Thomas Weelkes (1576–1623) was an English composer and organist of the Renaissance period. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services.
Thomas Weelkes was baptised in the little village church of Elsted in Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. Read Full BioThomas Weelkes (1576–1623) was an English composer and organist of the Renaissance period. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services.
Thomas Weelkes was baptised in the little village church of Elsted in Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. Early in his life he was in service at the house of the courtier Edward Darcye. At the end of 1598, at the probable age of 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years, receiving the salary of 13s 4d per quarter. His remuneration included board and lodging.
During his Winchester period, Weelkes composed a further two volumes of madrigals (1598, 1600). He obtained his B. Mus. Degree from New College, Oxford in 1602, and moved to Chichester to take up the position of organist and informator choristarum (instructor of the choristers) at the Cathedral at some time between October 1601 and October 1602. He was also given a lay clerkship at the Cathedral, being paid £15 2s 4d annually alongside his board, lodging and other amenities. The following year he married Elizabeth Sandham, from a wealthy local family. They had three children and it was rumoured that Elizabeth was already pregnant at the time of the marriage.
Weelkes' fourth and final volume of madrigals, published in 1608, carries a title page where he refers to himself as a Gentleman of the Chapel Royal; however, records at the Chapel Royal itself do not mention him, so at most he could only have been a Gentleman Extraordinary, one of those who were asked to stand in until a permanent replacement was found.
Weelkes was later to find himself in trouble with the Chichester Cathedral authorities for his heavy drinking and immoderate behavior. In 1609 he was charged with unauthorized absence, but no mention of drunken behavior is made until 1613, and J. Shepherd, a Weelkes scholar, has suggested caution in assuming that his decline began before this date. In 1616 he was reported to the Bishop for being ‘noted and famed for a comon drunckard (sic) and notorious swearer & blasphemer’. The Dean and Chapter dismissed him for being drunk at the organ and using bad language during divine service. He was however reinstated and remained in the post until his death, although his behavior did not improve...
In 1622 Elizabeth Weelkes died. Thomas Weelkes was, by this time, reinstated at Chichester Cathedral, but appeared to be spending a great deal of time in London. He died in London in 1623, in the house of a friend, and was buried on 1 December, 1623 at St Bride's Fleet Street. Weelkes' will, made the day before he died at the house of his friend Henry Drinkwater of St Bride's parish, left his estate to be shared between his three children, with a large 50s legacy left to Drinkwater for his meat, drink and lodging.
In Chichester Cathedral there is a memorial stone with the following inscription:
REMEMBER
IN THE LORD
THOMAS WEELKES
THE GREAT ELIZABETHAN
COMPOSER, ORGANIST OF
WINCHESTER COLLEGE
1598 AND OF THIS
CATHEDRAL CHURCH
FROM 1602 UNTIL HIS DEATH
He died on 30 November 1623
And was buried at St. Bride's
Church. Fleet Street. London
See also:
List of compositions by Thomas Weelkes
Thomas Weelkes was baptised in the little village church of Elsted in Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. Read Full BioThomas Weelkes (1576–1623) was an English composer and organist of the Renaissance period. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services.
Thomas Weelkes was baptised in the little village church of Elsted in Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. Early in his life he was in service at the house of the courtier Edward Darcye. At the end of 1598, at the probable age of 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years, receiving the salary of 13s 4d per quarter. His remuneration included board and lodging.
During his Winchester period, Weelkes composed a further two volumes of madrigals (1598, 1600). He obtained his B. Mus. Degree from New College, Oxford in 1602, and moved to Chichester to take up the position of organist and informator choristarum (instructor of the choristers) at the Cathedral at some time between October 1601 and October 1602. He was also given a lay clerkship at the Cathedral, being paid £15 2s 4d annually alongside his board, lodging and other amenities. The following year he married Elizabeth Sandham, from a wealthy local family. They had three children and it was rumoured that Elizabeth was already pregnant at the time of the marriage.
Weelkes' fourth and final volume of madrigals, published in 1608, carries a title page where he refers to himself as a Gentleman of the Chapel Royal; however, records at the Chapel Royal itself do not mention him, so at most he could only have been a Gentleman Extraordinary, one of those who were asked to stand in until a permanent replacement was found.
Weelkes was later to find himself in trouble with the Chichester Cathedral authorities for his heavy drinking and immoderate behavior. In 1609 he was charged with unauthorized absence, but no mention of drunken behavior is made until 1613, and J. Shepherd, a Weelkes scholar, has suggested caution in assuming that his decline began before this date. In 1616 he was reported to the Bishop for being ‘noted and famed for a comon drunckard (sic) and notorious swearer & blasphemer’. The Dean and Chapter dismissed him for being drunk at the organ and using bad language during divine service. He was however reinstated and remained in the post until his death, although his behavior did not improve...
In 1622 Elizabeth Weelkes died. Thomas Weelkes was, by this time, reinstated at Chichester Cathedral, but appeared to be spending a great deal of time in London. He died in London in 1623, in the house of a friend, and was buried on 1 December, 1623 at St Bride's Fleet Street. Weelkes' will, made the day before he died at the house of his friend Henry Drinkwater of St Bride's parish, left his estate to be shared between his three children, with a large 50s legacy left to Drinkwater for his meat, drink and lodging.
In Chichester Cathedral there is a memorial stone with the following inscription:
REMEMBER
IN THE LORD
THOMAS WEELKES
THE GREAT ELIZABETHAN
COMPOSER, ORGANIST OF
WINCHESTER COLLEGE
1598 AND OF THIS
CATHEDRAL CHURCH
FROM 1602 UNTIL HIS DEATH
He died on 30 November 1623
And was buried at St. Bride's
Church. Fleet Street. London
See also:
List of compositions by Thomas Weelkes
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javascript void;
Thomas Weelkes Lyrics
We have lyrics for these tracks by Thomas Weelkes:
As Vesta was from Latmos hill descending As Vesta was from Latmos hill descending, She spied a maiden…
The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
Steve Griffith
void is used to have functions treated like expressions. That means that they won't return a value. Sometimes you have a function that you don't need anything to be returned from. In cases like this, you can put void in front of the call to explicitly say that you don't need anything back.
The most common use case was to put "void" in front of other code that you are running from inside an HTML anchor tag. <a href="javascript: void myFunc( )">
javascript: is the protocol.
myFunc( ) is the code that I want to run.
void tells the browser to treat the function like an expression. Nothing(undefined) gets returned and the link doesn't go anywhere.
If you are going to be altering styles with JavaScript you can do that in any function. You don't need to use void. A best practice would be to group all your style or DOM manipulations into functions on their own. Then you could call the functions with void in front of the call to explicitly say that nothing is expected back from the function. The return value will be undefined. Eg:
function one( ){
//do somethings
//do more things
void myFunctionToChangeStyles( );
}
Here I am calling my function and saying that I don't care about the result. Just pretend that it is an expression that has no return value.
You can also put them in front of IIFEs (I have a video on these too) if the function is not returning anything.
void function( ){
//do something
}( );
This example is the same as:
(function( ){
//do something
})( );
rot rose
Thank you very much for the explanation of this abstract subject, it may take some time for me to really understand it, but I will continue.
Yarik83Men
+++
Ahsath
Hi! do you have any videos about get and set?
Ahsath
I already saw thoses <3
Steve Griffith
I have now posted one video about ES6 Object method syntax that includes getters and setters and another video about Object property methods including get and set.
Steve Griffith
I'm currently working on videos for Object.defineProperty, the get and set within that method, as well as the new ES6 way of defining object methods and the get and set that come along with it.
Kuldeep Kr
hi, can you elaborate the use-case of void you were talking about in the last of your video. How to use void operator to style any page without affecting other things.
Rahul Dubey
@Steve Griffith thnx my doubt is clear after reading your reply
Steve Griffith
void is used to have functions treated like expressions. That means that they won't return a value. Sometimes you have a function that you don't need anything to be returned from. In cases like this, you can put void in front of the call to explicitly say that you don't need anything back.
The most common use case was to put "void" in front of other code that you are running from inside an HTML anchor tag. <a href="javascript: void myFunc( )">
javascript: is the protocol.
myFunc( ) is the code that I want to run.
void tells the browser to treat the function like an expression. Nothing(undefined) gets returned and the link doesn't go anywhere.
If you are going to be altering styles with JavaScript you can do that in any function. You don't need to use void. A best practice would be to group all your style or DOM manipulations into functions on their own. Then you could call the functions with void in front of the call to explicitly say that nothing is expected back from the function. The return value will be undefined. Eg:
function one( ){
//do somethings
//do more things
void myFunctionToChangeStyles( );
}
Here I am calling my function and saying that I don't care about the result. Just pretend that it is an expression that has no return value.
You can also put them in front of IIFEs (I have a video on these too) if the function is not returning anything.
void function( ){
//do something
}( );
This example is the same as:
(function( ){
//do something
})( );
Maximilian
Nice microwave sounds ;) Still, very useful video. thanks!