Musicians Danny Bowes, Harry James, and Luke Morley worked together in the 80s-era [tab]blues outfit Terraplane. After experiencing what Morley has called "a 'eureka' moment", the guys devised a high-energy British rock project directly inspired by the likes of Bad Company, Deep Purple, and Led Zeppelin. The aptly named Thunder spent a year or so in constant touring and gradually built a positive reputation that helped its debut album, named Backstreet Symphony, reach a wide audience. Released 4 April 1990 by EMI / Geffen, it became an international success. The album didn't just get RIAA certified as 'Gold' but earned them a spot on BBC's 'Top of the Pops', playing their hard-edged version of "Gimme Some Lovin'" to a global audience. A well-received performance at Castle Donington's 'Monsters of Rock' event before gigantic crowds brought it home to the guys how far they'd broken through.
After touring with female-fronted rockers Heart and other artists with the same style, the guys prepared the second album, which they ominously titled Laughing on Judgement Day. Despite their deliberately 'retro' sound quite unlike the alternative and post-punk trends of the time (or, in fact, precisely because of their sticking to their guns), their sophomore album achieved even more success. Released on 24 August 1992, it proved an even bigger hit in the U.K. than their debut, reaching the number two slot on the nation's top albums chart. Its singles include "Everybody Wants Her" and "Low Life in High Places", the titles alone showing Thunder's interest in classic rock n' roll hedonism.
Bassist "Snake" Luckhurst left the band citing 'personal differences', a move that wasn't just Thunder's first line-up change but a sign of future turmoil to come. He got replaced by Swedish musician Mikael Höglund, and the band went on to record their third album, 1995's Behind Closed Doors, before facing a dilemma with their label. Finding that "most of the people who'd been there at the beginning of our tenure had moved on", as Morley put it, as well as that talk of a contract extension had terms that they simply couldn't accept, Thunder jumped from EMI.
Despite being championed by U.S. contemporaries such as Aerosmith and Guns n' Roses, the guys still faced a tough time making a lasting impact 'across the pond'. Though focused on pumping out more and more material, Morley later remarked that the mid-90s found Thunder "suffering from 'hamster in the wheel' syndrome". Mikael Höglund was unavailable for recording the band's fourth album, called The Thrill of it All, and so the 1996 release had bass duty left with Morley. For the subsequent tour, the band recruited bassist Chris Childs, who stayed with the band to record their fifth album. Although Giving the Game Away, released in 1999, earned a positive fan response, it had become totally clear how Thunder had disconnected from a record industry whose connected network of radio stations, TV networks, and music magazines dismissed the guys' sort of melodic hard rock as either endangered or extinct.
In Autumn of that year, the group announced an upcoming split, and their final tour concluded in May 2000. Still, Thunder's interest in new technology and the continuing camaraderie felt among the band's members meant that they didn't drop off the radar. After being given a slot in the 2002 'Monsters of Rock' shows, Thunder decided to return in 2003 with a new album, titled Shooting at the Sun, which the guys released on their own record label. Fully embracing the internet's ability to unite hard rock fans across the globe, 2005 resulted in the band's seventh album, aptly titled The Magnificent Seventh! by the guys. It earned praise from many critics, with musicOMH writer Neil Daniels remarking that the "terrific return to form" seemed like "a hard-hitting giant but with fists of steel and cast iron balls".
Feeling vindicated, the group's album managed to produce a return to the top 40 singles charts and spawned a bunch of live performances. After two well-received tours in 2006, with many gigs completely selling out, and two gleeful experiences in Japan, the band captured that live feel in the DVD Thunder Go Mad in Japan. The release included a documentary piece following the band's situation setting everything up and trying to sort out all of the traveling. That year additionally saw the guys releasing their eight studio album, titled Robert Johnson's Tombstone, which featured nods to the musicians' early history before Thunder's very formation. Receiving acclaim from critics and fans alike, some even claimed that the album was Thunder's best studio release yet. A U.K. tour took place at the end of November 2006, with the band extending things into shows in Europe as well.
The 2000s represented not only a period of frequent touring but also increasing musical activities by the guys outside of the band. Thunder's career renaissance continued with a 2008 studio album, which the guys simply titled Bang!, and the group's appearance with Def Leppard and Whitesnake at multiple gigs that same year. The group had found itself coming up to its twenty-year anniversary. Although not experiencing the same kind of personal conflicts or debates about musical direction that many of their contemporaries had, Thunder still appeared to have reached a kind of inflection point. In early 2009, the guys announced plans to split for the second time. Final tours and festival appearances occurred throughout the rest of the year. A well-received compilation album, called simply The Very Best of Thunder, came out as well that year.
Luke Morley stressed "only a fool would say never" when it came to talk of getting back together at some point. Still, he'd gotten focused on other endeavors and particularly dedicated himself to working on The Union, an outfit formed with musician Peter Shoulder (formerly of Winterville). Featuring a blues and soul drenched sound, that band has achieved significant critical acclaim. Other ex-Thunder members perused similar projects. Drummer Gary "Harry" James, for example, played with progressive rockers Magnum (including on their popular 2011 release The Visitation).
Thunder briefly reunited for the 'High Voltage Festival', held in Victoria Park, in 2011. Though expressing their reluctance to formally get back together, the guys agreed to future shows together, including a December performance at Nottingham's 'Rock City' venue. They intermittently took to the stage as the 2010s went on yet remained committed to their alternate projects.
In 2015, however, Thunder announced a full return with an upcoming studio album of new material. A tongue-in-cheek collective statement cited "a rather silly amount of knob-twiddling and string-pulling" as the final inspiration. The release of Wonder Days earned a warm response from critics and fans alike (the fellows at Classic Rock magazine, for example, naming it one of the year's 11 best albums), and multiple gigs got announced to preform the new material. 2017's Rip It Up was also well-received (the record's #3 spot on the U.K. Albums Chart was the highest the band reached for over two decades). This was followed with an acoustic selection, Please Remain Seated, after which the band promised to return to the "full throttle sound of Thunder" for the next studio record.
Delayed due to the pandemic situation, that full throttle new album was released in March 2021, All The Right Noises.
UK rockers Thunder will be releasing a new double album titled Dopamine on April 29, 2022.
Official Website: http://www.thunderonline.com/
2) - Thunder was additionally used by an obscure funk-based Southern rock band from the U.S. Their 1974 self-tiled album picked up some attention but failed to break through commercially. It's hard to find information about the group, but a bit is known given how it served as a stepping stone in the career of popular Texan singer-songwriter and guitarist John Nitzinger. The 1974 album is described on Discogs.com here.
3) - Thunder is the name of a defunct Pagan Black Metal band from Poland, formed in 1994.
4) - Thunder is the name of a German heavy metal band, that released 'All I Want' in 1984.
Dirty Love
Thunder Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You've got that faraway look in your eye
It was only yesterday
Like a cheap suit you were all over me
I should know better by now my friend
Just what I mean to you
You've been running in and out of my life so long
I don't want nothing to do with you
I don't need your dirty love
I don't want you touching me
I don't want your dirty love it's enough
Trying to live with the memory
Na na na na na na na
Na na na na na na na na
Chew me up spit me out
You turned my whole world inside out
There's a name for girls like you
You belong in the gutter I know that you do
Baby I've had enough lies to last
The rest of my days on earth
So now you're gonna get what you deserve
I don't need your dirty love
I don't want you touching me
I don't want your dirty love it's enough
I know there ain't no way I'll stay
We were gonna break it up someday
And that day is now, baby I'm getting out
So don't you cry now sigh now
'Cos you've been living a lie now when I'm not around
The lyrics of Thunder's song Dirty Love describe the frustration and disillusionment of the singer towards a relationship that he knows is not worth his time and effort. The song begins with the singer seeing his partner from a distance, realizing that the spark of passion that they once had is long gone. He acknowledges that he should have known better than to think that she cared for him deeply, and compares her to a cheap suit that he no longer wishes to wear. The singer goes on to state that he does not want his partner's dirty love, nor does he want her to touch him, as he is fed up with the lies and deceit that she has subjected him to.
The song's chorus, with its repeated "na na na na" refrain, adds to the frustration and annoyance of the singer towards his partner. He is determined to end the relationship and move on with his life, even if it means living with the memory of the past. He recognizes that he has been chewed up and spit out by his partner, and calls her out for being a girl who belongs in the gutter. The singer asserts that he has had enough lies and that his partner will get what she deserves.
Overall, the lyrics of Dirty Love are a straightforward expression of a failed relationship, with the singer standing up for himself and resolving to leave behind a toxic situation that he can no longer tolerate.
Line by Line Meaning
I see you walking by
I have observed your presence
You've got that faraway look in your eye
Your eyes appear to be looking at something distant
It was only yesterday
Recently, only a few hours have passed
Like a cheap suit you were all over me
You were all over me like a cheap, ill-fitting garment
I should know better by now my friend
With experience, I should have learned not to trust you
Just what I mean to you
Your true intentions towards me
You've been running in and out of my life so long
You have been repeatedly exiting and entering my life for some time now
I don't want nothing to do with you
I want absolutely no association or relationship with you
Chew me up spit me out
You used me and then discarded me
You turned my whole world inside out
Your actions have caused upheaval and turmoil in my life
There's a name for girls like you
Your behavior fits a certain negative stereotype
You belong in the gutter I know that you do
You have a low social status and reputation
Baby I've had enough lies to last
I have reached my limit with your dishonesty
The rest of my days on earth
For the remainder of my life
So now you're gonna get what you deserve
You will receive just retribution for your actions
I know there ain't no way I'll stay
I am certain that I will not remain with you
We were gonna break it up someday
It was inevitable that our relationship would eventually end
And that day is now, baby I'm getting out
That day has finally arrived, and I am ending things between us
So don't you cry now sigh now
Don't express sadness or regret now
'Cos you've been living a lie now when I'm not around
You have been deceiving me in my absence
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: ADRIAN DIMITRI ANDREW ZAGORITIS, PAUL ANTHONY LEE DREW, PETER ALEXANDER BARRINGER, GREIG DAVID WATTS, PAUL CLARKE, MATTHEW ALAN DICK, JUKKA IMMONEN
Lyrics Licensed & Provided by LyricFind