Timbiriche is considered one of the most iconic Latin Pop acts of the 1980s and the early 1990s. It was the start of numerous figures in the Latin American entertainment world, including successful singers like Thalía, Paulina Rubio, and Edith Márquez, as well as actors, composers, and conductors.
The band's discography consists of twelve studio albums released between 1982 and 1993, in addition to two compilation albums and two discs recorded live. Timbiriche is considered one of the most popular Latin Pop bands of all time. They met in three successful reunions. The first occurred in 1998, the second in 2007 celebrating 25 years since the foundation of the band, and the third one in 2017, celebrated by a sold-out tour.
The band has also starred in a documentary directed by Carlos Marcovich entitled "La Misma Piedra" which followed step by step the band's adventures in the preparation of the tours, concerts, and behind-the-scenes of its 25th anniversary. In 2007, Televisa also produced a reality show whose objective was to integrate a new lineup for the band.
The game Timbiriche (known in the United States as Dots and Boxes), is a Paper-and-pencil game of mathematical structure. The objective of the game is to complete squares using points, and thus claim as many of these as possible on paper. The idea of naming the musical group comes in response to the Spanish children's musical group Parchis, whose name is also inspired by a table game.
The idea of forming the musical group goes back to the founding of the children's area of the Centro de Educación Artística (CEA) of the Mexican television network Televisa. The responsibility of recruiting a group of children for the ranks of the school was in charge of the Mexican actress and producer Martha Zavaleta. The children chosen to join the institution were Mariana Garza, Alix Bauer, Paulina Rubio, and Diego Schoening. They were eventually joined by Benny Ibarra and Sasha Sokol. The group of children was trained in singing, dancing, and acting in the institution. Eventually, they staged a play. It was thanks to this work that the executives of Televisa had the idea of forming a children's musical group with six children. At that time, the Spanish musical group Parchís caused a sensation in Mexico and several Spanish-speaking countries. Televisa formed Timbiriche as a Mexican response to Parchís. The creative team in charge of launching this group was formed by Victor Hugo O'Farril, former partner, producer and creative of the television station and producer Luis de Llano Macedo. María Eugenia La Gorda Galindo, was selected as manager of the group.
After a few months of preparation, Timbiriche made its official debut on 30 April 1982 on the Mexican television show Siempre en Domingo, featuring Spanish singer Miguel Bosé as their godfather. The group launched their first record production titled Timbiriche, which included the hit singles Amor para tí, Hoy tengo que decirte Papá, Y la fiesta comenzó, and Somos amigos.
Due to the success obtained, and in order to have a wider repertoire in their presentations, the group recorded a second album titled La Banda Timbiriche, which included the hit singles La Banda Timbiriche, La vida es mejor cantando, México and Mamá. The group is also chosen to interpret the musical theme of the children's telenovela Chispita. In that same year, the group participates in a TV special in which they share scenes with the group Parchís.
In 1983, the group released the album La Banda Timbiriche: En Concierto an album that was released under the concept of being a live album, although in fact the sound effects of the public were added in the recording studio. The album includes covers of songs in English and of musicals famous at that time like Time Warp of The Rocky Horror Picture Show, One Step (cover of Liza Minnelli and Goldie Hawn' song), Summer Nights (from the musical Grease) and Mickey (cover by Toni Basil).[6] In this third album, the group already enjoyed a great acceptance in Mexico, receiving several disks of gold by the high sales of its albums.
At that moment of the group, the voices of the only two male members of the group were confused with those of the female members due to their young age. Because of this, the producers considered the idea of integrating a third male member into the group. The chosen one was Erik Rubín, who joins the band in December 1983. The band launches its fourth disc, titled Timbiriche Disco Ruido. The album was the first big challenge for the band because it was not known what the public reaction would be to the new member, who had to go through many conflicts to adapt with his peers. However, the album had a good reception and contained hits such as Disco ruido and Adiós a la escuela.
In 1984, Timbiriche, along with several other children actors and singers, starred in a version of the play Grease (called Vaselina in Mexico). The play was produced by the actress and producer Julissa. From this staging comes the album [albumartist=Timbiriche]Timbiriche Vaselina, which was another success of the grouping. The album released the hit singles Amor primero (Those Magic Changes), Rayo Rebelde (Grease Lightnin'), Freddy mi amor (Freddy My love) and Iremos juntos (We Go Together).
For 1985, the group begins an evolution. They were no longer a children's group, and this situation leads to a new, fresher sound aimed at teenagers. This change is evident in the record [albumartist=Timbiriche]Timbiriche Rock Show, released in 1985.
But in the middle of the success, Benny decides to leave the group in September of that same year, after the recording of the album and after to have participated only in the promotion of the first two singles. His reason was that he wanted to study music by enrolling in a school in the United States. The chosen one to replace it was Eduardo Capetillo, that already had been made known before for his stellar role in the play Grease. Eduardo is the one who performs the rest of the album promotion. From this production stand out songs like Teléfono (cover of Sheena Easton's song Telefone (Long Distance Love Affair)), Juntos, Soy un desastre, Corro, vuelo, me acelero, Me planto, and Mi globo azul (cover of Nena' s song 99 Luftballons).
In August 1986 Sasha, another founding member, announced her departure from the group in order to become independent and launch herself as a solo singer. A month later, her place is occupied by Thalía, who had been announced a few years ago in a children's musical group called Din-Din and also served as a substitute for Sasha in the Grease play.
In 1987, Timbiriche released the album Timbiriche VII. With this album, the group obtains a success superior to the one of the previous disc, consolidating as one of the youthful group leaders of Latin America and Spain. The album included hits like No seas tan cruel, Besos de ceniza[[/track], Mírame (Cuestión de tiempo), Si no es ahora, Con todos menos conmigo, Rompecabezas, Mágico amor, and Ya estaba escrito.
In that same year, Timbiriche interprets the main theme of the telenovela Quinceañera, which was carried out by Thalía and the actress Adela Noriega.
In December of that same year, the group is invited to participate in the Christmas album Esta Navidad, next to other artists. Timbiriche interprets the song ¡Ay del Chiquirritín!. In that same month, Mariana Garza, another of the founding members of the group, announces her departure from the group to enter as a television actress. It is Mariana herself who chooses for her replacement Edith Márquez, another young girl who was also part of the Grease cast. In addition, Edith already was well-known for her participation in the TV sitcom "Papá Soltero". Edith lived a difficult process of adaptation when arriving at the group.
Amame Hasta Con Los Dientes
Timbiriche Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dicen que soy un reventado
Sin camino sin razón
Dicen que estoy perdido
Tú que crees
Dicen que soy alucinado
Todo es tan relativo amor, yeah yeah
No lo ves
No escuches más solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Whoa oh whoa oh oh whoa oh yeah
Dicen que estoy medio tocado
Pero soy lo que soy
Si el mundo no le gusta, ¿qué?
(Que no le guste)
Solo me ven el escenario
Y no entienden quien soy yo
No saben lo que pienso
No saben lo que siento
No escuches más solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
¡Como canta Monterrey!
Whoa oh whoa oh whoa oh oh oh oh oh
Ámame, ámame, ámame, ámame, ámame
The song "Amame Hasta Con Los Dientes" by Timbiriche is about a person who is often misunderstood and judged by others, but wants to be loved and accepted just the way they are. The lyrics express the singer's frustration with the opinions of others and their desire to be loved passionately and deeply. The chorus urges the listener to ignore the opinions of others and simply love them, with a request to love them even to the extent of biting with their teeth.
Throughout the song, there are references to being outside of reality and not conforming to societal norms. The idea of being different from the norm is a common theme in many Timbiriche songs, and it reflects the band's identity as a group of young people navigating their way through life while resisting societal pressures to conform. The song's upbeat, catchy melody underscores the message of self-love and acceptance.
Overall, "Amame Hasta Con Los Dientes" is a fun and empowering song about the importance of loving oneself and being confident in one's uniqueness. The lyrics encourage listeners to embrace their quirks and resist the pressure to fit in with the crowd.
Line by Line Meaning
Dicen que soy un reventado
People say I'm a mess
Sin camino sin razón
Lost and aimless
Dicen que estoy perdido
They say I'm lost
Tú que crees
What do you think?
Dicen que soy alucinado
They say I'm delusional
Fuera de realidad
Out of touch with reality
Todo es tan relativo amor, yeah yeah
Everything is relative, my love
No lo ves
Don't you see it?
No escuches más solo ámame
Don't listen to anything else, just love me
No pienses más y ámame
Don't overthink it, just love me
No te preocupes por lo que digan los demás
Don't worry about what others say
Muérdeme un labio, ámame
Bite my lip, love me
Jálame el pelo, ámame
Pull my hair, love me
Ámame hasta con los dientes
Love me with your teeth
Ámame hasta que revientes
Love me until you explode
Pero ámame, ámame
But love me, love me
Dicen que estoy medio tocado
They say I'm a bit crazy
Pero soy lo que soy
But I am who I am
Si el mundo no le gusta, ¿qué?
If the world doesn't like it, so what?
(Que no le guste)
(Let it not like it)
Solo me ven el escenario
They only see me on stage
Y no entienden quien soy yo
They don't understand who I am
No saben lo que pienso
They don't know what I think
No saben lo que siento
They don't know what I feel
¡Como canta Monterrey!
How Monterrey sings!
Ámame, ámame, ámame, ámame, ámame
Love me, love me, love me, love me, love me
Lyrics © Sony/ATV Music Publishing LLC
Written by: EDGARD POCAS, GUILLERMO GUIU MENDEZ
Lyrics Licensed & Provided by LyricFind
@emmanuelsaffe7748
LETRA:
Oh, uoh-oh, uoh-oh, yeah
Dicen que soy un reventado
Sin camino, sin razón
Dicen que estoy perdido
¿Tú, qué crees?
Dicen que soy alucinado
Fuera de realidad
Todo es tan relativo, amor
No lo ves
No escuches más, solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Oh, uoh-oh, uoh-oh-oh-oh-oh-oh
Dicen que estoy medio tocado
Pero soy lo que soy
Si el mundo no le gusta
Que no le guste
Solo me ven en el escenario
Y no entienden quien soy yo
No saben lo que pienso
No saben lo que siento
No escuches más, solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Oh, uoh-oh, uoh
Ámame, ámame
Ámame, ámame
Ámame
@Lauumtz05.
Dicen que soy un reventado
Sin camino sin razón
Dicen que estoy perdido
Tú que crees
Dicen que soy alucinado
Fuera de realidad
Todo es tan relativo amor, yeah yeah
No lo ves
No escuches más solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Whoa oh whoa oh oh whoa oh yeah
Dicen que estoy medio tocado
Pero soy lo que soy
Si el mundo no le gusta, ¿qué?
(Que no le guste)
Solo me ven el escenario
Y no entienden quien soy yo
No saben lo que pienso
No saben lo que siento
No escuches más solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
¡Como canta Monterrey!
Whoa oh whoa oh whoa oh oh oh oh oh
Ámame, ámame, ámame, ámame, ámame
@chacajf2415
Oh, uoh-oh, uoh-oh, yeah
Dicen que soy un reventado
Sin camino, sin razón
Dicen que estoy perdido
¿Tú, qué crees?
Dicen que soy alucinado
Fuera de realidad
Todo es tan relativo, amor
¿No lo ves?
No escuches más, solo ámame
No pienses más y ámame
No te preocupes
Por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Oh, uoh-oh, uoh-oh-oh-oh-oh-oh
Dicen que estoy medio tocado
Pero soy lo que soy
Si el mundo no le gusta
Que no le guste
Solo me ven en el escenario
Y no entienden quién soy yo
No saben lo que pienso
No saben lo que siento
No escuches más, solo ámame
No pienses más y ámame
No te preocupes
Por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Oh, uoh-oh, uoh
Ámame, ámame
Ámame, ámame
Ámame…
Domingo 05/12/21
Chaca-Remix😎
@tomascastillo4676
Los 80-90 fueron la mejor época para ser niño y adolescente. Nunca volverá algo mejor.
@anaisabelcruzcastillo7901
De acuerdo contigo
@herminiomonarrez9328
Numero uno. La vivi intensamente.
@reahumiyoucansee8636
Tomas...calmado loco y pen.dejo, la mejor EPOCA SON LOS 70, Y 80. no le hagas a la mamda!!
@tomascastillo4676
@Reahumi You can see Aprende a escribir correctamente, solo proyectas tu bajo IQ. En cuanto a las decadas, los 70 fue buena era musical pero también muy ridícula y extravagante. Seguro andabas con tus pantalones de campana, zapatos de plataforma y chamarra de peluche. Ridículos.
@osjarbasmo1664
Tuvieron lo mejor, y fueron los peores padres, no olviden que esa generación crío a esta generación.
@jekitareyes2892
Yo hoy con 43 años... vibró con su música....retro a pulmón .....
@fermacias2355
me encantan estas canciones a pesar de no haber sido mi época pero crecí con ellas porque mi mama (que si fue adolescente de esa época) las ponía a todo volumen en su auto.
@emmanuelsaffe7748
LETRA:
Oh, uoh-oh, uoh-oh, yeah
Dicen que soy un reventado
Sin camino, sin razón
Dicen que estoy perdido
¿Tú, qué crees?
Dicen que soy alucinado
Fuera de realidad
Todo es tan relativo, amor
No lo ves
No escuches más, solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Oh, uoh-oh, uoh-oh-oh-oh-oh-oh
Dicen que estoy medio tocado
Pero soy lo que soy
Si el mundo no le gusta
Que no le guste
Solo me ven en el escenario
Y no entienden quien soy yo
No saben lo que pienso
No saben lo que siento
No escuches más, solo ámame
No pienses más y ámame
No te preocupes por lo que digan los demás
Muérdeme un labio, ámame
Jálame el pelo, ámame
Ámame hasta con los dientes
Ámame hasta que revientes
Pero ámame, ámame
Oh, uoh-oh, uoh
Ámame, ámame
Ámame, ámame
Ámame
@Alex-966
Wow bellos recuerdos, uno de mis temas favoritos de Timbiriche, aún me sigue gustando este tema, bien 80tero 😎🎸