that sense, I tell, in America today
This applies to today's America in a broader sense.
There's a crime, just like going out westward, says
There is a sense of lawlessness or recklessness similar to that felt during the American westward expansion period.
Lyrics © Warner/Chappell Music, Inc.
Written by: JULIAN CASABLANCAS
Lyrics Licensed & Provided by LyricFind