1960s
The Three Degrees (aka the Twelve Degrees) were formed around 1963 in Philadelphia. They were discovered by producer and songwriter, Richard Barrett. Barrett was responsible for groups of the 1950s such as The Chantels, Little Anthony and the Imperials, and The Valentines. Barrett recorded the original lineup on their first song, "Gee Baby (I'm Sorry)", for Swan Records. Turner and Porter both left the group and were replaced by Helen Scott and a string of other ladies, before Janet Harmon joined in the mid-1960s. Barrett also began managing and producing Sheila Ferguson who was a high school friend of Scott. Barrett also signed Ferguson to Swan Records in 1965. The Three Degrees released a number of singles such as "I'm Gonna Need You" and a cover version of "Maybe", with Scott taking the lead vocals.
By 1966, with many performances lined up, Scott decided to leave the group to start a family. Ferguson filled in for Scott and would remain with the group for 20 years. Ferguson sang backup on all the group's Swan recordings as did the Three Degrees for her solo singles. By 1967, Harmon left and was replaced by Valerie Holiday. Barrett signed them to recording contracts over the next three years with Warner Bros., Metromedia, and Neptune record labels; the latter of which was owned by Kenny Gamble and Leon Huff, who would work with the group five years later. Their close harmony made them a popular nightclub act but that hit record still eluded them.
1970s
By 1970, they were signed to Roulette Records and they released their first album, Maybe. The title song took them to #4 on the U.S. R&B charts. Other singles like "I Do Take You" and "You're the Fool" followed, as did their second album, So Much Love. This success landed them a cameo appearance in the 1971 film, The French Connection, filmed during one of their appearances at the Copacabana nightclub in New York, and also an engagement at the Riviera Hotel in Las Vegas, Nevada with Engelbert Humperdinck, who was quoted saying that "The Three Degrees are the finest female vocal trio around today."
In 1973, with their contract with Roulette ending, Barrett signed them to Philadelphia International Records under Kenny Gamble and Leon Huff, where they were to have their greatest successes. They also made an appearance on the television program, Sanford and Son, singing "I Didn't Know". The first song they recorded there was with the studio band MFSB, entitled TSOP (The Sound of Philadelphia), which was the theme song for Soul Train. Altogether, The Three Degrees recorded four albums for that label.
The first album spawned three hits. Dirty Ol' Man went gold in the Netherlands and Belgium. The second single was Year of Decision which made it to the Top 20 in the UK Singles Chart. Their third single, "When Will I See You Again", was the one that helped the trio break into the mainstream. It topped the UK Chart and sold over two million discs to earn the trio a gold record. The RIAA made the award on 9 December 1974.
The Three Degrees also recorded two live albums: one from Leicester in the UK, and the other from Tokyo, Japan, and both were released in 1975. International, their second studio album on Philadelphia International, was marketed internationally in various languages. In Europe, the album was called With Love, and spawned the hit single Take Good Care of Yourself, which was a Top 10 hit in the UK. There were two songs from that album that were big in Japan: "Midnight Train" and "Nigai Namida", which was recorded in Japanese. In 1976, they parted company with Gamble and Huff and moved to CBS Sony/Epic Records where they released the concept album, A Toast Of Love, purely for the Far East market, although a single of the title track as released all over the world.
In 1976, Pinkney decided to leave the group to return to full-time education, and was replaced by her former band member and great friend Helen Scott. In 1977 they released the album, Standing Up for Love. In 1978, The Three Degrees were signed to Ariola Records in Europe and the U.S. and began working with Giorgio Moroder. Further success was to follow, and they released two albums on Ariola which delivered four UK Top 20 hits: "The Runner", "My Simple Heart", "Giving Up Giving In", and "Woman In Love". They performed at Buckingham Palace for Prince Charles' 30th birthday party, and were guests at his pre-wedding party to Princess Diana. Their own television program was recorded at the Royal Albert Hall in London, called "The Three Degrees at The Royal Albert Hall", in October 1979.
1980s
Between 1982 and 1985, The Three Degrees released two albums on their own 3D label: Album of Love and Live in the UK. On that label they released one single written by Ferguson, "Liar". They returned to the charts in 1985 with "The Heaven I Need", which was produced by Stock/Aitken/Waterman on Supreme Records. A third BBC Television show was also recorded in 1982, entitled Take 3 Degrees, which included performances of their greatest hits, and also songs that the group were performing in their latest show, such as "I Can't Turn You Loose" and "Celebration".
In 1986, Miquel Brown filled in for Scott whilst the latter was expecting. That same year Ferguson decided to leave the group. Scott and Holiday replaced her with Vera Brown in 1986 and then Rhea Harris in 1987. In 1989, Scott and Holiday, along with new recruit Victoria Wallace, recorded an album entitled ... And Holding on Ichiban Records. A single, "A Tender Lie" was also released. Following the album, the group recorded a live CD at London's Dominion Theatre, with Billy Paul and Harold Melvin & the Bluenotes in the summer of 1989. The group followed this with another tour of the UK and Japan at the end of the year.
1990s onwards
In December 1989, Cynthia Garrison replaced Wallace, forming the longest running lineup of the group. In 1993, they were asked to record a new version of "When Will I See You Again" with Thomas Anders (Modern Talking). He supplied three tracks for their album Out the Past Into the Future, marking their return to Ariola Records and their most successful and musically varied album in 15 years.
Scott, Holiday, and Garrison continue to tour. They made their first U.S. TV appearance in over 20 years in 2003 on the PBS show, Rhythm, Love, and Soul with Aretha Franklin, Lou Rawls and Mary Wilson. They were also part of the "Best Disco In Town 2004 Tour" with The Pointer Sisters, Chic, The Emotions, and Evelyn "Champagne" King. They also took part in the 2007 "Best Disco In Town" tour in the United Kingdom in May 2007.
The ladies, together with former member Fayette Pinkney, received various honors during 2007 and 2008, through BIMA and the City of Philadelphia, for their contribution to music over five decades. The four ladies appeared together to receive these awards, creating, for the first time ever, The Four Degrees.
Lineup Chronology
Members
Helen Scott (1963-1966)
Valerie Holiday (1967-present)
Helen Scott1 (1976-present)
Cynthia Garrison (1989-present)
1Helen Scott rejoined the group in 1976 after a 10-year break
Ex-members
Fayette Pinkney (1963-1976)
Linda Turner (1963)
Shirley Porter (1963)
Janet Harmon (1964-1967)
Sheila Ferguson (1966-1986)
Sandra Tucker (1967)
Vera Brown (1986-1987)
Rhea Harris (1987-1988)
Victoria Wallace (1988-1989)
Maybe
The Three Degrees Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh if I could pray and I try, dear
You might come back home, home to me
Maybe
Whoa, if I could ever hold your little hand
Oh you might understand
Maybe, maybe, maybe, maybe, yeah
Maybe, maybe, maybe, maybe, maybe dear
I guess I might have done something wrong
Honey I'd be glad to admit it
Oh, come on home to me!
Honey maybe, maybe, maybe, maybe yeah
Well I know that it just doesn't ever seem to matter, baby
Oh honey, when I go out or what I'm trying to do
Can't you see I'm still left here
And I'm holding on in needing you
Please, please, please, please
Oh won't you reconsider babe
Now come on, I said come back
Won't you come back to me!
Maybe dear, oh maybe, maybe, maybe
Let me help you show me how
Honey, maybe, maybe, maybe, maybe
Maybe, maybe, maybe, yeah
Maybe, maybe, maybe, yeah
Ooh!
The Three Degrees’ song “Maybe” is a classic ballad about lost love and the desperate hope for reconciliation. The lyrics describe the singer’s longing for their lost lover to return and their willingness to do whatever it takes to make that happen. The opening lines “Oh if I could pray and I try, dear / You might come back home, home to me” set the tone for the rest of the song, emphasizing the singer’s vulnerability and the depth of their feelings.
The chorus, with its repeated use of the word “maybe,” reflects the uncertainty and ambiguity of the situation. The singer is not sure whether their lover will ever return, but they hold onto hope nonetheless. The line “Well I know that it just doesn't ever seem to matter, baby” speaks to the singer’s frustration and the feeling that their efforts may be futile. However, they continue to plead for their lover to come back, ending on a hopeful note with “Let me help you show me how / Honey, maybe, maybe, maybe, maybe.”
Overall, “Maybe” is a poignant and heartfelt song that captures the pain, uncertainty, and hope that come with lost love.
Line by Line Meaning
Maybe
The singer is hopeful and suggests that there is a possibility for reconciliation.
Oh if I could pray and I try, dear
The singer is willing to do anything to bring their loved one back, even if it means praying.
You might come back home, home to me
The singer is expressing their desire for their loved one to come back home.
Whoa, if I could ever hold your little hand
The singer wants to be close to their loved one again and hold their hand.
Oh you might understand
The singer hopes that their loved one will understand how much they are missed and loved.
Maybe, maybe, maybe, maybe, yeah
The singer is repeating the word 'maybe' to emphasize their hopefulness.
Maybe, maybe, maybe, maybe, maybe dear
The singer addresses their loved one, hoping that they will consider coming back.
I guess I might have done something wrong
The singer admits to possibly making a mistake that caused their loved one to leave.
Honey I'd be glad to admit it
The singer is willing to accept responsibility for their actions and ask for forgiveness.
Oh, come on home to me!
The singer pleads for their loved one to come back home.
Well I know that it just doesn't ever seem to matter, baby
The singer acknowledges that their efforts to win back their loved one may seem futile.
Oh honey, when I go out or what I'm trying to do
The singer explains that they cannot seem to move on and forget about their loved one.
Can't you see I'm still left here
The singer is still waiting and hoping for their loved one to come back.
And I'm holding on in needing you
The singer is desperate for their loved one to return and cannot let go of their love.
Please, please, please, please
The singer repeatedly pleads for their loved one to come back.
Oh won't you reconsider babe
The singer is asking their loved one to reconsider and give the relationship another chance.
Now come on, I said come back
The singer is urging their loved one to return.
Won't you come back to me!
The singer's ultimate plea for their loved one to return to them.
Let me help you show me how
The singer is willing to change their ways and make things better between them and their loved one.
Ooh!
An exclamation of hope and desire for their loved one to return.
Lyrics © Royalty Network, Sony/ATV Music Publishing LLC, Capitol CMG Publishing, Songtrust Ave, Warner Chappell Music, Inc.
Written by: Richard Barrett
Lyrics Licensed & Provided by LyricFind
Roger Pr
Her voice, she's so beautyful!! the harmonies!!! Beautyful song!!!😍🔥
Craig Davis
Three Degrees are really really underrated girl band man.
mary brown
I loved them!
Sheila Sembly-Crum
Totally agree!
marcbbaby
I love this video she starts out so smooth with the speaking parts the goes right into belting her heart out accompanied with those harmonies. Good stuff.
loveblind
Some of the best soul ever put on a record!!!5stars!
mrstep2me
Valerie Holliday is FANTASTIC! She's got the looks to match her voice as well.
MetFan37
@jimy0803 'Bout time you admitted you were wrong.
jimy0803
@mrstep2me Ok, upon further review, I stand corrected. My bad.
mrstep2me
@jimy0803 Sheila did most of their leads, but not this one.