Their first wide-release single, "Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.
The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced many musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.
Don Wilson and Bob Bogle first met in 1958, when Bogle was looking to buy a car from a used car dealership in Seattle owned by Wilson's father. Finding a common interest in guitars, the two decided to play together, while Wilson joined Bogle performing masonry work. They bought two used guitars in a pawn shop for about $10 each. Initially calling themselves the Versatones, the duo played small clubs, beer bars, and private parties throughout the Pacific Northwest. Wilson played rhythm guitar, Bogle lead. When they went to register the band name, they found that it was already taken. Disappointed, they cast about for an appropriate name. Wilson's mother suggested the name "The Ventures", upon which they eventually agreed in 1959.
During their first years (1958–1961), the Ventures played Fender guitars (a Jazzmaster, a Stratocaster and a Precision Bass) for both their live performances and their recording sessions. These instruments are prominently visible on the covers of two early albums: The Ventures and The Colorful Ventures. From 1962 to 1963 they used two Jazzmasters with a Precision Bass, shown on the album cover of "Bobby Vee meets The Ventures". Then in early 1963, California guitar manufacturer Mosrite re-branded their uniquely styled, futuristic-looking Mark 1 electric guitar model for the Ventures by applying decals that stated "The Ventures Model" on the headstock. The band adopted these guitars (which included a bass model) and first used them on The Ventures in Space (1963), one of their most influential albums because of the unique, otherworldly guitar sounds it contained. From 1963 through 1968, a statement on their album covers announced that the Ventures used Mosrite guitars "exclusively" (the Ventures and designer Semie Moseley were partners in the distribution of these instruments). After the expiration of their contract with Moseley, the Ventures returned to playing mainly Fender guitars. Only rarely have they used Mosrite guitars since that contract ended.
In the mid-1990s, Fender issued a limited edition Ventures Signature Series of guitars consisting of a Jazzmaster, a Stratocaster, and a Fender Jazz Bass, all with specifications determined by the band.
Aria Guitars and Wilson Brothers Guitars have subsequently issued Ventures Signature Model instruments. The Wilson Brothers guitar, in particular, is closely modeled physically on the original Mosrite design.
The Ventures pioneered the use of special effects on such songs as "The 2000 Pound Bee", recorded in late 1962, in which lead guitarist Nokie Edwards employed a fuzz pedal. Edwards' use of "fuzz tone" predated the "King of Fuzz Guitar", Davie Allan of The Arrows, by at least three years. In addition, Edwards was among the first to use the twelve-string guitar in rock. The 1964 The Ventures In Space album was a primer in the use of special guitar effects, and made pioneering use of 'reverse-tracking'. The Ventures In Space, because of its ethereal space-like effects, was deemed an influence on the later 1960s San Francisco psychedelic generation, as well as being cited as a favorite by Keith Moon of the Who.
The band's cover of the Tornados' "Telstar" (released in January 1963) featured one of the first instances of flanging on a pop record. The song "Silver Bells" on The Ventures' Christmas Album, released in November 1965, has one of the first recorded uses of a talk box as a musical effect, voiced by Red Rhodes.
The Ventures have had an influence on many musicians, both professional and amateur. Their instructional album, Play Guitar with the Ventures, was the first such record to chart on the Billboard Top LPs list, peaking at No. 96, and taught thousands of budding guitarists how to play the guitar. George Harrison stated in a Guitar Player interview that he preferred the American guitar sound of the Ventures to British contemporaries. When asked to name the most influential rock guitar solos, Joe Walsh said he would have to include the entire song "Walk, Don't Run" because it changed so many guitar players' lives. John Fogerty, during his introduction of the Ventures at their Hall of Fame induction, said that it "kicked open a whole movement in rock and roll... The sound of it became 'surf music' and the audacity of it empowered guitarists everywhere." Stephen Stills told Ventures guitarist Don Wilson that he learned to play on Ventures records. Jeff Baxter and Gene Simmons were early members of the Ventures Fan Club. Carl Wilson called the Ventures a major influence on his early guitar playing, stating that the Beach Boys had learned to play all of their songs by ear.
Bob Bogle lived in Vancouver, Washington, for years and died there on June 14, 2009, of non-Hodgkin lymphoma; he was 75.
Nokie Edwards died on March 12, 2018, due to complications after hip surgery. He was 82.
Gerry McGee died on October 12, 2019, after having a heart attack and collapsing onstage four days earlier in Japan. He was 81.
Don Wilson continued to record with the band, but retired from touring at the end of 2015. He died of natural causes on January 22, 2022, at the age of 88.
Mel Taylor died on August 11, 1996, of cancer, at the age of 62. He was diagnosed two weeks before his death.
The Stranger
The Ventures Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Exchanging glances
Wandering the night,
What were the chances
We'd be sharing love
Before the night was through
Something in your eyes
Something in your smile
Was so exciting
Something in my heart
Told me I must have you
Strangers in the night
Two lonely people
We were strangers in the night
Up to the moment
When we said our first hello
Little did we know
Love was just a glance away
A warm embracing dance away
And ever since that night
We've been together
Lovers at first sight
In love forever
It turned out so right
Strangers in the night
Two lonely people
We were strangers in the night
Up to the moment
When we said our first hello
Little did we know
Love was just a glance away
A warm embracing dance away
For strangers in the night.
The lyrics to "Strangers in the Night" by The Ventures can be interpreted as a chance meeting between two individuals who may have been alone or lonely. The song describes how they exchanged glances and wandered the night with little expectation of meeting anyone new. Yet, something in their eyes and smile caught each other's attention, and eventually, they recognized a connection that lead to love. The lyrics suggested that their hearts knew what they needed, even if they were strangers.
The song's lyrics go on to describe how they became lovers, and how their love has stayed strong throughout their time together. The lyrics evoke a sense of romanticism, giving the impression that love can happen at any time, even in unexpected situations. The use of words like "warm embracing dance away" and "love was just a glance away" create a sense of something tender and fleeting, which has the potential to last forever.
Overall, "Strangers in the Night" is a classic song that highlights the magic of encountering love in unpredictable ways. The lyrics may suggest that love is something that can catch us unawares and change our lives forever.
Line by Line Meaning
Strangers in the night,
Two unknown people meet at night
Exchanging glances
They share a moment of eye contact
Wandering the night,
Both of them are aimlessly walking around at night
What were the chances
It was improbable for them to meet
We'd be sharing love
They would fall in love at this encounter
Before the night was through
Before the night ends
Something in your eyes
The person's eyes showed a certain charm
Was so inviting
The charm felt attractive to the other person
Something in your smile
The person's smile felt alluring
Was so exciting
The initial encounter felt thrilling
Something in my heart
The feeling in the heart was overwhelming
Told me I must have you
The heart urged to have the other person
Two lonely people
Both of them were by themselves
Up to the moment
Right until
When we said our first hello
When they first spoke to each other
Little did we know
They were unaware
Love was just a glance away
Falling in love was only a moment away
A warm embracing dance away
Expressing their love was close enough
And ever since that night
From that moment onward
We've been together
They stayed together
Lovers at first sight
They fell in love immediately
In love forever
Happily in love for all eternity
It turned out so right
Things worked out for the better
For strangers in the night.
For two strangers who met at night
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Bert Kaempfert, Charles Singleton, Eddie Snyder
Lyrics Licensed & Provided by LyricFind
Алексей Топорин
В исполнении симфонического оркестра, как было задумано изначально, намного интереснее.
cliverkay
The original was " Stranger in Paradise " !
Bill Pollock
The Poluvsian Dances, Prince Igor, Bortodin
mig189189189
Old Classic!
Torben Retboll
This tune is also known as Ten Seconds to Heaven.
Don Wood
... SUPERB !! ...
Pasquale Marongiu
Super sempre attuale la surf music!
ronowen39
stranger in paradise like it
Esmaragdo Neiva
THE SUPERTONE'S VERSION IS BETTER, IN MY OPINION.
llés szemerédi
jok ezek a régi zenék