Musicians Danny Bowes, Harry James, and Luke Morley worked together in the 80s-era [tab]blues outfit Terraplane. After experiencing what Morley has called "a 'eureka' moment", the guys devised a high-energy British rock project directly inspired by the likes of Bad Company, Deep Purple, and Led Zeppelin. The aptly named Thunder spent a year or so in constant touring and gradually built a positive reputation that helped its debut album, named Backstreet Symphony, reach a wide audience. Released 4 April 1990 by EMI / Geffen, it became an international success. The album didn't just get RIAA certified as 'Gold' but earned them a spot on BBC's 'Top of the Pops', playing their hard-edged version of "Gimme Some Lovin'" to a global audience. A well-received performance at Castle Donington's 'Monsters of Rock' event before gigantic crowds brought it home to the guys how far they'd broken through.
After touring with female-fronted rockers Heart and other artists with the same style, the guys prepared the second album, which they ominously titled Laughing on Judgement Day. Despite their deliberately 'retro' sound quite unlike the alternative and post-punk trends of the time (or, in fact, precisely because of their sticking to their guns), their sophomore album achieved even more success. Released on 24 August 1992, it proved an even bigger hit in the U.K. than their debut, reaching the number two slot on the nation's top albums chart. Its singles include "Everybody Wants Her" and "Low Life in High Places", the titles alone showing Thunder's interest in classic rock n' roll hedonism.
Bassist "Snake" Luckhurst left the band citing 'personal differences', a move that wasn't just Thunder's first line-up change but a sign of future turmoil to come. He got replaced by Swedish musician Mikael Hรถglund, and the band went on to record their third album, 1995's Behind Closed Doors, before facing a dilemma with their label. Finding that "most of the people who'd been there at the beginning of our tenure had moved on", as Morley put it, as well as that talk of a contract extension had terms that they simply couldn't accept, Thunder jumped from EMI.
Despite being championed by U.S. contemporaries such as Aerosmith and Guns n' Roses, the guys still faced a tough time making a lasting impact 'across the pond'. Though focused on pumping out more and more material, Morley later remarked that the mid-90s found Thunder "suffering from 'hamster in the wheel' syndrome". Mikael Hรถglund was unavailable for recording the band's fourth album, called The Thrill of it All, and so the 1996 release had bass duty left with Morley. For the subsequent tour, the band recruited bassist Chris Childs, who stayed with the band to record their fifth album. Although Giving the Game Away, released in 1999, earned a positive fan response, it had become totally clear how Thunder had disconnected from a record industry whose connected network of radio stations, TV networks, and music magazines dismissed the guys' sort of melodic hard rock as either endangered or extinct.
In Autumn of that year, the group announced an upcoming split, and their final tour concluded in May 2000. Still, Thunder's interest in new technology and the continuing camaraderie felt among the band's members meant that they didn't drop off the radar. After being given a slot in the 2002 'Monsters of Rock' shows, Thunder decided to return in 2003 with a new album, titled Shooting at the Sun, which the guys released on their own record label. Fully embracing the internet's ability to unite hard rock fans across the globe, 2005 resulted in the band's seventh album, aptly titled The Magnificent Seventh! by the guys. It earned praise from many critics, with musicOMH writer Neil Daniels remarking that the "terrific return to form" seemed like "a hard-hitting giant but with fists of steel and cast iron balls".
Feeling vindicated, the group's album managed to produce a return to the top 40 singles charts and spawned a bunch of live performances. After two well-received tours in 2006, with many gigs completely selling out, and two gleeful experiences in Japan, the band captured that live feel in the DVD Thunder Go Mad in Japan. The release included a documentary piece following the band's situation setting everything up and trying to sort out all of the traveling. That year additionally saw the guys releasing their eight studio album, titled Robert Johnson's Tombstone, which featured nods to the musicians' early history before Thunder's very formation. Receiving acclaim from critics and fans alike, some even claimed that the album was Thunder's best studio release yet. A U.K. tour took place at the end of November 2006, with the band extending things into shows in Europe as well.
The 2000s represented not only a period of frequent touring but also increasing musical activities by the guys outside of the band. Thunder's career renaissance continued with a 2008 studio album, which the guys simply titled Bang!, and the group's appearance with Def Leppard and Whitesnake at multiple gigs that same year. The group had found itself coming up to its twenty-year anniversary. Although not experiencing the same kind of personal conflicts or debates about musical direction that many of their contemporaries had, Thunder still appeared to have reached a kind of inflection point. In early 2009, the guys announced plans to split for the second time. Final tours and festival appearances occurred throughout the rest of the year. A well-received compilation album, called simply The Very Best of Thunder, came out as well that year.
Luke Morley stressed "only a fool would say never" when it came to talk of getting back together at some point. Still, he'd gotten focused on other endeavors and particularly dedicated himself to working on The Union, an outfit formed with musician Peter Shoulder (formerly of Winterville). Featuring a blues and soul drenched sound, that band has achieved significant critical acclaim. Other ex-Thunder members perused similar projects. Drummer Gary "Harry" James, for example, played with progressive rockers Magnum (including on their popular 2011 release The Visitation).
Thunder briefly reunited for the 'High Voltage Festival', held in Victoria Park, in 2011. Though expressing their reluctance to formally get back together, the guys agreed to future shows together, including a December performance at Nottingham's 'Rock City' venue. They intermittently took to the stage as the 2010s went on yet remained committed to their alternate projects.
In 2015, however, Thunder announced a full return with an upcoming studio album of new material. A tongue-in-cheek collective statement cited "a rather silly amount of knob-twiddling and string-pulling" as the final inspiration. The release of Wonder Days earned a warm response from critics and fans alike (the fellows at Classic Rock magazine, for example, naming it one of the year's 11 best albums), and multiple gigs got announced to preform the new material. 2017's Rip It Up was also well-received (the record's #3 spot on the U.K. Albums Chart was the highest the band reached for over two decades). This was followed with an acoustic selection, Please Remain Seated, after which the band promised to return to the "full throttle sound of Thunder" for the next studio record.
Delayed due to the pandemic situation, that full throttle new album was released in March 2021, All The Right Noises.
UK rockers Thunder will be releasing a new double album titled Dopamine on April 29, 2022.
Official Website: http://www.thunderonline.com/
2) - Thunder was additionally used by an obscure funk-based Southern rock band from the U.S. Their 1974 self-tiled album picked up some attention but failed to break through commercially. It's hard to find information about the group, but a bit is known given how it served as a stepping stone in the career of popular Texan singer-songwriter and guitarist John Nitzinger. The 1974 album is described on Discogs.com here.
3) - Thunder is the name of a defunct Pagan Black Metal band from Poland, formed in 1994.
4) - Thunder is the name of a German heavy metal band, that released 'All I Want' in 1984.
Stubborn Kinda Love
Thunder Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Only when I feel pain can you stand to laugh
Cos if I say the wrong thing you won't let it lie
You're a spoiled child and you're never satisfied
Everytime when we get straight, when it all goes right
I know you'll bow a new fuse, it's a matter of time
So I sit here waiting, but I never can rest
A stubborn kind of love that still gets me high
God knows why
It's a stubborn kind of love refusing to die
No matter how we try
You didn't come with instructions or any health warning
And when I'm around you you're a coiled spring
It's a war of attrition, a battle of wills
It's hard to believe we both still get a thrill
From a stubborn kind of love that still gets me high, oh no
It's a stubborn kind of love connecting our souls
And we got no control
A stubborn kind of love that still gets me high
God knows why
It's a stubborn kind of love refusing to die
it's a stubborn kind of love that still gets me high, oh no
It's a stubborn kind of love connecting our souls
And we got no control
The lyrics of the song Stubborn Kinda Love by Thunder speak about the complexities of a relationship filled with arguments, misunderstandings, and constant tension. The lyrics express how difficult it is to be with someone who doesn't give you any slack and constantly causes pain to you with their words and actions. The song also acknowledges the fact that despite all the difficulties and disagreements, the relationship still manages to keep going, with a stubborn kind of love that refuses to die.
The lyrics also talk about the constant waiting and uncertainty that comes with being in such a relationship, where every small mistake can create a huge problem. The words "I sit here waiting, but I never can rest" reflect the feeling of constantly being on edge and not knowing when the next argument or fight might happen. Moreover, the lyrics reveal how this type of love is inexplicable, as the song says, "God knows why" it still manages to hold on despite all the obstacles.
Overall, the song Stubborn Kinda Love is an honest and raw portrayal of the difficulties that come with being in a relationship that is filled with ups and downs, and how love, despite its stubbornness, still holds the power to connect us in ways that we cannot control.
Line by Line Meaning
I put my wrong foot forward, you don't cut me no slack
I tend to make mistakes and you never give me any leeway.
Only when I feel pain can you stand to laugh
You only find pleasure in my pain and suffering.
Cos if I say the wrong thing you won't let it lie
If I make a mistake or say something wrong, you won't forgive me or let it go.
You're a spoiled child and you're never satisfied
You behave like an entitled child and you are impossible to please.
Everytime when we get straight, when it all goes right
Whenever things are going well between us,
I know you'll bow a new fuse, it's a matter of time
I know that you will eventually get upset and start a fight again.
So I sit here waiting, but I never can rest
I am always on edge and waiting for the next argument to happen.
I know it's a blow, but you just can't second guess
I know that it's difficult to deal with, but I can't predict your reactions.
A stubborn kind of love that still gets me high
Our love is intense and passionate, even if it's not always healthy.
God knows why
I don't even understand why I am drawn to you.
It's a stubborn kind of love refusing to die
Our love persists despite all the challenges and obstacles we face.
You didn't come with instructions or any health warning
There was no warning that our relationship would be so difficult to manage.
And when I'm around you you're a coiled spring
You are always tense and anxious in my presence.
It's a war of attrition, a battle of wills
Our relationship is a struggle to maintain and requires constant effort.
It's hard to believe we both still get a thrill
Despite all the difficulties, we are still deeply attracted to each other.
And we got no control
Our love seems to have a life of its own and we are unable to control it.
Lyrics ยฉ BMG Rights Management
Written by: LUKE MORLEY
Lyrics Licensed & Provided by LyricFind