Bitter Sweet Symphony
The Verve Lyrics
'Cause it's a bittersweet symphony, that's life
Tryna make ends meet, you're a slave to money then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places where all the veins meet, yeah
No change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
But I'm a million different people
I can't change my mold
No, no, no, no, no
(Have you ever been down?)
Well, I've never prayed but tonight I'm on my knees, yeah
I need to hear some sounds that recognize the pain in me, yeah
I let the melody shine, let it cleanse my mind, I feel free now
But the airwaves are clean and there's nobody singin' to me now
No change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
And I'm a million different people
From one day to the next
I can't change my mold
No, no, no, no, no
(Have you ever been down?)
I can't change, oh, no
I can't change, oh
'Cause it's a bittersweet symphony, that's life
Tryna make ends meet, tryna find somebody then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places where all the veins meet, yeah
You know I can change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
And I'm a million different people
From one day to the next
I can't change my mold
No, no, no, no, no
I can't change my mold
No, no, no, no, no,
I can't change my mold, no, no, no, no
It's just sex and violence, melody and silence
It's just sex and violence, melody and silence
I'll take you down the only road I've ever been down
I'll take you down the only road I've ever been down
Been down
Ever been down
Ever been down
Ever been down
Ever been down
Have you ever been down?
Have you ever been down?
Have you ever been down?
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Abkco Music Inc.
Written by: Keith Richards, Mick Jagger, Richard Ashcroft
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
According to the Bitter Sweet Symphony Songfacts, the lyrics are a somber look at the ennui of everyday life: "You're a slave to money, then you die."
"Bitter Sweet Symphony" samples an obscure orchestral version of The Last Time , a 1965 song by The Rolling Stones . This was recorded before they got permission from the Stones to use the riff, so the Verve had to sign away most of the royalties from this in order to release it. In 2019, the Rolling Stones signed over all their publishing rights concerning Bitter Sweet Symphony to The Verve.
"Bitter Sweet Symphony" samples an obscure orchestral version of The Last Time , a 1965 song by The Rolling Stones . This was recorded before they got permission from the Stones to use the riff, so the Verve had to sign away most of the royalties from this in order to release it. In 2019, the Rolling Stones signed over all their publishing rights concerning Bitter Sweet Symphony to The Verve.
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leo
'Cause it's a bittersweet symphony, that's life
Tryna make ends meet, you're a slave to money then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places where all the veins meet, yeah
No change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
But I'm a million different people
From one day to the next
I can't change my mold
No, no, no, no, no
(Have you ever been down?)
Well, I've never prayed but tonight I'm on my knees, yeah
I need to hear some sounds that recognize the pain in me, yeah
I let the melody shine, let it cleanse my mind, I feel free now
But the airwaves are clean and there's nobody singin' to me now
No change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
And I'm a million different people
From one day to the next
I can't change my mold
No, no, no, no, no
(Have you ever been down?)
I can't change, oh, no
I can't change, oh
'Cause it's a bittersweet symphony, that's life
Tryna make ends meet, tryna find somebody then you die
I'll take you down the only road I've ever been down
You know the one that takes you to the places where all the veins meet, yeah
You know I can change, I can change
I can change, I can change
But I'm here in my mold
I am here in my mold
And I'm a million different people
From one day to the next
I can't change my mold
No, no, no, no, no
I can't change my mold
No, no, no, no, no,
I can't change my mold, no, no, no, no
It's just sex and violence, melody and silence
It's just sex and violence, melody and silence
I'll take you down the only road I've ever been down
I'll take you down the only road I've ever been down
Been down
Ever been down
Ever been down
Ever been down
Ever been down
Have you ever been down?
Have you ever been down?
Have you ever been down?
Massimiliano La Rocca
This is a brilliant song. It is about the feeling of being trapped and powerless to change your behavior or your life due to circumstances beyond your control. It is about the sense of desperation you feel as your life passes before your eyes and you struggle unsuccessfully to control and shape it. It is about the perpetual conflict between the path you want to follow and the path you are compelled to follow.
Walking down a busy London street is a metaphor for how he feels about his life. He walks down the street and is almost hit by a passing car, runs into people, walks over a car hood that is in his path, etc. As a result everyone is annoyed — even angry with him. When a young woman confronts him physically he calmly and resolutely moves forward along his path without a trace of animosity or anger. People are critical and disdainful of the path he is walking — insisting he should be able to avoid these obstacles— to choose a better, safer and more conscientious path to walk. But he feels completely powerless to change his speed and direction. His path is mandated and not chosen by him.
He knows emphatically that he could be different — be a better person and live a different, more meaningful life. He knows if it were merely up to him he could change (“I can change, I can change, I can change”), but the circumstances of his life have cast him into a rigid mold that keeps him on a steady trajectory, limiting his choices. It isn’t his lack of ability, intelligence, imagination or flexibility that is holding him back (“I’m a million different people from one day to the next”) but the circumstances of the culture / world into which he was born.
He wants more meaning in his life. But the overriding importance of the pursuit of making a living is always threatening to squeeze out his uniqueness, nullify his aptitudes and mold his path to a formal structure of daily life that he had no part in designing. He wants to be a better person. Yet, he continually finds himself walking down the same familiar self-destructive paths, despite his effort to avoid them. There is never a time when he can break free of this mold because he is stuck in a pattern of behavior until he dies.
He can’t accept this. Because this is the only life he will ever have, he is pressed with frequent internal anguish. He is on the verge of breaking and is walking through life in a fog. He doesn’t generally pray, but he is getting desperate. He gets down on his knees to pray — if only to hear the sound his own voice recognizing the frustration he feels. Any sound of compassion - any recognition of his pain - is better than the silence. He prays sincerely, earnestly and desperately. While he is pleading and making his case, his prayer is like a melody that helps him to feel better. It is a song that clears his mind, grounds him and makes him feel like he can break free of his mold and change his life. But it is a false hope. When he finishes praying there is only silence. God does not answer him. The airwaves are clean without a trace of anything but static. For all his singing, no one is singing to him now. He has no idea what to do and finds himself just as discouraged and helpless as before. There must be more to life than this (“Vanity, vanity: all is vanity and striving after the wind” ).
This experience is a microcosm for the whole of his life — a Bittersweet Symphony. There are periods of clarity, beauty and temporary relief in his life. Yet, it is all encapsulated by an overall theme that is heart rending — like waking suddenly from a warm, peaceful dream to find that you are back in cold, dark room — unchanged and unmoved by your dreams.
He can’t accept the path his life has taken, but he has no choice. He will be in perpetual conflict with his situation. He is immobilized in his mold and has no choice but to continue down this path, accepting all its adverse consequences, until it the path finally comes to an end at the place “where all things meet” - Death.
Nneka Coleman
I first fell in love with this song when I heard it the movie Cruel Intentions…. Still until this day this song gives me goosebumps it just screams freedom & liberation to walk your own path in life & let nothing or no one stop you…
Randolph Henry
Same. Movie is a classic 💯💯
Ademir Da Guia
boa pedida
Andrew Brown
The BEST final song for a movie EVER
Maya Grace Speaks Kea
🙌🎉
Tamika Lawrence
Me too at the end Katherine was exposed by Sebastian journal
Daniele Gomes
A vida não espera que você esteja ou fique bem ela simplesmente continua . E passa nem que seja em cima de você mas ela passa. Continue firme e forte!!!
Jorge Jovel
Bonita melodía, quien la interpreta ra decía en mi interior, hasta que la enco tre por este canal, grande <coldplay>.
please sub to my channel
I'm 16 year old boy, but all my life I needed help but I haven't gotten one 😓
preciliana cabral
I don't get tired of this song.