Thomas Tomkins (1572–1656) was a Welsh-born composer of Cornish origins of … Read Full Bio ↴Thomas Tomkins (1572–1656) was a Welsh-born composer of Cornish origins of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School he was a skilled composer of keyboard and consort music.
He was born in St David's in Pembrokeshire. His father was also a musician, a vicar choral of the cathedral of St Davids, and organist there; his three half-brothers were musicians as well, but none attained the fame of Thomas. In 1596 he was appointed as a choral instructor at Worcester Cathedral. He almost certainly studied with William Byrd for a time in London, as he dedicated a madrigal to him as his teacher. While in London he probably met Thomas Morley, as Morley included one of Tomkins' madrigals in his important collection The Triumphs of Oriana in 1601.
He became a Gentleman Ordinary of the Chapel Royal some time before 1620, and became senior organist there in 1625. He appears to have withdrawn from the post in about 1628. Apparently he was still employed by Worcester Cathedral for the next two decades, but when the city was captured by Parliamentary forces in 1646, during the Civil War, he lost his job, though he was allowed to continue living near the cathedral. Music (with the exception of the singing of metrical psalms) was abolished in all churches, and the Worcester Cathedral organ (which Tomkins had commissioned in 1614) was destroyed and the choir disbanded. Tomkins moved in with his son, and lived with him until his death on 9th June 1656.
He was born in St David's in Pembrokeshire. His father was also a musician, a vicar choral of the cathedral of St Davids, and organist there; his three half-brothers were musicians as well, but none attained the fame of Thomas. In 1596 he was appointed as a choral instructor at Worcester Cathedral. He almost certainly studied with William Byrd for a time in London, as he dedicated a madrigal to him as his teacher. While in London he probably met Thomas Morley, as Morley included one of Tomkins' madrigals in his important collection The Triumphs of Oriana in 1601.
He became a Gentleman Ordinary of the Chapel Royal some time before 1620, and became senior organist there in 1625. He appears to have withdrawn from the post in about 1628. Apparently he was still employed by Worcester Cathedral for the next two decades, but when the city was captured by Parliamentary forces in 1646, during the Civil War, he lost his job, though he was allowed to continue living near the cathedral. Music (with the exception of the singing of metrical psalms) was abolished in all churches, and the Worcester Cathedral organ (which Tomkins had commissioned in 1614) was destroyed and the choir disbanded. Tomkins moved in with his son, and lived with him until his death on 9th June 1656.
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A Fancy: For two to play
Thomas Tomkins Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@jim62ist
A superb performance of a fabulous piece.
@bifeldman
Four hands, two brains, two hearts, one fabulous musical treat.
@ferenctimar
A great Maestro, an excellent student (who is a Maestro herself...) and a wonderful piece! Congratulations and thanks to both!
@radiodolce
Wonderful!!!
@kegelchen32
Thomas Tomkins (1572-1656) - very british! Danke,Danke,Danke ihr zwei Hübschen,bleibt gesund und munter (Befehl!).
@mikekuwabara3975
ピアノでも連弾ですと手がぶつかりそうに見えてハラハラするのですがチェンバロでは幅が狭いですから余計に窮屈そうですね。まあ連弾用に作曲されているのであれば手がぶつかる、と言うようなことは無いのでしょう。夜中に起きてふとユーチューブを覗いて久しぶりにチェンバロの素敵な音を聞けて今日は良い一日になりそうです。ありがとうございました。
@thanhtamtieubenh3571
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@kegelchen32
HAPPY EASTER!