They had their first U.S. hit in 1971 with "You're a Big Girl Now". Signing to Avco Records, The Stylistics began working with producer Thom Bell, who had already produced a catalogue of hits for The Delfonics, and songwriter Linda Creed. Bell imported the sweet soul techniques he had perfected with The Delfonics, and his arrangements worked perfectly with Thompkins' falsetto. The bittersweet lyrics from Creed were a key factor in creating hugely memorable music.
Their hits, distilled from three albums, from this period included "Betcha by Golly, Wow", "I'm Stone in Love with You", "You Make Me Feel Brand New" featuring a double lead with Love, "Stop, Look, Listen To Your Heart" and "You Are Everything". "You Make Me Feel Brand New" was the group's biggest U.S. hit, holding at #2 for two weeks in the spring of 1974, and was one of five U.S. gold singles the Stylistics collected. The Stylistics' smooth sound also found an easier path onto adult contemporary airwaves than other soul artists, and the group made Billboard magazine's Easy Listening singles chart twelve times from 1971 to 1976, with three entries, "Betcha By Golly, Wow," "You Make Me Feel Brand New," and "You'll Never Get To Heaven (If You Break My Heart)" reaching the Top 10.
The group split with Thom Bell in 1974, and the split proved devastating commercially to the group's success in the USA. Just as with The Delfonics, The Stylistics were to some extent a vehicle for Bell's own creativity. They struggled hard to find producers who could come up with the right material, and partnerships with Hugo & Luigi and Van McCoy were notably less successful. They left Avco for H&L Records and the Stylistics' popularity rapidly declined in the U.S., though their British popularity continued for the rest of the 1970s.
In 1980, James Dunn departed due to health problems, and James Smith left shortly thereafter. The group continued, recruiting new member Raymond Johnson, and releasing the album Some Things Never Change, in 1985. Johnson departed shortly afterward, leaving the group a trio. Love, Murrell, and Thompkins continued to tour until 2000, when original lead Thompkins left. Love and Murrell brought in two new members, Harold "Eban" Brown, formerly of the Delfonics, as lead ( who sounds amazingly like a young Russell Thompkins), and tenor Van Fields. The present group is featured live on the DVD's "The Stylistics Live at the Convention Center" (2006), as well as along with other artists of the '70's on the DVD "The Big Show."
In 2004, Russell Thompkins, Jr. started a new group, the New Stylistics, with the returning Raymond Johnson, James Ranton, and Jonathan Buckson. They are featured on the DVD "Old School Soul Party Live!," which was part of the PBS "My Music" series.
The Stylistics' catalog of hits have been mined frequently by other artists in recent years. Notable examples include "Betcha By Golly, Wow" covered by Prince, "You Are Everything" remade by Vanessa Williams, and "You Make Me Feel Brand New" redone by Boyz ll Men Roberta Flack and Simply Red. Mary J. Blige also used the chief line from the chorus of "You Are Everything" ("You are everything, and everything is you") in her 1997 hit "Everything." In 2006, Letoya Luckett used a similar sample to the background track of "You Are Everything" for the music to her hit single "Torn."
It's So Good
The Stylistics Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tell me to save my tears
Well I'm so mad about him
I can't live without him
Never treats me sweet and gentle
The way he should
I've got it bad
My poor heart is so sentimental
Not made of wood
I've got it so bad
And that ain't good
But when the fish are jumpin'
And Friday rolls around
My man an' I, we gin some
We pray some, and sin some
He don't love me like I love him
The way he should
I've got it bad
And that ain't good
Yes I've got it bad
And that ain't good
The Stylistics's song I Got A Letter is a classic soulful ballad that explores the complex and tumultuous nature of romantic love. The song's narrator is deeply in love with a man who does not reciprocate her feelings in the same way. While others advise her to move on and save her tears, she is so consumed by her love for this man that she cannot imagine living without him. Despite his mistreatment and failure to treat her with kindness and care, the singer's heart remains sentimental and full of longing.
In the second verse, the singer describes the routine she and her man have established, perhaps as a means of coping with their troubled relationship. They go fishing, pray together, and commit sins as a couple. Despite their shared experiences, however, the singer remains acutely aware of the mismatch between her own feelings and her partner's lack of affection. She knows that she loves him more deeply and fully than he loves her, and it hurts her deeply.
Overall, the song is a poignant portrait of the human heart's capacity for love and pain. It highlights the often-complicated dynamics of romantic relationships and the ways in which people can be consumed by their emotions, even when the object of their affection is not entirely worthy of those feelings.
Line by Line Meaning
Though folks with good intentions
Tell me to save my tears
Although some people advise me not to cry about him
Well I'm so mad about him
I can't live without him
I am deeply in love with him and cannot imagine a life without him
Never treats me sweet and gentle
The way he should
He does not treat me with the care and tenderness I deserve
I've got it bad
And that ain't good
My love for him is extreme and unhealthy
My poor heart is so sentimental
Not made of wood
My heart is easily affected by emotions and is not stoic
But when the fish are jumpin'
And Friday rolls around
My man an' I, we gin some
We pray some, and sin some
We have good times together, despite our problems
He don't love me like I love him
The way he should
He does not love me the way he should, despite my strong feelings for him
Yes I've got it bad
And that ain't good
My unhealthy love for him is not good for me
Lyrics © BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Duke Ellington, Paul Francis Webster
Lyrics Licensed & Provided by LyricFind
@monterayblkds9nr180
Dayum this is what we youngsters call AUDIO CRACK💯💯💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾💪🏾
@albertpullhoes
Smack Url beat by Rain910