Venus In Furs
The Velvet Underground & Nico Lyrics
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Whiplash girlchild in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart
Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart
Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now plead for me
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart
The Velvet Underground & Nico's song "Venus In Furs" is a dark and provocative exploration of power dynamics, pleasure and pain, and submission and domination. The lyrics describe Severin, a submissive who is waiting for their mistress to arrive and cure their heart through the strike of a whip. The mistress is described as wearing ermine furs and commanding Severin to taste the whip, which he does so in love, not given lightly. The song also features references to shiny boots of leather and a girlchild in the dark.
The lyrics of "Venus In Furs" are heavily steeped in S&M culture and iconography. The song is named after a 19th-century novella by Leopold von Sacher-Masoch, who inspired the modern term "masochism". The lyrics depict a master/slave relationship, with the submissive Severin pleading for the whip and the dominant mistress holding the power. Some interpret the song as a commentary on gender roles and power dynamics between men and women.
However, the song has also been criticized for glorifying and fetishizing violence against women. The lyrics are often uncomfortable and unsettling, with the chorus repeatedly urging the mistress to "strike" Severin and "cure his heart". The song has been accused of promoting abusive relationships and romanticizing harmful behavior.
Line by Line Meaning
Shiny, shiny, shiny boots of leather
A descriptive phrase for the appearance of a certain type of boots
Whiplash girlchild in the dark
A girl who is experiencing oppression, as if she is being whipped
Comes in bells, your servant, don't forsake him
The girl is obediently submitting to the authority of her mistress and should not be abandoned
Strike, dear mistress, and cure his heart
It appears to be a form of BDSM play in which a mistress takes control of her submissive and his emotions
Downy sins of streetlight fancies
The seductive and tempting nature of sin that can occur in the shadows of a city
Chase the costumes she shall wear
Pursuing the image of what someone might look like when they are wearing certain clothing
Ermine furs adorn the imperious
The clothing of those in power, such as the ermine furs worn by royalty
Severin, Severin awaits you there
The submissive boy is waiting for his dominant to arrive and assume control
I am tired, I am weary
The artist is expressing fatigue and exhaustion
I could sleep for a thousand years
A hyperbolic statement about how long the artist would like to rest
A thousand dreams that would awake me
Despite resting for a long time, the singer believes they would still have vivid dreams
Different colors made of tears
The artist's tears represent a variety of emotions
Kiss the boot of shiny, shiny leather
A submissive act of worship towards a dominant partner
Tongue of thongs, the belt that does await you
Refers to a sexual act that involves the use of a belt as an instrument of pain or pleasure
Severin, Severin, speak so slightly
The submissive boy speaks softly in respect to his dominant partner
Severin, down on your bended knee
The submissive boy is physically expressing his subservience
Taste the whip, in love not given lightly
A sexual act that involves the use of a whip as an instrument of pain or pleasure
Taste the whip, now plead for me
The singer is instructing the submissive boy to beg for their pleasure
Severin, your servant comes in bells, please don't forsake him
The submissive boy arrives as instructed, wearing bells to alert his dominant partner of his presence
Strike, dear mistress, and cure his heart
The theme of BDSM play continues throughout the song, with the submissive boy seeking emotional relief through physical acts performed by his dominant partner
Lyrics © Sony/ATV Music Publishing LLC
Written by: LOU REED
Lyrics Licensed & Provided by LyricFind
@kenamolina4243
Shiny, shiny, shiny boots of leather
Whiplash girl child in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart
… Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there
… I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
… Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart
… Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now bleed for me
… I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
… Shiny, shiny, shiny boots of leather
Whiplash girl child in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart
@kebomusic
“everyone who bought one of those 30,000 copies started a band”. Brian Eno
@torkeln
Or became a heroin addict
@qetoun
@@torkeln or both...
@mrcode9393
@@qetoun Preferably both for sure.
@salmon4869
One became a Czech leader
@weareallbeingwatched4602
@@salmon4869 by starting a band. Was a Zappa fan mostly though.
@ivanmilatovic4023
As Stravinsky said about Beethoven's Grosse Fuge (I paraphrase), this was avant-garde when it appeared, it's avant-garde today and will be avant-garde in a hundred years. I cannot imagine what this sounded like in 1967.
@earldavis8413
I was there, it was a revolutionary anthem of the sexual revolution ...
@HassanCodA-Xod8hm
1000 stupid. ( Not 100 ).
🙄
@Kolhaluze
August 1966 https://youtu.be/m4BuziKGMy4?si=puQiJSLFIbU-qO0Z