Their first wide-release single, "Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.
The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced many musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.
Don Wilson and Bob Bogle first met in 1958, when Bogle was looking to buy a car from a used car dealership in Seattle owned by Wilson's father. Finding a common interest in guitars, the two decided to play together, while Wilson joined Bogle performing masonry work. They bought two used guitars in a pawn shop for about $10 each. Initially calling themselves the Versatones, the duo played small clubs, beer bars, and private parties throughout the Pacific Northwest. Wilson played rhythm guitar, Bogle lead. When they went to register the band name, they found that it was already taken. Disappointed, they cast about for an appropriate name. Wilson's mother suggested the name "The Ventures", upon which they eventually agreed in 1959.
During their first years (1958–1961), the Ventures played Fender guitars (a Jazzmaster, a Stratocaster and a Precision Bass) for both their live performances and their recording sessions. These instruments are prominently visible on the covers of two early albums: The Ventures and The Colorful Ventures. From 1962 to 1963 they used two Jazzmasters with a Precision Bass, shown on the album cover of "Bobby Vee meets The Ventures". Then in early 1963, California guitar manufacturer Mosrite re-branded their uniquely styled, futuristic-looking Mark 1 electric guitar model for the Ventures by applying decals that stated "The Ventures Model" on the headstock. The band adopted these guitars (which included a bass model) and first used them on The Ventures in Space (1963), one of their most influential albums because of the unique, otherworldly guitar sounds it contained. From 1963 through 1968, a statement on their album covers announced that the Ventures used Mosrite guitars "exclusively" (the Ventures and designer Semie Moseley were partners in the distribution of these instruments). After the expiration of their contract with Moseley, the Ventures returned to playing mainly Fender guitars. Only rarely have they used Mosrite guitars since that contract ended.
In the mid-1990s, Fender issued a limited edition Ventures Signature Series of guitars consisting of a Jazzmaster, a Stratocaster, and a Fender Jazz Bass, all with specifications determined by the band.
Aria Guitars and Wilson Brothers Guitars have subsequently issued Ventures Signature Model instruments. The Wilson Brothers guitar, in particular, is closely modeled physically on the original Mosrite design.
The Ventures pioneered the use of special effects on such songs as "The 2000 Pound Bee", recorded in late 1962, in which lead guitarist Nokie Edwards employed a fuzz pedal. Edwards' use of "fuzz tone" predated the "King of Fuzz Guitar", Davie Allan of The Arrows, by at least three years. In addition, Edwards was among the first to use the twelve-string guitar in rock. The 1964 The Ventures In Space album was a primer in the use of special guitar effects, and made pioneering use of 'reverse-tracking'. The Ventures In Space, because of its ethereal space-like effects, was deemed an influence on the later 1960s San Francisco psychedelic generation, as well as being cited as a favorite by Keith Moon of the Who.
The band's cover of the Tornados' "Telstar" (released in January 1963) featured one of the first instances of flanging on a pop record. The song "Silver Bells" on The Ventures' Christmas Album, released in November 1965, has one of the first recorded uses of a talk box as a musical effect, voiced by Red Rhodes.
The Ventures have had an influence on many musicians, both professional and amateur. Their instructional album, Play Guitar with the Ventures, was the first such record to chart on the Billboard Top LPs list, peaking at No. 96, and taught thousands of budding guitarists how to play the guitar. George Harrison stated in a Guitar Player interview that he preferred the American guitar sound of the Ventures to British contemporaries. When asked to name the most influential rock guitar solos, Joe Walsh said he would have to include the entire song "Walk, Don't Run" because it changed so many guitar players' lives. John Fogerty, during his introduction of the Ventures at their Hall of Fame induction, said that it "kicked open a whole movement in rock and roll... The sound of it became 'surf music' and the audacity of it empowered guitarists everywhere." Stephen Stills told Ventures guitarist Don Wilson that he learned to play on Ventures records. Jeff Baxter and Gene Simmons were early members of the Ventures Fan Club. Carl Wilson called the Ventures a major influence on his early guitar playing, stating that the Beach Boys had learned to play all of their songs by ear.
Bob Bogle lived in Vancouver, Washington, for years and died there on June 14, 2009, of non-Hodgkin lymphoma; he was 75.
Nokie Edwards died on March 12, 2018, due to complications after hip surgery. He was 82.
Gerry McGee died on October 12, 2019, after having a heart attack and collapsing onstage four days earlier in Japan. He was 81.
Don Wilson continued to record with the band, but retired from touring at the end of 2015. He died of natural causes on January 22, 2022, at the age of 88.
Mel Taylor died on August 11, 1996, of cancer, at the age of 62. He was diagnosed two weeks before his death.
Hawaii 5-0
The Ventures Lyrics
Jump to: Line by Line Meaning ↴
What the fuck is this, a condom in my bed?
Ya better start talkin', bitch
'Fore I take a match and turn this muthafucka down"
I said, "You better start talkin'
And start talkin' right damn now
Then she said, "Baby, I'm so speechless
Then I said, "My baby, you gon' be breathless
"Woman, I'm gon' have a fit
You don't know what ya fuckin' wit'
Girl, ya better cut the bull shit
Now it's obvious somebody has been all up in my home
In my bed and plus I smell cigarettes"
Now and sniffin' and lookin' around
Suspicious like someone's here
Then I looked in her eyes and in her eyes
There was so much fear
Pull out my gun said, "Is he still here?"
She shook her head and said, "Naw"
I'm checkin' behind every door
She cried out, "He left right after you called"
I said, "What the fuck was you thinking
You thought that I wouldn't find this out?"
Then I said, "You must be crazy or on crack
To have somebody off up in my muthafuckin' house"
She hopped up and said, "That's enough"
She said, "I can't take no more"
And then she said, "You made your point"
But now it's time to even the score
She said, "I know all about last night
And where you went when you left the club"
Said "That's right, nigga, I was there
Wit' this guy in the back of the club"
I said, "I thought you was wit' yo girls"
She said, "I thought you was wit' yo guys"
She said, "You was at that bitch's house
And don't even try to act surprised"
Said, "Baby," she said, "Shut up
Don't you say a word
It ain't nothin' you can say
That I ain't already heard"
Then I said, "Woman, don't you try to turn it all around
'Cause the fact still remains that someone else was in my house
Then she said, "You're right about that
Somethin' did go down but I don't have to turn it around
'Cause what goes around comes back around"
I'm movin' a little closer to her
She's trippin' over the furniture
She said, "Wait first, just let me explain"
I said, "No need to, just give me his name"
And then she said, "Uh, uh"
I say, "Uh what?"
She said, "Please sit down in a chair"
And I say, "No, I'm standin' up"
And she cries out, "I'm so scared to tell you
Because of what ya might do"
And I screamed, "Look girl, you better
Give me this man's name and I'm not playin' wit' you"
She says, "Okay, wipes her nose and asks me
About a girl namedTina"
I thought to myself, said it sound familiar
I said, "I probably know her if I seen her"
Then I say, "Anyway, girl, what the hell does
That got to do with this man?"
She said, "He know my girl, Roxanne
I said, "Who the hell is Roxanne?"
Then she says, "Roxanne's a friend of mine
Who know with this guy named Chuck"
"Chuck's cool wit' this guy name Rufus"
And I'm sittin' here like, what the fuck?
Then she says, "Rufus' wife, Cathy
We both went to high school
She introduced me to
The policeman that stopped you"
And now I'm like, "Well, well, well
The singer is surprised.
What the f*** is this, a condom in my bed?
The singer is upset to find a condom in their bed.
Ya better start talkin', bitch
The singer is telling someone to start talking.
'Fore I take a match and turn this muthaf***a down"
The artist is threatening to burn something down with a match.
I said, "You better start talkin'
The artist repeats their demand for someone to start talking.
And start talkin' right damn now
The singer wants someone to start talking immediately.
Then she said, "Baby, I'm so speechless
The person being questioned is unable to speak.
Then I said, "My baby, you gon' be breathless
The artist threatens to physically harm the person being questioned.
If ya don't start talkin' quick"
The artist wants the person being questioned to start talking immediately.
"Woman, I'm gon' have a fit
The artist is getting angry.
You don't know what ya f***in' wit'
The singer is warning the person being questioned not to mess with them.
Girl, ya better cut the bull s***
The artist is telling the person being questioned to stop lying.
Now it's obvious somebody has been all up in my home
The singer has realized that someone has been in their home.
In my bed and plus I smell cigarettes"
The singer can smell cigarettes and suspects that someone has been smoking in their bed.
Now and sniffin' and lookin' around
The singer is searching for evidence.
Suspicious like someone's here
The artist is suspicious that someone is still in the house.
Then I looked in her eyes and in her eyes
The artist is looking at the person being questioned's eyes.
There was so much fear
The person being questioned is scared.
Pull out my gun said, "Is he still here?"
The singer pulls out a gun and asks if someone is still in the house.
She shook her head and said, "Naw"
The person being questioned denies that someone is still in the house.
I'm checkin' behind every door
The artist is checking behind doors for the intruder.
She cried out, "He left right after you called"
The person being questioned says that the intruder left when the artist called them.
I said, "What the f*** was you thinking
The singer is angry and asks the person being questioned what they were thinking.
You thought that I wouldn't find this out?"
The artist is upset that they were not told about the intruder sooner.
Then I said, "You must be crazy or on crack
The singer thinks that the person being questioned is either insane or on drugs.
To have somebody off up in my muthaf***in' house"
The singer is angry that someone was in their house without their permission.
She hopped up and said, "That's enough"
The person being questioned is upset and wants the conversation to be over.
She said, "I can't take no more"
The person being questioned is overwhelmed and cannot handle the situation.
And then she said, "You made your point"
The person being questioned acknowledges that the artist is upset.
But now it's time to even the score
The person being questioned wants to get back at the singer for something they did.
She said, "I know all about last night
The person being questioned knows something about what the singer did the night before.
And where you went when you left the club"
The person being questioned knows where the artist went after leaving a club.
Said "That's right, n***a, I was there
The person being questioned reveals that they were present when something happened.
Wit' this guy in the back of the club"
The person being questioned was with another person at the back of the club.
I said, "I thought you was wit' yo girls"
The singer thought that the person being questioned was with their friends.
She said, "I thought you was wit' yo guys"
The person being questioned thought that the artist was with their friends.
She said, "You was at that bitch's house
The person being questioned knows that the singer was at someone's house.
And don't even try to act surprised"
The person being questioned tells the singer not to act surprised.
Said, "Baby," she said, "Shut up
The person being questioned tells the singer to be quiet.
Don't you say a word
The person being questioned does not want the artist to say anything.
It ain't nothin' you can say
The person being questioned thinks that the artist cannot say anything to change the situation.
That I ain't already heard"
The person being questioned has heard everything the singer has to say.
Then I said, "Woman, don't you try to turn it all around
The singer tells the person being questioned not to try to change the subject.
'Cause the fact still remains that someone else was in my house
The artist is upset that someone was in their house without their permission.
Then she said, "You're right about that
The person being questioned agrees with the artist.
Somethin' did go down but I don't have to turn it around
The person being questioned admits that something happened but does not want to discuss it anymore.
'Cause what goes around comes back around"
The person being questioned believes in karma.
I'm movin' a little closer to her
The artist is moving closer to the person being questioned.
She's trippin' over the furniture
The person being questioned is stumbling over furniture.
She said, "Wait first, just let me explain"
The person being questioned wants to explain something to the singer.
I said, "No need to, just give me his name"
The singer does not want to hear an explanation, just the name of someone involved.
And then she said, "Uh, uh"
The person being questioned hesitates to answer.
I say, "Uh what?"
The artist asks what the person being questioned means.
She said, "Please sit down in a chair"
The person being questioned asks the singer to sit down.
And I say, "No, I'm standin' up"
The singer wants to stand up instead of sitting down.
And she cries out, "I'm so scared to tell you
The person being questioned is afraid to tell the artist the truth.
Because of what ya might do"
The person being questioned is afraid of the artist's reaction.
And I screamed, "Look girl, you better
The artist is angry and wants the person being questioned to tell the truth.
Give me this man's name and I'm not playin' wit' you"
The singer wants the name of the person involved and is serious about getting it.
She says, "Okay, wipes her nose and asks me
The person being questioned finally agrees to give the name.
About a girl named Tina"
The person being questioned brings up someone named Tina.
I thought to myself, said it sound familiar
The singer recognizes the name Tina.
I said, "I probably know her if I seen her"
The singer thinks that they might know Tina if they saw her.
Then I say, "Anyway, girl, what the hell does
The artist wants to know how Tina is relevant to the situation.
That got to do with this man?"
The artist wants to know how the man in question is related to Tina.
She said, "He know my girl, Roxanne
The person being questioned explains that the man knows their friend Roxanne.
I said, "Who the hell is Roxanne?"
The singer does not know who Roxanne is.
Then she says, "Roxanne's a friend of mine
The person being questioned explains that Roxanne is their friend.
Who know with this guy named Chuck"
Roxanne knows someone named Chuck.
"Chuck's cool wit' this guy name Rufus"
Chuck is friends with someone named Rufus.
And I'm sittin' here like, what the f***?
The singer is confused about what the person being questioned is saying.
Then she says, "Rufus' wife, Cathy
The person being questioned explains that Rufus is married to someone named Cathy.
We both went to high school
The person being questioned and Cathy went to high school together.
She introduced me to
Cathy introduced the person being questioned to someone.
The policeman that stopped you"
The person being questioned knows the police officer who stopped the singer.
Writer(s): Stevens Morton
Contributed by Eli N. Suggest a correction in the comments below.
@anthonylilly6862
All of these magnificent fellows were dear friends of mine as I was The Venture's photographer for around ten years. RIP Don, Bob, Mel and Nokie
@iowa61
On the occasions I met them, they were all extraordinarily friendly, sincere gentlemen. Just great guys.
@julians9070
Memories of watching Hawaii 5-0. It is wonderful to watch two drummers playing in harmony.
@philipheath8265
Book 'em Danno!
@toddwacha5108
I could listen to this forever and I'd never get tired of it.
@donbrashsux
😮
@user-bf9ez3dr4y
Toll das ist noch Musik vom Feinsten.Gruß Klaus ⚒️🧨
@carlbowles1808
This tune still has its original power. Talent never goes stale.
@rockinredneck57
Nokie Edwards was a phenomenal guitar player. A thumb/ finger picker, he plays a smooth Chet Atkins style too. Very underrated.
@reddeserted13
Wish he were on the Tele here