Sebastião Rodrigues Maia (September 28, 1942 – March 15, 1998) was a Brazil… Read Full Bio ↴Sebastião Rodrigues Maia (September 28, 1942 – March 15, 1998) was a Brazilian musician known for his iconoclastic, ironic, outspoken, and polemical (but always humorous) musical style. He was also known for his habit of lightheartedly missing appointments and even important gigs.

Maia performed in a variety of musical genres, ranging from happy and energetic dance music to sentimental songs such as his hit "Me Dê Motivo". He performed soul music, funk, bossa nova (in the 1990s), romantic songs, American pop, samba, baião, and Música Popular Brasileira.

He started to write his earliest songs at eight and at 14, as a drummer, he formed the group Os Tijucanos do Ritmo, which lasted one year. He then took guitar classes and was soon teaching children in the neighborhood of Tijuca, in Rio de Janeiro, including the Matoso gang (Maia, Jorge Ben, Erasmo Esteves, later Erasmo Carlos, and several others), named after the street where they used to hang out.

In that period, Maia was the guitar teacher of Esteves and when Roberto Carlos joined the gang in 1958, he also took classes with him. Maia, Carlos, and Esteves (together with Edson Trindade, Arlênio Lívio, and José Roberto "China") formed the group The Snakes (later The Sputniks), playing balls and performing on television (including on Carlos Imperial's Clube do Rock on TV Continental, where Carlos was already a regular). The group was soon dissolved due to incompatibility between Carlos and Maia.

After his father's demise in 1959, Maia won a scholarship to study communications in the United States, where he lived for four years. There he started as a vocalist, having joined the Ideals, but in 1963, he was arrested for possession of Weed.

Jailed for six months and then deported to Brazil, he did not find any warmth on the part of his old comrades Esteves and Carlos, who were beginning to enjoy the massive success of Jovem Guarda, which would get a grip on the entire country in a few years. Moving to São Paulo, he had some support from Os Mutantes instead. Having recorded in 1968 his first single with his compositions "Meu País" and "Sentimento," he became more visible after 1969 when he launched his "These Are the Songs," which was re-recorded by Elis Regina in the next year, in duo with him and included on Regina's Em Pleno Verão.

In the 1970s, Maia started to record albums and perform shows promoting his synthesis of American soul and Brazilian music with elements of samba and baião. The movement gradually took the working-class suburbs of the north side of Rio de Janeiro, exploding in 1976 with the black movement.

In 1970 Maia recorded his first full-length LP, Tim Maia, which included the classics "Azul da Cor do Mar", "Coroné Antônio Bento", and "Primavera", and topped the charts for 24 weeks in Rio de Janeiro. His first four albums were all self-titled. Next year's Tim Maia had other hits including "Não Quero Dinheiro (Só Quero Amar)" and "Preciso Aprender a Ser Só". His fourth album, released in 1973, included "Réu Confesso" and "Gostava Tanto de Você".

Maia founded two record labels: Vitória Régia Discos and Seroma. Through the latter he released the albums Tim Maia Racional, Vols. 1 & 2, both with songs about the knowledge contained in the Rational Culture, in the book Universo em Desencanto (Universe in Disenchantment). Although these albums were not well-received at their time of release, they are now regarded as classics and saw re-release in 2005. In 1978 Maia had one of his biggest hits, "Sossego," and another success with "Acenda o Farol," both launched on Tim Maia Disco Club.

In 1983 he had hits with "O Descobridor dos Sete Mares" and "Me Dê Motivo", included on O Descobridor dos Sete Mares (Polygram). Another milestone of his career in the 1980s was Tim Maia (1986), which had the hit "Do Leme ao Pontal (Tomo Guaraná, Suco de Caju, Goiabada Para Sobremesa)".

In 1990 he interpreted bossa nova classics on an album released through his label Vitória Régia that wasn't noticed, the LP Tim Maia Interpreta Clássicos da Bossa Nova. After a period of poor presence in the media, he was again on top after being mentioned by Jorge Ben Jor's "W/Brasil" in 1993. In the same period, Maia had another hit with his re-recording of "Como uma Onda" (Lulu Santos/Nelson Motta) for a television advertisement.

At the same time, he withdrew from majors, recording his next albums through Vitória Régia, including What a Wonderful World (1997), where he recorded American pop/soul classics, and Amigos do Rei/Tim Maia e Os Cariocas, with the famous vocal group. Obese and in bad health, in March 1998 he was performing at the Municipal Theater of Niterói when he became ill. Hospitalized, he died few days later. Tim had suffered from many health problems which includes Diabetes, Acute Hypertension, Obesity and Pulmonary Embolisim. In 1999 he was paid tribute in a show by several Música Popular Brasileira artists. The show was launched on CD and DVD. In 2000 he had another tribute, also released in CD.

Você Fingiu
Tim Maia Lyrics

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Foi você quem me deu
Todo amor que sonhei
Foi você, foi você
Foi você, foi você
Mas um dia
Aquele amor morreu

Eu não sei que fazer

Pra você me querer
Eu não sei
Não, não, não sei
Eu não sei
Não, não, não
Não, não sei
Sei que o nosso amor
Se acabou

Você fingiu
(Você fingiu)
Você jurou me amar
(Você fingiu)
Você mentiu
(Você fingiu)
Você jurou gostar
(Você fingiu)
Você fingiu
(Você fingiu)
Você jurou me amar
(Você fingiu)

Agora vem pedindo
(Você não gosta)
O meu perdão
(Você não gosta)
Agora é tarde
Inês é morta

Mas você tem que pagar
Por todo mal
Por todo mal que me fez
Que me fez
Uou, uou, uou
Uou, uou
Que me fez
Ahhhh
Que me fez

Não quero mais você
Você só me fez sofrer
Não quero mais

Não quero mais você
Não quero mais você

Overall Meaning

The song "Você Fingiu" by Tim Maia is a heart-wrenching ballad about a love that has ended. The lyrics express the singer's disappointment and hurt, as they mourn the loss of a love that once filled their dreams. The opening lines, "It was you who gave me all the love I dreamed of," set the tone for a song that juxtaposes the beauty of what was with the painful reality of what could have been. The chorus repeats the key phrase "Você fingiu" ("You pretended"), highlighting the sense of betrayal felt by the singer, who has discovered that their lover was not sincere in their professed love and affection. Despite their attempts to win their lover back, the singer ultimately decides to move on, asserting, "I don't want you anymore, you only made me suffer."

Line by Line Meaning

Foi você quem me deu
You were the one who gave me

Todo amor que sonhei
All the love I dreamed of

Foi você, foi você
It was you, it was you

Mas um dia
But one day

Aquele amor morreu
That love died

Eu não sei que fazer
I don't know what to do

Pra você me querer
To make you want me

Eu não sei
I don't know

Não, não, não sei
No, no, I don't know

Sei que o nosso amor
I know that our love

Se acabou
Has ended