Originally called The Troglodytes, the Troggs formed in 1964 and were signed by the manager of The Kinks, Larry Page in 1965. They recorded on Page's Page One Records, and Page also leased them to CBS for debut single "Lost Girl". Their most famous hit was the single "Wild Thing" (written by Chip Taylor), which with the help of television exposure on Thank Your Lucky Stars reached number 2 in the UK and number 1 in the United States in June 1966. Its combination of a simple heavy guitar riff and flirtatious lyrics helped it to quickly become a garage rock standard. It was recorded in one complete take (take two) at Olympic Studios in London, with Keith Grant engineering. Because of a dispute over US distribution rights, "Wild Thing" was released (along with the first album of the same name) on two labels: Fontana and Atco. The band's success in the US was also limited by not touring there until 1968.
They also had a number of other hits, including "With a Girl Like You" (a UK number 1 in July 1966, US number 29), "I Can't Control Myself" (a UK number 2 in September 1966 -- this was also their second and final dual-label release in the US, with Fontana retaining the rights to all subsequent releases), "Anyway That You Want Me" (UK number 10 in December 1966), all at Olympic Studios, "Night of the Long Grass" (UK number 17 in May 1967), and "Love Is All Around" (UK number 5 in October 1967 and US number 7 in February 1968). With chart success eluding the band, they split up in March 1969. Ronnie Bond was the first to release a solo record, with the "Anything For You" single in March 1969, followed in April by Reg Presley with "Lucinda Lee". Chris Britton released a solo album, As I Am, the same year. The band reformed later that year, with former Plastic Penny bassist Tony Murray replacing Staples, and in 1974, after a spell on Pye Records, in an attempt to re-create their 1960s successes, the Troggs re-united with Larry Page, now running Penny Farthing Records. The resulting cover version of the Beach Boys hit "Good Vibrations" did not capture the public's imagination. A reggae version of "Wild Thing" also failed to chart. The band found a sympathetic ear at French label New Rose in the 1980s, the label releasing 1982's Black Bottom LP and 1990's AU.
In 1991, the Troggs recorded Athens Andover, an eleven-song collaboration between themselves and three members of R.E.M. It was recorded in the American band's hometown of Athens, Georgia, and was released in March 1992.
The band attempted to capitalize on this new exposure with a couple of bizarre collaborations on new versions of "Wild Thing". In 1992 they teamed up with notorious drinkers Oliver Reed and Alex Higgins, with another version the following year featuring Wolf from the TV show Gladiators, which actually reached number 69 in the UK Singles Chart.
The band's original drummer, Ronnie Bond, died in 1992. Dave Wright, another founding member, died on 10 October 2008.
Legacy and influence
The Troggs are widely seen as a highly influential band whose sound was one inspiration for garage rock and punk rock. For example, Iggy Pop of the Stooges has cited[citation needed] the Troggs as influential to their sound, and the early version of British pop-punk pioneers Buzzcocks featured I Can't Control Myself in their live repertoire. The Ramones are also amongst punk bands who cited the Troggs as an influence. The MC5 covered "I Want You" at their live shows and recorded the song for the album "Kick out the Jams", although they renamed it "I Want You Right Now".
The Jimi Hendrix Experience famously covered "Wild Thing" during their appearance at the 1967 Monterey Pop Festival, introducing it as the British/American joint "national anthem", and climaxing with Hendrix burning his guitar.[2]
In 1990, the first hit for the band Spiritualized was a cover of "Anyway That You Want Me". This cover was later used in the movie Me and You and Everyone We Know.
"With a Girl Like You" is featured uncut in a school dance scene from the 1991 Nicole Kidman/Noah Taylor movie Flirting.
In 1991, "Love Is All Around" was covered by R.E.M. during live performances and was released later that year as a B-side on their "Radio Song" single. They also performed an acoustic version of the song on MTV Unplugged.
In 1994, Scottish band Wet Wet Wet's version of the song spent fifteen weeks at number one in the UK after its inclusion in Four Weddings and a Funeral.
A modified version of "Love Is All Around" was featured in the film Love Actually (2003), performed by actor Bill Nighy.
An in-studio tape of Reg Presley's running commentary on a recording session, filled with in-fighting and swearing (known as "The Troggs Tapes") was widely circulated in the music underground, and was included in the Archaeology box set. The in-group infighting is believed to be the inspiration for a scene in the comedy film This Is Spinal Tap where the band members are arguing. Some of this dialogue was sampled by the California punk band The Dwarves on their recording of a cover version of the Troggs song "Strange Movies".
In January 2012, after over 40 years of touring, Reg Presley retired due to lung cancer, apparently ending the Troggs. However, the remaining members, Chris Britton (guitar), Pete Lucas (bass) and Dave Maggs (drums) are continuing the Troggs. They are joined by special guest Chris Allen on lead vocals, who has been in the Denny Laine Band, the Commitments and part time with the Animals.
Reg Presley died on 4 February 2013.
Cousin Jane
The Troggs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Come to stay again, come to stay again
Cousin Jane, cousin Jane
Come to stay again, come to stay again.
Each night tip-toe across the landing
Kiss her lips just as she's standin' there
As she's standin' there.
Cousin Jane, cousin Jane
Come to stay again, come to stay again
Cousin Jane, cousin Jane
Come to stay again, come to stay again
Each night hold her until the morning
See her take her place without yawnin' so
No one will ever know.
Cousin Jane, cousin Jane
She's come to stay again, she's come to stay again
Cousin Jane, cousin Jane
She's come to stay again, she's come to stay again
Cousin Jane, cousin Jane
Cousin Jane, cousin Jane
The lyrics to "Cousin Jane" by The Troggs describe a story of a man's obsession with his cousin who has come to stay with him again. He confesses to sneaking across the landing to kiss her each night and holding her until morning, while no one else knows of his actions. The repetitiveness of the lyrics emphasizes the consistency of his obsession and desire for his cousin.
The song hints at a taboo relationship between family members, which adds a layer of complexity and darkness to the lyrics. It portrays how some desires and emotions can be kept hidden, and yet they can consume a person's mind and actions. The Troggs' use of simple and straightforward lyrics, combined with their signature rock sound, creates a haunting yet alluring atmosphere to the song.
Overall, "Cousin Jane" showcases The Troggs' ability to create deeply introspective and provoking lyrics while maintaining their rock sound.
Line by Line Meaning
Cousin Jane, cousin Jane
Repeating the name to express affection or familiarity towards Cousin Jane.
Come to stay again, come to stay again
Cousin Jane is coming to visit and stay for some time, possibly indicating that she has visited before.
Each night tip-toe across the landing
The singer is sneaking around to Cousin Jane's room late at night.
Kiss her lips just as she's standin' there
The singer is kissing Cousin Jane unexpectedly while she is standing in her room.
As she's standin' there.
Elaborating on the previous line and reinforcing the idea that the singer is catching Cousin Jane off guard.
Each night hold her until the morning
The singer spends the night with Cousin Jane, holding her until the morning.
See her take her place without yawnin' so
Cousin Jane appears to be well-rested and alert in the morning, suggesting that she isn't revealing her nightly visits with the singer to anyone.
No one will ever know.
The singer and Cousin Jane are keeping their relationship a secret from others.
She's come to stay again, she's come to stay again
Repeating the earlier statement to reinforce the idea that Cousin Jane is visiting again.
Cousin Jane, cousin Jane
Repeating Cousin Jane's name to express familiarity and affection once more.
Contributed by Zoe P. Suggest a correction in the comments below.
@nasif27
Here from Edgar Wright's 60's playlist
@edwardmulholland7912
Great song
@bennyjazzful
WOW WOW WOW !!!!!!!!!!!!!!!!!!!!
From a mad keen 76yo Aussie fan.
@andrejshamin1452
Прикольно, словно на машине времени слетал)
@mattgoldberg4335
Good group, but this is really creepy!
@jimmyteerex2177
Innocently inappropriate lyrics and catchy melody!
@johnbuck8460
Of it's(my)time.But brilliant.Reg always had only one thing on his mind!!