Musicians Danny Bowes, Harry James, and Luke Morley worked together in the 80s-era [tab]blues outfit Terraplane. After experiencing what Morley has called "a 'eureka' moment", the guys devised a high-energy British rock project directly inspired by the likes of Bad Company, Deep Purple, and Led Zeppelin. The aptly named Thunder spent a year or so in constant touring and gradually built a positive reputation that helped its debut album, named Backstreet Symphony, reach a wide audience. Released 4 April 1990 by EMI / Geffen, it became an international success. The album didn't just get RIAA certified as 'Gold' but earned them a spot on BBC's 'Top of the Pops', playing their hard-edged version of "Gimme Some Lovin'" to a global audience. A well-received performance at Castle Donington's 'Monsters of Rock' event before gigantic crowds brought it home to the guys how far they'd broken through.
After touring with female-fronted rockers Heart and other artists with the same style, the guys prepared the second album, which they ominously titled Laughing on Judgement Day. Despite their deliberately 'retro' sound quite unlike the alternative and post-punk trends of the time (or, in fact, precisely because of their sticking to their guns), their sophomore album achieved even more success. Released on 24 August 1992, it proved an even bigger hit in the U.K. than their debut, reaching the number two slot on the nation's top albums chart. Its singles include "Everybody Wants Her" and "Low Life in High Places", the titles alone showing Thunder's interest in classic rock n' roll hedonism.
Bassist "Snake" Luckhurst left the band citing 'personal differences', a move that wasn't just Thunder's first line-up change but a sign of future turmoil to come. He got replaced by Swedish musician Mikael Höglund, and the band went on to record their third album, 1995's Behind Closed Doors, before facing a dilemma with their label. Finding that "most of the people who'd been there at the beginning of our tenure had moved on", as Morley put it, as well as that talk of a contract extension had terms that they simply couldn't accept, Thunder jumped from EMI.
Despite being championed by U.S. contemporaries such as Aerosmith and Guns n' Roses, the guys still faced a tough time making a lasting impact 'across the pond'. Though focused on pumping out more and more material, Morley later remarked that the mid-90s found Thunder "suffering from 'hamster in the wheel' syndrome". Mikael Höglund was unavailable for recording the band's fourth album, called The Thrill of it All, and so the 1996 release had bass duty left with Morley. For the subsequent tour, the band recruited bassist Chris Childs, who stayed with the band to record their fifth album. Although Giving the Game Away, released in 1999, earned a positive fan response, it had become totally clear how Thunder had disconnected from a record industry whose connected network of radio stations, TV networks, and music magazines dismissed the guys' sort of melodic hard rock as either endangered or extinct.
In Autumn of that year, the group announced an upcoming split, and their final tour concluded in May 2000. Still, Thunder's interest in new technology and the continuing camaraderie felt among the band's members meant that they didn't drop off the radar. After being given a slot in the 2002 'Monsters of Rock' shows, Thunder decided to return in 2003 with a new album, titled Shooting at the Sun, which the guys released on their own record label. Fully embracing the internet's ability to unite hard rock fans across the globe, 2005 resulted in the band's seventh album, aptly titled The Magnificent Seventh! by the guys. It earned praise from many critics, with musicOMH writer Neil Daniels remarking that the "terrific return to form" seemed like "a hard-hitting giant but with fists of steel and cast iron balls".
Feeling vindicated, the group's album managed to produce a return to the top 40 singles charts and spawned a bunch of live performances. After two well-received tours in 2006, with many gigs completely selling out, and two gleeful experiences in Japan, the band captured that live feel in the DVD Thunder Go Mad in Japan. The release included a documentary piece following the band's situation setting everything up and trying to sort out all of the traveling. That year additionally saw the guys releasing their eight studio album, titled Robert Johnson's Tombstone, which featured nods to the musicians' early history before Thunder's very formation. Receiving acclaim from critics and fans alike, some even claimed that the album was Thunder's best studio release yet. A U.K. tour took place at the end of November 2006, with the band extending things into shows in Europe as well.
The 2000s represented not only a period of frequent touring but also increasing musical activities by the guys outside of the band. Thunder's career renaissance continued with a 2008 studio album, which the guys simply titled Bang!, and the group's appearance with Def Leppard and Whitesnake at multiple gigs that same year. The group had found itself coming up to its twenty-year anniversary. Although not experiencing the same kind of personal conflicts or debates about musical direction that many of their contemporaries had, Thunder still appeared to have reached a kind of inflection point. In early 2009, the guys announced plans to split for the second time. Final tours and festival appearances occurred throughout the rest of the year. A well-received compilation album, called simply The Very Best of Thunder, came out as well that year.
Luke Morley stressed "only a fool would say never" when it came to talk of getting back together at some point. Still, he'd gotten focused on other endeavors and particularly dedicated himself to working on The Union, an outfit formed with musician Peter Shoulder (formerly of Winterville). Featuring a blues and soul drenched sound, that band has achieved significant critical acclaim. Other ex-Thunder members perused similar projects. Drummer Gary "Harry" James, for example, played with progressive rockers Magnum (including on their popular 2011 release The Visitation).
Thunder briefly reunited for the 'High Voltage Festival', held in Victoria Park, in 2011. Though expressing their reluctance to formally get back together, the guys agreed to future shows together, including a December performance at Nottingham's 'Rock City' venue. They intermittently took to the stage as the 2010s went on yet remained committed to their alternate projects.
In 2015, however, Thunder announced a full return with an upcoming studio album of new material. A tongue-in-cheek collective statement cited "a rather silly amount of knob-twiddling and string-pulling" as the final inspiration. The release of Wonder Days earned a warm response from critics and fans alike (the fellows at Classic Rock magazine, for example, naming it one of the year's 11 best albums), and multiple gigs got announced to preform the new material. 2017's Rip It Up was also well-received (the record's #3 spot on the U.K. Albums Chart was the highest the band reached for over two decades). This was followed with an acoustic selection, Please Remain Seated, after which the band promised to return to the "full throttle sound of Thunder" for the next studio record.
Delayed due to the pandemic situation, that full throttle new album was released in March 2021, All The Right Noises.
UK rockers Thunder will be releasing a new double album titled Dopamine on April 29, 2022.
Official Website: http://www.thunderonline.com/
2) - Thunder was additionally used by an obscure funk-based Southern rock band from the U.S. Their 1974 self-tiled album picked up some attention but failed to break through commercially. It's hard to find information about the group, but a bit is known given how it served as a stepping stone in the career of popular Texan singer-songwriter and guitarist John Nitzinger. The 1974 album is described on Discogs.com here.
3) - Thunder is the name of a defunct Pagan Black Metal band from Poland, formed in 1994.
4) - Thunder is the name of a German heavy metal band, that released 'All I Want' in 1984.
Amy
Thunder Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In the guts of the city
She got her room no money down
And it ain't too pretty
But she made up her mind
To leave it behind
Amy had to run, but it's alright
And she won't be going back for anyone
Now Amy's on the run
She's watching the young boys at the bar
All chiselled and flexing
She tells them a joke or two then stops
Just short of confessing
But they know she's a man
And they all understand
Why Amy had to run, it's alright
She's having fun in another life
And she won't be going back for anyone
Now Amy's on the run
The song "Amy's On the Run" by Thunder tells the story of a woman named Amy who works the late shift in downtown's seedy underbelly. She's trapped in a small room with no money, and her situation is far from pretty. Amy has made up her mind to leave this life behind, and she's willing to do whatever it takes to escape her circumstances.
The singer paints a vivid picture of Amy watching the young boys at the bar, admiring their chiseled bodies and flexing muscles. She jokes with them, but stops short of confessing something important - that she is transgender. Despite this, they all understand and support her. The song acknowledges the difficult decision that Amy had to make, and how it has ultimately proven to be the best path for her. The title "Amy's On the Run" implies that Amy is running from something, but in reality, she's not running away from anything but rather running towards a new and better life.
Line by Line Meaning
She's working the late shift here downtown
Amy is employed to work during the late hours of the day in the central business district.
In the guts of the city
She works in the innermost part of the metropolitan area where commerce and culture are most concentrated.
She got her room no money down
Despite having no cash to pay up front, Amy was able to acquire a living space.
And it ain't too pretty
In reality, the apartment might not be aesthetically pleasing.
But she made up her mind
Amy reached a definite decision.
To leave it behind
She resolved to abandon her old lifestyle.
Amy had to run, but it's alright
Amy was compelled to escape her past, and while it wasn't an easy decision, she's at peace with it.
She's having fun in another life
Amy is currently enjoying herself in a different way of life.
And she won't be going back for anyone
Amy has decided to never return to her former way of life for the sake of anyone else.
Now Amy's on the run
Amy is currently on the move as she leaves her past behind.
She's watching the young boys at the bar
Amy is observing the male patrons who frequent the pub.
All chiselled and flexing
The young men exhibited well-defined muscles and were showing them off.
She tells them a joke or two then stops
Amy shared some humorous remarks with them before ceasing communication.
Just short of confessing
While Amy is on the verge of revealing her true identity to them, she's holding back.
But they know she's a man
The young men are aware that Amy is not a woman, but a transsexual.
And they all understand
Despite their knowledge, the young men recognize and acknowledge the other aspects of Amy's character.
Why Amy had to run, it's alright
The reason for Amy's flight makes sense to herself and she feels content with it.
She's having fun in another life
Amy is currently enjoying herself in a different way of life.
And she won't be going back for anyone
Amy has decided to never return to her former way of life for anyone else's benefit.
Now Amy's on the run
Amy is currently on the move as she leaves her past behind.
Lyrics © Warner/Chappell Music, Inc.
Written by: STEFAN FORNARO, TILLMANN UHRMACHER
Lyrics Licensed & Provided by LyricFind
Denise Hedden
🥀These Guy's are very talented I love this song🥀🤘
crofty1984
love this :)
amy evans
😮😏
redmandude bol
found this song on a counter strike source custom server radio
thatssomething1
how did I come here from a Maserati song/video?
Amy Ames
o.o
Amy B
Love your name!!