1960s
The Three Degrees (aka the Twelve Degrees) were formed around 1963 in Philadelphia. They were discovered by producer and songwriter, Richard Barrett. Barrett was responsible for groups of the 1950s such as The Chantels, Little Anthony and the Imperials, and The Valentines. Barrett recorded the original lineup on their first song, "Gee Baby (I'm Sorry)", for Swan Records. Turner and Porter both left the group and were replaced by Helen Scott and a string of other ladies, before Janet Harmon joined in the mid-1960s. Barrett also began managing and producing Sheila Ferguson who was a high school friend of Scott. Barrett also signed Ferguson to Swan Records in 1965. The Three Degrees released a number of singles such as "I'm Gonna Need You" and a cover version of "Maybe", with Scott taking the lead vocals.
By 1966, with many performances lined up, Scott decided to leave the group to start a family. Ferguson filled in for Scott and would remain with the group for 20 years. Ferguson sang backup on all the group's Swan recordings as did the Three Degrees for her solo singles. By 1967, Harmon left and was replaced by Valerie Holiday. Barrett signed them to recording contracts over the next three years with Warner Bros., Metromedia, and Neptune record labels; the latter of which was owned by Kenny Gamble and Leon Huff, who would work with the group five years later. Their close harmony made them a popular nightclub act but that hit record still eluded them.
1970s
By 1970, they were signed to Roulette Records and they released their first album, Maybe. The title song took them to #4 on the U.S. R&B charts. Other singles like "I Do Take You" and "You're the Fool" followed, as did their second album, So Much Love. This success landed them a cameo appearance in the 1971 film, The French Connection, filmed during one of their appearances at the Copacabana nightclub in New York, and also an engagement at the Riviera Hotel in Las Vegas, Nevada with Engelbert Humperdinck, who was quoted saying that "The Three Degrees are the finest female vocal trio around today."
In 1973, with their contract with Roulette ending, Barrett signed them to Philadelphia International Records under Kenny Gamble and Leon Huff, where they were to have their greatest successes. They also made an appearance on the television program, Sanford and Son, singing "I Didn't Know". The first song they recorded there was with the studio band MFSB, entitled TSOP (The Sound of Philadelphia), which was the theme song for Soul Train. Altogether, The Three Degrees recorded four albums for that label.
The first album spawned three hits. Dirty Ol' Man went gold in the Netherlands and Belgium. The second single was Year of Decision which made it to the Top 20 in the UK Singles Chart. Their third single, "When Will I See You Again", was the one that helped the trio break into the mainstream. It topped the UK Chart and sold over two million discs to earn the trio a gold record. The RIAA made the award on 9 December 1974.
The Three Degrees also recorded two live albums: one from Leicester in the UK, and the other from Tokyo, Japan, and both were released in 1975. International, their second studio album on Philadelphia International, was marketed internationally in various languages. In Europe, the album was called With Love, and spawned the hit single Take Good Care of Yourself, which was a Top 10 hit in the UK. There were two songs from that album that were big in Japan: "Midnight Train" and "Nigai Namida", which was recorded in Japanese. In 1976, they parted company with Gamble and Huff and moved to CBS Sony/Epic Records where they released the concept album, A Toast Of Love, purely for the Far East market, although a single of the title track as released all over the world.
In 1976, Pinkney decided to leave the group to return to full-time education, and was replaced by her former band member and great friend Helen Scott. In 1977 they released the album, Standing Up for Love. In 1978, The Three Degrees were signed to Ariola Records in Europe and the U.S. and began working with Giorgio Moroder. Further success was to follow, and they released two albums on Ariola which delivered four UK Top 20 hits: "The Runner", "My Simple Heart", "Giving Up Giving In", and "Woman In Love". They performed at Buckingham Palace for Prince Charles' 30th birthday party, and were guests at his pre-wedding party to Princess Diana. Their own television program was recorded at the Royal Albert Hall in London, called "The Three Degrees at The Royal Albert Hall", in October 1979.
1980s
Between 1982 and 1985, The Three Degrees released two albums on their own 3D label: Album of Love and Live in the UK. On that label they released one single written by Ferguson, "Liar". They returned to the charts in 1985 with "The Heaven I Need", which was produced by Stock/Aitken/Waterman on Supreme Records. A third BBC Television show was also recorded in 1982, entitled Take 3 Degrees, which included performances of their greatest hits, and also songs that the group were performing in their latest show, such as "I Can't Turn You Loose" and "Celebration".
In 1986, Miquel Brown filled in for Scott whilst the latter was expecting. That same year Ferguson decided to leave the group. Scott and Holiday replaced her with Vera Brown in 1986 and then Rhea Harris in 1987. In 1989, Scott and Holiday, along with new recruit Victoria Wallace, recorded an album entitled ... And Holding on Ichiban Records. A single, "A Tender Lie" was also released. Following the album, the group recorded a live CD at London's Dominion Theatre, with Billy Paul and Harold Melvin & the Bluenotes in the summer of 1989. The group followed this with another tour of the UK and Japan at the end of the year.
1990s onwards
In December 1989, Cynthia Garrison replaced Wallace, forming the longest running lineup of the group. In 1993, they were asked to record a new version of "When Will I See You Again" with Thomas Anders (Modern Talking). He supplied three tracks for their album Out the Past Into the Future, marking their return to Ariola Records and their most successful and musically varied album in 15 years.
Scott, Holiday, and Garrison continue to tour. They made their first U.S. TV appearance in over 20 years in 2003 on the PBS show, Rhythm, Love, and Soul with Aretha Franklin, Lou Rawls and Mary Wilson. They were also part of the "Best Disco In Town 2004 Tour" with The Pointer Sisters, Chic, The Emotions, and Evelyn "Champagne" King. They also took part in the 2007 "Best Disco In Town" tour in the United Kingdom in May 2007.
The ladies, together with former member Fayette Pinkney, received various honors during 2007 and 2008, through BIMA and the City of Philadelphia, for their contribution to music over five decades. The four ladies appeared together to receive these awards, creating, for the first time ever, The Four Degrees.
Lineup Chronology
Members
Helen Scott (1963-1966)
Valerie Holiday (1967-present)
Helen Scott1 (1976-present)
Cynthia Garrison (1989-present)
1Helen Scott rejoined the group in 1976 after a 10-year break
Ex-members
Fayette Pinkney (1963-1976)
Linda Turner (1963)
Shirley Porter (1963)
Janet Harmon (1964-1967)
Sheila Ferguson (1966-1986)
Sandra Tucker (1967)
Vera Brown (1986-1987)
Rhea Harris (1987-1988)
Victoria Wallace (1988-1989)
The Heaven I Need
The Three Degrees Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Gonna put my arms around you
'Cause you are the heaven I need
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
And I can't control this feeling
I gotta tell you
Just what you're doing to me
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
'Cause you are the heaven I need
'Cause you are the heaven I need
'Cause you are the heaven I need
Come on, open up and let me in
Life is short and I wanna be lost in your love
'Cause I know tonight is the night
Ohhh, ahhh
Oh boy, will you show me love with an open heart?
Can't you see I wanna be alone with you?
'Cause I know our love is alive
Ohhh, ahhh
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
Somewhere there's a rendezvous for me and you
Love is free and I wanna be next to you
That's where our love begins
Ohhh, ahhh
Reasons we don't need, can't you see?
I need this feel and I need to have all of you
Can't you feel my love is alive?
Ohhh, ahhh
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
'Cause you are the heaven I need
'Cause you are the Heaven I need
'Cause you are the heaven I need
'Cause you are the heaven I need
Ohhh, ahhh
Ohhh, ahhh
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
And I can't control this feeling
I gotta tell you
Just what you're doing to me
Gonna put my arms around you
And surround you
'Cause you are the heaven I need
And I can't control this feeling
I gotta tell you
Just what you're doing to me
The lyrics of the song “The Heaven I Need” by The Three Degrees describes a deep and intense feeling of love and desire that the singer is experiencing for someone special. The singer is unable to control this feeling and wishes to surround the person with their arms, as they are the 'heaven' that they need. The lyrics express a sense of urgency and a desire to be close to the person they love, with lines like “Come on, open up and let me in”, and “Life is short and I wanna be lost in your love”.
The lyrics also suggest that the singer feels that their love is mutual, with lines like “Can't you feel my love is alive?” and “'Cause I know our love is alive”. The song conveys a strong sense of passion and a longing to be with someone who completes them. The singer desires to be lost in the love of the other person, suggesting a deep connection between them.
Overall, the lyrics convey a profound feeling of love and desire, with an emphasis on the desire to be close and complete, suggesting a deep connection and intimacy between the two individuals involved.
Line by Line Meaning
And I can't control this feeling
I am overwhelmed with emotion and cannot resist the urge to express my love
Gonna put my arms around you
I want to physically embrace and hold you close
'Cause you are the heaven I need
You are the source of my happiness and the one I need in my life
Just what you're doing to me
Your actions and presence are affecting me deeply
And surround you
I want to completely envelop you in my love
'Cause you are the heaven I need
Once again, I want to emphasize that you are essential to my happiness
Come on, open up and let me in
I want you to let me into your heart and have a deeper connection
Life is short and I wanna be lost in your love
I want to enjoy every moment with you and experience a deep love between us
'Cause I know tonight is the night
I am confident that tonight is the perfect time for us to share our love
Oh boy, will you show me love with an open heart?
I am asking you to show me genuine and sincere love
Can't you see I wanna be alone with you?
I desire to spend quality time with you and have an intimate connection
'Cause I know our love is alive
I am aware that our love is real and has the potential for greatness
Somewhere there's a rendezvous for me and you
I believe there is a special meeting place for us to have a meaningful connection
Love is free and I wanna be next to you
I want to be close to you and enjoy the freedom that comes with love
That's where our love begins
Our love will start and flourish in that special meeting place
Reasons we don't need, can't you see?
We do not need any specific reasons to love each other, it should come naturally
I need this feel and I need to have all of you
I need the feeling of being in love and I want to be with you entirely
Can't you feel my love is alive?
I hope you can sense the passion and vitality in my love
'Cause you are the heaven I need
Once again, you are the source of my happiness and affection
Contributed by Camden H. Suggest a correction in the comments below.
Linda Nkabinde
My all time favorite song. It still sounds good after all these years. Puts a smile on my face.
trabantfreak2
this song kind of sums up the 80s for me. It has all the small details that i find typical for music from the decade.
Stephen Birks
Wow this is one I've never heard before - And first impression ? - I think it's great - Saw Sheila Ferguson in Halifax begining of October - What a great night - She's still the great performer
Now I'm gonna play this song again & again !!!
Michael Iversen
Absolutely: a really great and outstanding track from the 80s!! In the extended version this time!
GET IN THE MOOD when listening to "The heaven I need"... is anything else possible??
"...and I can't control this feeling..."
Dave Datura
Exactlt the same for me. When I'm getting to go and party with the boys, a very rare thing all these years later, I STILL put this tune on as it gets me in the mood. A truly sublime song, and Helen is still gorgeous! ;)
Amethyst70
I first heard this in the September of 1986. Not sure when it was originally released. I railed against the deluge of Stock Aitken Waterman stuff we got in the 80s, but this offering from the The Degrees is dynamite! Brilliant!
Gregg Mitchell
Have loved this track since I first bought the import 12" back in the mid-#80s - TTD had 70s hits, but this ace cut took them into a new decade - one of the Stock Aitken Waterman's earliest productions - should have been a bigger hit!
littlenige
It's the less well known Stock Aitken Waterman songs like this that knock my socks off - glorious production!
dialecticalspectacle
Love how that guitar sits on top of the mix, super funky
Caroline Lynch
Brilliant track. How can you not like this song. 3 dislikes.