Now is the gentle season
Thomas Morley (1557 or 1558 – October 1602) was an English composer, theori… Read Full Bio ↴Thomas Morley (1557 or 1558 – October 1602) was an English composer, theorist, editor and organist of the Renaissance, and the foremost member of the English Madrigal School. He was the most famous composer of secular music in Elizabethan England, and the composer of the only surviving contemporary settings of verse by Shakespeare.
Morley was born in Norwich, in East Anglia, the son of a brewer. Most likely he was a singer in the local cathedral from his boyhood, and he became master of choristers there in 1583. However, Morley evidently spent some time away from East Anglia, for he later referred to the great Elizabethan composer of sacred music, William Byrd, as his teacher; while the dates he studied with Byrd are not known, they were most likely in the early 1570s. In 1588 he received his bachelor's degree from Oxford, and shortly thereafter was employed as organist at St. Paul's in London. His young son died the following year.
In 1588 Nicholas Yonge published his Musica transalpina, the collection of Italian madrigals fitted with English texts, which touched off the explosive and colorful vogue for madrigal composition in England. Morley evidently found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).
While Morley attempted to imitate the spirit of Byrd in some of his early sacred works, it was in the form of the madrigal that he made his principal contribution to music history. His work in the genre has remained in the repertory to the present day, and shows a wider variety of emotional color, form and technique than anything by other composers of the period. Predominantly his madrigals are light, quick-moving and easily singable, like his well-known "Now is the Month of Maying"; he took the aspects of Italian style that suited his personality and "Englished" them. Other composers of the English Madrigal School, for instance Thomas Weelkes and John Wilbye, were to write madrigals in a more serious or sombre vein.
In addition to his madrigals, Morley wrote instrumental music, including keyboard music (some of which has been preserved in the Fitzwilliam Virginal Book), and music for the uniquely English consort of two viols, flute, lute, cittern and bandora.
Morley was born in Norwich, in East Anglia, the son of a brewer. Most likely he was a singer in the local cathedral from his boyhood, and he became master of choristers there in 1583. However, Morley evidently spent some time away from East Anglia, for he later referred to the great Elizabethan composer of sacred music, William Byrd, as his teacher; while the dates he studied with Byrd are not known, they were most likely in the early 1570s. In 1588 he received his bachelor's degree from Oxford, and shortly thereafter was employed as organist at St. Paul's in London. His young son died the following year.
In 1588 Nicholas Yonge published his Musica transalpina, the collection of Italian madrigals fitted with English texts, which touched off the explosive and colorful vogue for madrigal composition in England. Morley evidently found his compositional direction at this time, and shortly afterwards began publishing his own collections of madrigals (11 in all).
While Morley attempted to imitate the spirit of Byrd in some of his early sacred works, it was in the form of the madrigal that he made his principal contribution to music history. His work in the genre has remained in the repertory to the present day, and shows a wider variety of emotional color, form and technique than anything by other composers of the period. Predominantly his madrigals are light, quick-moving and easily singable, like his well-known "Now is the Month of Maying"; he took the aspects of Italian style that suited his personality and "Englished" them. Other composers of the English Madrigal School, for instance Thomas Weelkes and John Wilbye, were to write madrigals in a more serious or sombre vein.
In addition to his madrigals, Morley wrote instrumental music, including keyboard music (some of which has been preserved in the Fitzwilliam Virginal Book), and music for the uniquely English consort of two viols, flute, lute, cittern and bandora.
Now is the gentle season
Thomas Morley Lyrics
We have lyrics for these tracks by Thomas Morley:
April Is in My Mistress' Face April is in my mistress' face April is in my mistress'…
Arise Awake Arise, awake, awake You silly shepherds sleeping Devise some…
Deep Lamenting Deep lamenting, grief, bewraying Poor Amintas thus sat sayin…
Good Morrow Fair Ladies Of The May Good morrow, fair Ladies of the May Where is my cruel? Good…
It Was a Lover and His Lass It was a lover and his lass, With a hey, and…
It was a lover and his lasse It was a lover and his lass With a hey and…
Mistress Mine O mistress mine, where are you roaming? O stay and hear,…
Morley: Now is the Month of Maying Now is the month of maying When merry lads are playing Fa…
My Bonnie Lass She Smileth My bonnie lass, she smileth, when she my heart be…
Now is the Moneth of Maying Now is the month of maying When merry lads are playing Fa…
Now is the month maying Now is the month of maying When merry lads are playing Fa…
Now is the month of maying Now is the month of maying, When merry lads are playing,…
Now Is the Month of Maying: Now Is the Month of Maying Now is the month of maying When merry lads are playing Fa…
O Mistress Mine O Mistress mine where are you roaming? O stay and hear,…
O Mistresse Mine O mistress mine, where are you roaming? O stay and hear,…
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