In 1978, A&M Records released Tim Curry's debut solo album. Entitled Read My Lips, the album featured an eclectic range of songs (mostly covers) performed in diverse genre. Highlights of the album are a reggae version of the Beatles song "I Will", a rendition of "Wake Nicodemus" with full bagpipe backing, and an original bar-room ballad, "Alan".
The following year, Curry's second and most successful album was released. Titled Fearless, the LP was more rock-oriented than Read My Lips and mostly featured original songs rather than cover versions. The record included Tim Curry's only US charting songs: "I Do the Rock" and "Paradise Garage".
Curry's third and final album, Simplicity, was released in 1981, again by A&M Records. This record did not sell as well as the previous offerings, due in part to a less appealing, more maudlin sound. This record combined both original songs and cover versions, and is commonly held to be the weakest of the three albums.
In 1989, A&M released The Best of Tim Curry on CD and cassette, featuring songs from his albums (including a live version of "Alan") and a previously-unreleased song, a live cover version of "Simple Twist of Fate".
Curry toured America with his band through the late 1970s and the first half of the 1980s.
Curry's first full-time role was as part of the original London cast of the musical Hair in 1968. Here he first met Richard O'Brien, who went on to create his next full-time and perhaps still most famous role, that of Frank N. Furter in the Rocky Horror Show.
Originally Curry rehearsed the character with a German accent and peroxide blonde hair, but the character evolved into the sly, very upper-class English (He says 'dine' instead of down, 'brine' instead of brown etc) drag-wearing mad scientist incarnation that carried over to the movie version and made Curry both a star and a cult figure. He continued to play the character in London, Los Angeles and New York until 1975.
For many years, Curry was reluctant to talk about Rocky Horror, feeling that it was a trend that had gone too far and had distracted attention away from his later roles. However, in recent years he has been much more open about discussing the show and now recognises it as a "rite of passage" for many young people.
01 Right On The Money
Tim Curry Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Waiting for a ride uptown
Really getting restless
Could've walked that far by now
And now it's after midnight
I need a fast ride
I got to get to you somehow
Right on the money
Right on time
Right on the money
Right on time
I can't be one minute late
I would've called a taxi
But I couldn't use a lady's phone
She would've gotten crazy
Thinks she's got me for her own
And now the stoplight feels like a spotlight
I've got to get to you right now
I got to be right on time
Right on the money
Right on time
Right on the money
Right on time
I can't be one minute late
[oh, I'm in the cold, and a,... Checker!]
[oh boy, you'd better be worth it]
The first verse of the song "Right on the Money" portrays a man waiting on a corner, in the hopes of getting a ride uptown. The singer has grown impatient and feels like he should have walked the distance by now. He is eager to get to his destination and becomes anxious at the idea of being late. The second verse shows the urgency of the ride as the time is after midnight, and he wants to get to his loved one. He knows he has to get there fast, and he mentions that he has to be "Right on time."
The chorus of the song, "Right on the money, Right on time, Right on the money, Right on time, I can't be one minute late," emphasizes the importance of punctuality. This is likely because the singer has a specific relationship or goal in mind he needs to accomplish when he arrives. He cannot risk being even a minute late. The final verse shows the singer's desire to call a taxi, but he cannot use a lady's phone because he does not want his lover to catch on that he is leaving his current relationship. He labels the stop light as a spotlight. The light suddenly draws attention to him and makes him feel like he is in the spotlight. The song conveys the message that timing is critical, and the singer needs to be with his significant other at that particular moment.
Line by Line Meaning
Freezing on this corner
I am standing on this corner in the freezing temperature
Waiting for a ride uptown
I am waiting for a ride to go uptown
Really getting restless
I am getting agitated while waiting
Could've walked that far by now
I could have reached my destination by walking till now
And now it's after midnight
It is past midnight now
I need a fast ride
I urgently need a quick means of transportation
I got to get to you somehow
I have to reach you at any cost
I got to be right on time
I must reach on time
Right on the money
Extremely accurate
Right on time
On time
Right on the money
Extremely accurate
Right on time
On time
I can't be one minute late
I cannot reach a single minute late
I would've called a taxi
I thought to call a taxi
But I couldn't use a lady's phone
I couldn't use a woman's phone to call the taxi
She would've gotten crazy
She would have become angry
Thinks she's got me for her own
She believes that I belong to her
And now the stoplight feels like a spotlight
I am feeling like the stoplight is spotlighting me
I've got to get to you right now
I need to reach you right now
I got to be right on time
I need to reach on time
Right on the money
Extremely accurate
Right on time
On time
Right on the money
Extremely accurate
Right on time
On time
I can't be one minute late
I cannot reach a single minute late
[oh, I'm in the cold, and a,... Checker!]
Oh, I am cold and oh, there is a Checker cab
[oh boy, you'd better be worth it]
Oh boy, I hope you are worth the wait and effort
Lyrics © Spirit Music Group, CAMERON MUSIC, INC. DBA ARRIVISTE INC MUSIC
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