1. a Northern Irish rock an… Read Full Bio ↴There are at least two bands named Them:
1. a Northern Irish rock and roll band that was formed in Belfast in 1963
2. a US/German Heavy Metal band formed in 2008
1. Them was a Northern Irish rock and roll band that was formed in Belfast in 1963. Best known for the garage rock standard "Gloria" and for launching singer-songwriter Van Morrison's careers, the group had an energetic sound that fit right into the British blues and rock boom of the 60s. With Van Morrison on vocals and harmonica, it featured as well Billy Harrison on guitar, Eric Wrixen on piano and keyboards, Alan Henderson on bass, and Ronnie Millings on drums, with several other musicians replacing those artists or doing side contributions during the life of the band.
The group released its first single, "Don't Start Crying Now"/"One Two Brown Eyes, in August 1964. The single was a flop. The band's managers and producers then hired session players Jimmy Page, Peter Bardens, and drummer Bobby Graham to back Morrison on a cover of Big Joe Williams' "Baby Please Don't Go". The single, which featured the now-legendary "Gloria" as a B-side, was a smash in the U.K., sailing to #10 on the charts in December 1964. Radio DJs were also in for a big treat when the turned the record around and set loose the powerful B-side.
The band then released its biggest hit in the U.K., "Here Comes the Night"/"All for Myself", which hit #2 in March 1965. It went to #24 in the U.S. that May as well, and Them enjoyed their well-earned success. Later that year, the instrumental track additionally "Mystic Eyes" reached #33 in the U.S. The following year, American band Shadows of Knight had a top ten U.S. hit with their rendition of "Gloria", and the tune has had a long life since, covered by multiple other artists such as rockers The Doors
The band went on to release two albums on Decca, 'The Angry Young Them' and 'Them Again', and both of them failed to sell. The group found itself at a crossroads. In mid-1966, Van Morrison left the band to pursue a solo career. The rest of the outfit continued on into the early 70s, releasing four albums and touring steadily after relocating to California around 1967. Two of these post-Morrison albums, 'Now And Them' and 'Time Out! Time In For Them', found the band experimenting with psychedelia. Them reunited briefly in 1979 without Morrison yet still struggled to reach a major audience.
Van Morrison went on to greater success and fame as a solo artist, but Them's combination of garage rock, blues, and soul proved a major influence on the next generation of rock musicians, and the group's best-known singles have earned praise for decades. "Gloria" still remains a rock n roll classic.
In April 1964, Van Morrison established an R&B club at the Maritime Hotel, Belfast with entrepreneurs Jimmy Conlon, Jerry McKernan and Gerry McKervey (known as the "3Js"). Morrison gave notice to the group with which he performed at the time, the Golden Eagles. With an anticipated opening night for the new R&B club approaching, he embarked on a mission to find his ideal line-up. He had recently been introduced to The Gamblers, an East Belfast group formed in 1962 by Ronnie Milling (drums, born 27 April 1940), Billy Harrison (guitar and lead vocals, born William Harrison on 14 October 1942), and Alan Henderson (bass guitar, born 26 November 1944, died April 2017). Eric Wrixon, who was still in school, had been recruited as piano player and keyboardist. Morrison joined in on tenor saxophone, harmonica and vocals. The group rehearsed over Dougie Knight's bicycle shop in Shaftesbury Square, Belfast in preparation for their debut at the Maritime. As the group now felt they needed a new name, they followed Eric Wrixon's suggestion and the Gamblers changed to Them after the 1954 sci-fi horror film.
On 14 April 1964, an advertisement in a Belfast newspaper asked: "Who Are? What Are? THEM". Similarly curious advertisements followed until the Friday before the gig (17 April 1964) announced that Them would be performing that evening at Club Rado at the Maritime Hotel. Attendance at the two hundred capacity venue quickly grew with a packed house by the third week.
Them performed without a routine, fired by the crowd's energy: Morrison later commented that while the band was "out of our element" making records... "The way we did the numbers at the Maritime was more spontaneous, more energetic, more everything, because we were feeding off the crowd." Morrison ad libbed songs as he performed and "Gloria", the classic song he had written at eighteen years old, took shape here and could last up to twenty minutes.[9] According to Morrison, "Them lived and died on the stage at the Maritime Hotel" but only very rudimentary recordings survive. One fan's recording, of "Turn On Your Love Light" made its way to Mervyn and Phil Solomon, who contacted Decca Records' Dick Rowe, who then travelled to Belfast to hear Them perform. Rowe and Phil Solomon agreed on a two-year contract with the members of the band then signed up to Solomon. Morrison, at eighteen, had to have his father sign for him. Within a few weeks, the group was taken to England and into Decca's recording studio in West Hampstead for their first recording session.
Them's first recording session took place in London on 5 July 1964. "Turn on Your Love Light" and "Gloria" were recorded during this session as were both sides of their first single, "Don't Start Crying Now" and "One Two Brown Eyes" as well as "Groovin'", "Philosophy" and Bo Diddley's "You Can't Judge a Book by Its Cover". This session was remarkable in its employment of two drums tracks, which can be clearly heard in the stereo mixes of "Gloria" and "One Two Brown Eyes". Rowe used session musicians Arthur Greenslade on organ and Bobby Graham on second drum kit. At this late stage it became clear that the parents of Eric Wrixon, a minor in law, would not sign the contract on his behalf so he was replaced by Pat John McAuley. The single, released in August, did not prove successful.
Their next single, Big Joe Williams's "Baby Please Don't Go" substituted Andy White on drums, Phil Coulter on second keyboard, and added Jimmy Page on rhythm guitar. Lead guitar was the work of Billy Harrison.[citation needed] It was released in November with "Gloria" as its B-side. In December 1964, Them made their television debut, joining The Rolling Stones, on Ready Steady Go!. Their manager, Phil Solomon got the track used as the show's signature tune and within two weeks it was at No.19 on the UK Singles Chart, eventually peaking at No.10.
In January 1965, Them toured England for a second time, staying at the Royal Hotel, which disc jockey Jimmy Savile used as his London base. Savile helped promote the band in his column for The People but Them earned a reputation for bad manners and sarcasm in their interviews. Billy Harrison said the attitude problem may have been caused by anti-Irish sentiments on the continent at the time. But, when they were interviewed by a reporter from the Irish Independent, the reporter remarked, "They were the most boorish bunch of youngsters I'd come across in my short career". Phil Coulter recalled the band's interview with a female reporter: "They would just sit and mutter monosyllabic grunts to themselves and give her off-the-wall answers". (Morrison as a solo artist raised such interviews to a "negative art form"). Their management promoted Them by scheduling appearances on Ready Steady Go! and on Top Of The Pops where, rather than performing live, they were expected to mime and lip sync. Morrison said of this appearance, "It was ridiculous. We were totally anti that type of thing... and we had to get into suits and have make-up put on and all that...". He also revealed how the band had, until that time, considered the programme a complete joke.
Their next release was Them's biggest hit in the UK, "Here Comes the Night". The producer was also the writer of the song, Bert Berns, an American, who had also co-written "Twist and Shout". Backed with "All for Myself" it charted in the UK at No.2 on 22 April 1965, five weeks after entering the charts, and went to No.24 in the U.S. in May. Both tracks originate from the same session in October 1964 that yielded "Baby Please Don't Go" but were temporarily shelved by Decca in favor of Lulu's version of "Here Comes the Night" which only reached # 50 on the British charts.
On 11 April 1965, Them made a guest appearance at the NME Pollwinners Concert at Wembley Empire Pool: Jimmy Savile was MC for this event, which also included The Beatles, The Rolling Stones, The Kinks, The Animals, The Searchers, The Moody Blues and Dusty Springfield. The bands had been expected to keep to their current hits, but Them audaciously segued from "Here Comes the Night" into a seven-minute version of "Turn on Your Lovelight". After the performances, NME's Derek Johnson commented that Morrison had "more genuine soul than any of his British contemporaries".
The band released their first album, The Angry Young Them, in June 1965 (UK) and it appeared in the USA on Parrot Records in July. But Them's next single, "One More Time", chosen by Phil Solomon, failed – according to Billy Harrison because it never constituted single material. In July 1965, the band added English drummer Terry Noon and Scottish lead guitarist Joe Baldi (born Joseph Baldi, 10 March 1943, in La Spezia, Italy) but they left in September. Their second album, Them Again, was released in January 1966 in the UK and in April 1966 in the USA.
The group was marketed in the United States as part of the British Invasion. After the success of "Here Comes the Night", the band scored a chart hit again later in 1965 with "Mystic Eyes", which reached No.33. Them Again, released in April 1966 in the US, also charted and the band began a US tour in May 1966. From 30 May to 18 June, Them had a residency at the famous Whisky a Go Go in Los Angeles. For the final week The Doors opened for Them and on the last night the two bands and Morrisons jammed a twenty-minute version of "Gloria" and a twenty-five-minute version of "In the Midnight Hour".[24] Them went on to headline at The Fillmore in San Francisco, California and then to Hawaii, where disputes erupted among band members and management over money. The band broke apart, Morrison and Henderson returning to Belfast while Ray Elliott (born Raymond Elliott, 23 January 1939, in Belfast, Co Antrim, Northern Ireland) and David Harvey (born David Tufney, 29 July 1943, in Bude, Cornwall) decided to stay in America.
Van Morrison has placed the break-up of Them in context: "There was no motive behind anything you did back then. You just did it because you wanted to do it and you enjoyed doing it. That's the way the thing started, but it got twisted somewhere along the way and everybody involved in it got twisted as well, including me."(1967) "You can't take something like that, put it in a box and place a neat little name on it, then try to sell it. That's what they tried to do. That's what killed Them." (1973)
Van Morrison went on to great success and fame as a solo artist, but Them's combination of garage rock and blues proved a major influence on the next generations of rock musicians, and the group's best-known singles have become staples of rock and roll.
Post-Morrison
In late August 1965, Billy Harrison and Pat McAuley formed a rival Them, competing with the Morrison/Henderson line-up and leading to legal action. In March 1966, the latter won the rights to the name while the former, now without Harrison but with Pat's brother Jackie McAuley (born John McAuley, 14 December 1946, in Coleraine, County Londonderry, Northern Ireland; ex-Them, ex-Kult), were only allowed to call themselves 'Other Them' in the U.K. The McAuley brothers became, unofficially, the Belfast Gypsies (or Gipsies), though they were never actually billed as such, and recorded two singles on Island Records (one released under the name Freaks of Nature) and one Swedish-only album, all produced by Kim Fowley. They toured Europe billed as Them and released a French EP under that name but broke up in November 1966. Not long after that the Morrison line-up also reached the end of the road. In March 1967 Morrison did a short tour of the Netherlands backed by Cuby & the Blizzards and then left for New York to start his solo career. The rest regrouped in Belfast, recruited Kenny McDowell (born Kenneth McDowell, 21 December 1944, in Belfast, County Antrim, Northern Ireland) (ex-Mad Lads) as lead singer and continued touring and recording steadily after relocating to the USA in early 1967 at the invitation of producer Ray Ruff. Two albums, Now and Them and Time Out! Time In for Them, found the band experimenting with psychedelia. Then Jim Armstrong and Kenny McDowell returned to Belfast to perform as Sk'boo (Armstrong, McDowell and Ray Elliot reunited in Chicago in 1969 as "Truth" and recorded a number of demos and soundtrack songs later released as Of Them And Other Tales). Henderson hired session musicians for two more records for Ray Ruff's Happy Tiger Records, in a hard rock vein with country and folk elements; Them (1970) featured Jerry Cole as guitarist while Them In Reality (1971) featured lead guitarist Jim Parker and drummer John Stark (both ex-Kitchen Cinq). Henderson also co-wrote a rock opera, Truth Of Truths, produced by Ray Ruff in 1971. These efforts were met with consumer indifference and in 1972 Them dissolved. Alan Henderson, Billy Harrison and Eric Wrixon reunited in 1979, without Morrison, recording another album, Shut Your Mouth and undertaking a tour of Germany using Billy Bell on guitar and Mel Austin as vocalist. Since the 1990s, Wrixon had toured under the moniker of "Them the Belfast Blues Band", at one point comprising ex-Them guitarists, Jim Armstrong and Billy Harrison.
The band's 1964 recording of "Gloria" was inducted into the Grammy Hall of Fame in 1999. It was rated at No.69 on Dave Marsh's 1989 book, The Heart of Rock and Soul, The 1001 Greatest Singles Ever and "Mystic Eyes" was rated at No.458. "Gloria" was listed at No.208 on the 2004 Rolling Stone magazine's feature, The 500 Greatest Songs of All Time.
2. Them is a Heavy Metal band with members from the USA and Germany. Vocalist Troy Norr formed the band in 2008 as a King Diamond tribute band that played several live shows between 2008 and 2011. In 2014 Troy restarted the band and gave it its own identity. They released four albums and one EP with original songs since then.
The Story of Them
Them Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And company was right
We'd drink and talk and sing
All through the night
Morning same leisurely and bright
Downtown we'd walk
And passers by, would shudder with delight
And there was this man
All the cats were there
Just dirty enough to say, "We don't care"
But, the management have had complaints
About some cats with long, long hair
"Look, look, look" And people'd stare
"Why, you won't be allowed in anywhere!"
Barred from pubs, clubs and dancin' halls
Made the scene at the Spanish rooms on the falls
And man, four pints of that scrumpy was enough to have you, outta your mind
Climbin', climbin' up the walls
Out of your mind
But it was a gas, all the same
Ummm! Good time!
Now just 'round about this time
With the help of the three J's
Started playin' at the Maritime
That's Jerry, Jerry and Jimmy
You know they were always fine
And they helped us run the Maritime
Don't forget Kit, hittin' people on the head
An' knockin' 'em out
You know he did his best and all
Was something else, then
Umm, Lord, good times
And people say,
Who are or what are, Them?
The little one sings
And that big one plays the guitar
With a thimble on his finger
Runs it up and down the strings
The bass player don't shave much
I think they're all a little bit touched
But the people came
And that's how we made our name
Too much it was
Umm, yeah, our good times
Wild, sweaty, crude, ugly and mad
And sometimes just, a little bit sad
Yeah, they sneered an' all
But up there, we just havin' a ball
It was gas, you know
Lord, some good times
It was kind ball for, Them
We are Them, take it or leave it
Do you know how they took it, and it kept comin'
And we worked for the people
Sweet, sweat and the misty, misty atmosphere
Blues come rollin'
Down to all your avenue
Won't stop at the city hall
Just a few steps away
You can look up at, Maritime Hotel
Just a little bit sad, gotta walk away
Wish it well
The lyrics to Them's song "The Story of Them" describe the wild and carefree days of the band's early years. The first verse sets the stage for the nostalgic reminiscing that follows, with the singer recalling the days of drinking, talking, and singing with friends all night long. The second verse introduces a conflict between the unruly cats of the scene and the conservative management of local establishments. The cats are barred from clubs and dance halls, but find refuge and excitement at the Spanish Rooms on the falls, where the scrumpy flows freely and the atmosphere is electric. The third verse is an ode to the band's beginnings, with a reference to the Three J's (Jerry, Jerry, and Jimmy) who helped them get their start playing at the Maritime. The lyrics describe the band members' unkempt appearance and unconventional style, but also their commitment to their fans and their music.
The lyrics of "The Story of Them" evoke a sense of nostalgia for a time when anything seemed possible and the world was full of excitement and discovery. The descriptions of wild parties, drunken revelry, and rebellious behavior capture the spirit of the 1960s counterculture, while the references to the band's humble beginnings and dedication to their craft pay tribute to the hard work and persistence required to succeed in the music industry.
Line by Line Meaning
When friends were friends
Back in the day when friendships were genuine
And company was right
When being in good company was all that mattered
We'd drink and talk and sing
The group would have fun by having drinks, chat and sing together
All through the night
Until the night ends, they keep enjoying each other's company
Morning same leisurely and bright
Mornings would still be relaxing and peaceful
Downtown we'd walk
They would stroll around the city
And passers by, would shudder with delight
People would enjoy watching them walk by and admire their vibe
Mmm! Good times
These were truly amazing times
And there was this man
They start telling their story about a man they knew
All the cats were there
All the cool people were together
Just dirty enough to say, "We don't care"
They were looking unkempt, not proper but didn't give a damn about what others think
But, the management have had complaints
The authorities didn't approve of their behavior
About some cats with long, long hair
The management's complain was related to their long hair
"Look, look, look" And people'd stare
People couldn't resist but to stare at them
Why, you won't be allowed in anywhere!
They were not let inside any place
Barred from pubs, clubs and dancin' halls
They were not allowed inside pubs and clubs
Made the scene at the Spanish rooms on the falls
Instead, they would hang out at the Spanish rooms
And man, four pints of that scrumpy was enough to have you, outta your mind
The drink they had could get you drunk easily
Climbin', climbin' up the walls
Some people went crazy after drinking it
Out of your mind
They were delirious afterwards
But it was a gas, all the same
Despite this, they had an amazing time
Ummm! Good time!
Good times indeed
Now just 'round about this time
At this point in the group's timeline
With the help of the three J's
Thanks to Jerry, Jerry, and Jimmy
Started playin' at the Maritime
They started performing at the Maritime Hotel
That's Jerry, Jerry and Jimmy
Repeating the names of the people who helped them start playing at the hotel
You know they were always fine
Their friends who helped them were really great
And they helped us run the Maritime
They contribute to running the Maritime Hotel
Don't forget Kit, hittin' people on the head
They acknowledge the presence of Kit who playfully hit people's heads
An' knockin' 'em out
He did it playfully, but sometimes it caused pain
You know he did his best and all
He tried to help their performance in his own way
Was something else, then
He was indeed a unique character
Umm, Lord, good times
They keep reminiscing about the amazing times they had
And people say,
People would inquire about them
Who are or what are, Them?
People would often ask what group they make in Them's unique style
The little one sings
The singer is diminutive/small
And that big one plays the guitar
The guitarist is big/tall
With a thimble on his finger
The guitarist played with a thimble on his finger
Runs it up and down the strings
A description of how the guitarist played the guitar
The bass player don't shave much
The bass player is not very tidy when it comes to facial hair
I think they're all a little bit touched
The artist believes that all of them are a bit eccentric
But the people came
Despite this, people would not shy away from them
And that's how we made our name
They gained fame because of their unique personality and style
Too much it was
It was a bit overdone at times, but it was still satisfying
Umm, yeah, our good times
They are still looking back at their amazing memories
Wild, sweaty, crude, ugly and mad
A description of how their performances were like; wild, frantic, and agitated
And sometimes just, a little bit sad
It wasn't always exciting; sometimes, it had a somber tone
Yeah, they sneered an' all
Some people didn't approve of their style
But up there, we just havin' a ball
Despite the criticism, they enjoyed themselves to the fullest
It was gas, you know
It was amusing yet entertaining
Lord, some good times
They truly had some memorable moments
It was kind ball for, Them
Their performances were like a gift, a kind gesture
We are Them, take it or leave it
They stand by their style, take it or leave it, they are who they are
Do you know how they took it, and it kept comin'
Regardless of what people thought or said, they continued to be themselves
And we worked for the people
They mainly performed for others, to make them happy
Sweet, sweat and the misty, misty atmosphere
A description of how the environment felt like in the performances
Blues come rollin'
The performance had a blues influence
Down to all your avenue
The blues music would spread and affect everyone around them
Won't stop at the city hall
It would surpass the government's office building
Just a few steps away
You could just walk up to their performances
You can look up at, Maritime Hotel
People would come and enjoy their performance at the Maritime Hotel
Just a little bit sad, gotta walk away
As much as people enjoyed it, they had to eventually leave
Wish it well
They left feeling good and wishing them well
Lyrics © Warner Chappell Music, Inc.
Written by: VAN MORRISON
Lyrics Licensed & Provided by LyricFind
DancingBear2010
When friends were friends
And company was right
We'd drink and talk and sing
All through the night
Morning same leisurely and bright
Downtown we'd walk
And passers by, would shudder with delight
Mmm! Good times
And there was this man
All the cats were there
Just dirty enough to say, "We don't care"
But, the management have had complaints
About some cats with long, long hair
"Look, look, look" And people'd stare
"Why, you won't be allowed in anywhere!"
Barred from pubs, clubs and dancin' halls
Made the scene at the Spanish rooms on the falls
And man, four pints of that scrumpy was enough to have you, outta your mind
Climbin', climbin' up the walls
Out of your mind
But it was a gas, all the same
Ummm! Good time!
Now just 'round about this time
With the help of the three J's
Started playin' at the Maritime
That's Jerry, Jerry and Jimmy
You know they were always fine
And they helped us run the Maritime
Don't forget Kit, hittin' people on the head
An' knockin' 'em out
You know he did his best and all
Was something else, then
Umm, Lord, good times
And people say,
Who are or what are, Them?
The little one sings
And that big one plays the guitar
With a thimble on his finger
Runs it up and down the strings
The bass player don't shave much
I think they're all a little bit touched
But the people came
And that's how we made our name
Too much it was
Umm, yeah, our good times
Wild, sweaty, crude, ugly and mad
And sometimes just, a little bit sad
Yeah, they sneered an' all
But up there, we just havin' a ball
It was gas, you know
Lord, some good times
It was kind ball for, Them
We are Them, take it or leave it
Do you know how they took it, and it kept comin'
And we worked for the people
Sweet, sweat and the misty, misty atmosphere
Blues come rollin'
Down to all your avenue
Won't stop at the city hall
Just a few steps away
You can look up at, Maritime Hotel
Just a little bit sad, gotta walk away
Wish it well
Songwriters
VAN MORRISON
Read more: Van Morrison - The Story Of Them Lyrics | MetroLyrics
Musicfan Hawk
Such a cool song ! A cool slow groove, with a story. Van Morrison can pull off a song like this. Them was a really good sounding band.
Prince
I saw Them in 1964 at The Beachcomber Club in Leigh, Lancashire. Great raw music and skill, Van the Man, without electronic aids to fuzz the sound. Fond memories .. and I'm still a teenager (in my dreams) !!
sam smith
The best song by this group, reminising about various clubs, particularly the Maritime hotel, in Belfast. All in the age of a certain innocence in Belfast when no-one cared where you were from, everyone got together to listen to Van's brand of blues
Lucy Belt
Super. Love Them. 🙏❤
Werner Bluhm
Fantatischer Song! Ich höre ihn schon seit über 50 Jahren!
Ernst Beer
ich auch
harold coleman
this music is so addicting, most of us can relate to a special time in our life...
TRIPLESEVENSIX
Pure fucking class!! I played this CD so much years ago I wore it out & stripped all the silver coating off it! I just wish I had it on vinyl. I fucking love it! Good times is right!
Jefferson Parker
This is totally excellent. Thanks for uploading it.
Darryl Collins
Excellent. Must go listen to a lot more Them!