Kóbi bácsi rakkendroll
Timur Lenk Lyrics

The lyrics of Timur Lenk's song "Kóbi bácsi rakkendroll" paint a vivid picture of a small village where the atmosphere is filled with drunken revelry and carefree abandon. The bisztró owned by Kóbi bácsi serves as a gathering place for the intoxicated locals, where rock and roll music blares every evening, creating a lively and chaotic scene. Kóbi bácsi himself is described as getting thoroughly intoxicated and enjoying himself by indulging in substances that enhance his state of mind. The repetition of his name and the word "rokk" emphasizes his role as a central figure in the village's wild nightlife.

The lyrics then shift focus to a character named Bözsi néni, who also indulges in excessive drinking to escape the monotony or hardships of her life. Her choice of alcohol serves as a coping mechanism for dealing with the challenges she faces, and the imagery of her losing control as the spoon slips from her hand paints a poignant picture of her struggle. The juxtaposition of Kóbi bácsi and Bözsi néni, both consumed by their vices, highlights the escapism and chaos that pervade the village.

The repeated refrain of "Kacsák között, birkák között nem kell ráció" suggests a sense of surrealism or absurdity in the setting described in the lyrics. It implies a disregard for conventional norms or expectations, as the characters revel in their drunken stupor among ducks and sheep without a care for rationality. The dissonance between the mundane farm animals and the wild behavior of the villagers adds a layer of dark humor to the narrative, creating a sense of disorientation and intrigue for the listener.

In the final verses, the lyrics bring attention to the interconnectedness of Kóbi bácsi and Bözsi néni, portraying them as two sides of the same coin in the village's intoxicated social fabric. Their shared state of perpetual drunkenness is humorously described as the essence of their "családi fészek," or family nest, emphasizing the notion that intoxication and revelry are intrinsic to their way of life. The closing lines suggest a sense of collective inebriation, implying that the whole community is swept up in the chaos and camaraderie of Kóbi bácsi and Bözsi néni's nightly escapades.