Members
Julian Casablancas (vocals), Nick Valensi (guitar), Albert Hammond Jr. (guitar), Nikolai Fraiture (bass), and Fabrizio Moretti (drums)
Formation
The founding process of The Strokes was a serendipitous convergence of childhood connections and a shared musical vision. Julian Casablancas, Fabrizio Moretti, and Nick Valensi, childhood friends with varying musical experiences, came together in the late '90s. The trio's dynamic was enriched with the addition of guitarist Albert Hammond Jr. and bassist Nikolai Fraiture. Bonded by a mutual love for garage rock, punk, and new wave, the quintet officially formed The Strokes in 1998, embarking on a journey to synthesize their diverse influences into a sound that would later redefine the indie rock landscape. The amalgamation of their individual talents and shared passion for music set the stage for The Strokes' rise to prominence in the early 2000s.
Is This It (2001)
"Is This It" The Strokes" debut album released in 2001 under the reputable record label RCA, is an electrifying sonic manifesto that not only redefined the landscape of indie rock but also garnered widespread critical acclaim. Infused with a raw and unfiltered energy, the album became an instant classic, hailed for its gritty exploration of New York City's underground music scene. Featuring iconic tracks like "Last Nite" and "Someday," Julian Casablancas' charismatic vocals, Nick Valensi and Albert Hammond Jr.'s guitar interplay, and the band's overall swagger made "Is This It" a timeless masterpiece. Its critical acclaim propelled The Strokes to the forefront of the early 2000s indie rock revival, cementing their status as trailblazers in the genre.
Room On Fire (2003)
"Room On Fire" the sophomore album by The Strokes released in 2003, seamlessly follows the success of their groundbreaking debut, "Is This It" The Strokes" (2001). While "Is This It" The Strokes" quickly became a cultural touchstone and achieved widespread acclaim, "Room On Fire" faced the challenge of living up to its predecessor's legacy.
From the rhythmic urgency of "12:51" to the infectious guitar riffs of "Reptilia," each track on "Room On Fire" showcases The Strokes' continued commitment to crafting catchy, yet substantive, rock anthems. While not eclipsing the commercial success of their debut, the album solidified The Strokes' standing as stalwarts of the early 2000s rock revival, demonstrating their artistic growth and ability to sustain their unique sound.
Juicebox and First Impressions Of Earth (2005 - 2006)
"Juicebox" by The Strokes, released as a single on November 14, 2005, ahead of their album "First Impressions of Earth," faced an early online leak, adding to the anticipation. Despite this, the track's bold guitar riffs and Julian Casablancas' charismatic vocals contributed to its positive reception, marking a significant moment in The Strokes' musical journey. They also released a catchy B-side "Hawaii".
"First Impressions Of Earth" The Strokes' third studio album released in January 2006, received a mix of reviews. Critics praised the album's experimental departure from the band's earlier sound, commending Julian Casablancas' introspective lyrics, dynamic guitar work, and rhythmic innovation. Standout tracks like "Juicebox" and "You Only Live Once" showcased The Strokes' ability to evolve while retaining their signature coolness. Despite differing opinions, the album marked a bold exploration of new musical territories and sparked conversations about the band's artistic evolution within the indie rock landscape.
Angles (2011)
"Angles" released by The Strokes in 2011, is a pivotal album in the band's journey, receiving a mix of reviews. Critics lauded its experimentation and collaborative nature, showcasing a departure from their previous works. Standout tracks like "Under Cover of Darkness" and "Machu Picchu" received praise for blending The Strokes' signature sound with fresh influences. While some critics found the album's diversity refreshing, others felt it lacked cohesion. Despite mixed reviews, "Angles" signaled The Strokes' return with a revitalized energy, sparking conversations about their evolving musical direction.
Comedown Machine (2013)
"Comedown Machine" released by The Strokes in 2013, is a unique entry in their discography. The album showcases a departure from their traditional sound, embracing a more synth-driven and experimental approach. Tracks like "One Way Trigger" and "Tap Out" demonstrate The Strokes' willingness to evolve, dividing critics but still affirming their capacity for sonic exploration. "Comedown Machine" adds another layer to The Strokes' musical evolution, inviting listeners into a realm of unexpected sounds and creative divergence. The Strokes adopted a media blackout strategy, refraining from interviews and traditional promotional activities. This intentional approach added an air of mystery to the album's release, sparking curiosity and discussions about the band's creative intentions.
Future Present Past EP (2016)
"Future Present Past" is a 2016 EP by The Strokes, featuring tracks like "Drag Queen", "OBLIVIOUS" and "Threat Of Joy" offering a glimpse into the band's evolving sound during the period between their albums "Comedown Machine" and "The New Abnormal".
The New Abnormal (2020)
Produced by legendary music producer Rick Rubin, "The New Abnormal" is The Strokes' sixth studio album, released in 2020 after a seven-year hiatus. The album represents a return to the spotlight for the band and showcases a blend of their signature rock sound with fresh and contemporary elements. Notable tracks include "The Adults Are Talking" and "Selfless". "The New Abnormal" received critical acclaim for its maturity, experimentation, and the band's ability to evolve while staying true to their distinctive style. The album's release was a highly anticipated moment for fans, marking a successful comeback for The Strokes after their extended hiatus.
Albert Hammond Jr. confirmed, that The Strokes are working on a new album, a follow-up to the succesful "The New Abnormal".
Here are the band members' side projects along with their released albums:
Julian Casablancas:
Julian Casablancas - Phrazes For The Young (2009).The Voidz - Tyranny (2014), Virtue (2018).
Albert Hammond Jr.
Albert Hammond Jr. - Yours To Keep (2006), Como Te Llama? (2008), Momentary Masters (2016), Francis Trouble (2018).
Nick Valensi
CRX - New Skin (2016), Peek (2018).
Fabrizio Moretti
Little Joy - Little Joy (2008).machinegum - Conduit (2019).
Nikolai Fraiture
Nickel Eye - The Time Of The Assassins (2008).SUMMER MOON - With You Tonight (2017), Casino Days (2023).
This is the One
The Strokes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I don't even like it
I just lied to
Get to your apartment
Now I'm staying
There just for a while
I can't think 'cause
I'm just way too tired
Is this it?
Is this it?
Is this it?
Said they'd give you anything you ever wanted
When they lied, I knew it was just stable children
Trying hard not to realize
I was sitting right behind them
Oh dear, can't you see? It's them it's not me
We're not enemies
We just disagree
If I was like him, all pissed in this bar
He changes his mind, says I went too far
We all disagree
I think we should disagree, yeah
Is this it?
Is this it?
Is this it?
Can't you see I'm trying?
I don't even like it
I just lied to
Get to your apartment
Now I'm staying
There just for a while
I can't think 'cause
I'm just way too tired
The Strokes's song "Is This It" describes the confusion and ambivalence of modern youth culture. The lyrics are sung from the perspective of a young person who feels isolated and lost, unsure of their place in the world. The opening line "Can't you see I'm trying?" suggests that the person is struggling to find their way, but feels misunderstood and unsupported. The next line "I don't even like it/I just lied to/Get to your apartment" reveals the person's sense of deceit and uncertainty. The use of the word "just" suggests that the person feels like they are making excuses for themselves.
The chorus, "Is this it?" is a reflection of the person's search for meaning and purpose, as they question whether their life has any real significance. The bridge, "Said they'd give you anything you ever wanted/When they lied, I knew it was just stable children/Trying hard not to realize/I was sitting right behind them," references the promise of limitless opportunities in modern society, but suggests that those promises are empty and unfulfilling. The person feels disillusioned and disenchanted, unable to connect with those around them.
The line "Oh dear, can't you see? It's them it's not me/We're not enemies/We just disagree" is an acknowledgment of the conflicts and disagreements that arise out of the complexity of human relationships. The person recognizes that they are not alone in their struggles, and that others may feel the same way. However, the line "If I was like him, all pissed in this bar/He changes his mind, says I went too far/We all disagree/I think we should disagree, yeah" suggests that the person values their individuality and independence, and is unwilling to compromise their beliefs for the sake of conformity.
Line by Line Meaning
Can't you see I'm trying?
I'm putting in effort to impress you, please notice me
I don't even like it
The situation I'm in is uncomfortable, but I'm staying for you
I just lied to get to your apartment
I wasn't honest in my intentions, I manipulated my way into your space
Now I'm staying there just for a while
I extended my visit beyond what was initially planned
I can't think 'cause I'm just way too tired
My exhaustion is making it hard for me to focus and make decisions
Said they'd give you anything you ever wanted
Promises were made, but not kept, leading to disappointment
When they lied, I knew it was just stable children
I recognized that those making promises were immature and unreliable
Trying hard not to realize I was sitting right behind them
I tried to ignore the situation, but I realized the truth was right in front of me
Oh dear, can't you see? It's them it's not me
I want you to understand that I'm not the problem, it's the situation or other people
We're not enemies, we just disagree
We don't have to be enemies just because we have different viewpoints
If I was like him, all pissed in this bar, he changes his mind, says I went too far
If I acted like the other guy who is angry and aggressive, he would still criticize me for taking it too far
We all disagree, I think we should disagree, yeah
Disagreeing is a normal part of life and we should embrace it rather than get upset about it
Is this it? Is this it? Is this it?
Is this all there is? Is this what life has to offer? Is this the end?
Lyrics © Warner Chappell Music, Inc.
Written by: Julian Casablancas
Lyrics Licensed & Provided by LyricFind
@hareeshscifi13
Lyrics:
Some people think they're always right
Others are quiet and uptight
Others, they seem so very nice-nice-nice-nice, oh
Inside they might feel sad and wrong, oh, no
Twenty-nine different attributes
Only seven that you like, oh-oh
Twenty ways to see the world, oh
And twenty ways to start a fight, oh
Oh don't, don't, don't get up
I can't see the sunshine
I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Oh, men don't notice what they got
Oh, women think of that a lot
One thousand ways to please your man, oh
Not even one requires a plan, I know
And countless odd religions too
It doesn't matter which you choose, oh, no
One stubborn way to turn your back, oh
This I've tried and now refuse, oh
Oh don't, don't, don't get up
I can't see the sunshine
Oh, I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Alright
Shut me up, shut me up
And I'll get along with you
@gabrielavieira7352
LYRICS:
Some people think they're always right
Others are quiet and uptight
Others they seem so very nice (nice nice nice oh-ho)
Inside they might feel sad and wrong (oh no)
Twenty-nine different attributes
Only seven that you like (oh-ho)
Twenty ways to see the world (oh-ho)
Are twenty ways to start a fight (oh-ho)
(Oh, don't, don't) don't get out
I can't see the sunshine
I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Oh men don't notice what they got
Women think of that a lot
A thousand ways to please your man (oh-ho)
Not even one requires a plan (I know)
(And) countless odd religions too
It doesn't matter which you choose (oh, no)
One stubborn way to turn your back (oh-ho)
This I've tried, and I refuse (oh-ho)
(Don't, don't) don't get out
I can't see the sunshine
I'll be waiting for you, baby
'Cause I'm fool
Sit me down
Shut me up
I'll calm down
And I'll get along with you
(Alright)
Shut me up
Shut me up
And I'll get along with you
@axgp7101
Some people think they're always right
Others are quiet and uptight
Others, they seem so very nice-nice-nice-nice, oh
Inside they might feel sad and wrong, oh, no
Twenty-nine different attributes
Only seven that you like, oh-oh
Twenty ways to see the world, oh
And twenty ways to start a fight, oh
Oh don't, don't, don't get up
I can't see the sunshine
I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Oh, men don't notice what they got
Oh, women think of that a lot
One thousand ways to please your man, oh
Not even one requires a plan, I know
And countless odd religions too
It doesn't matter which you choose, oh, no
One stubborn way to turn your back, oh
This I've tried and now refuse, oh
Oh don't, don't, don't get up
I can't see the sunshine
Oh, I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Alright
Shut me up, shut me up
And I'll get along with you
@dirix9552
LYRICS:
Some people think they're always right
Others are quiet and uptight
Others, they seem so very nice-nice-nice-nice, oh
Inside they might feel sad and wrong, oh, no
Twenty-nine different attributes
Only seven that you like, oh-oh
Twenty ways to see the world, oh
And twenty ways to start a fight, oh
Oh don't, don't, don't get up
I can't see the sunshine
I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Oh, men don't notice what they got
Oh, women think of that a lot
One thousand ways to please your man, oh
Not even one requires a plan, I know
And countless odd religions too
It doesn't matter which you choose, oh, no
One stubborn way to turn your back, oh
This I've tried and now refuse, oh
Oh don't, don't, don't get up
I can't see the sunshine
Oh, I'll be waiting for you, baby
'Cause I'm through
Sit me down
Shut me up
I'll calm down
And I'll get along with you
Alright
Shut me up, shut me up
And I'll get along with you
@chicken
💜2024 And this gem continues to shine 💖💎🔥
@marycha8749
2024 aquí 🗿
@m.tsconventionals5082
how much did you pay the indian guy for his niche channel buddy?
@giorgia8102
Hell yeah!!!
@frankiedyon
It’s stilll going
@treerexbricks
How are you in ever music vid
@paperchaseproductions4487
Julian: So everyone remembered to wear white today, right?
Nick: What
@monobloc
this is hilarious
@GabrielMirandaOficial
The Balloon - Gabriel Miranda (Official video) please check
@ecasey91
Kinda blends in with the walls tho