Her career began at the age of seven when she was selected as a regular performer for the music television program Young Talent Time. As a child Arena attracted attention for the power of her voice, which was considered remarkable for such a young child.
She was born to Italian parents and has a sister, Nancy (born 1961). Often billed as "Tiny Tina Arena", she was seen on weekly television singing and dancing the current pop hits. The show's policy was to promote talented children, and at the age of sixteen team members would leave, ostensibly to follow an adult career. As one of the show's youngest performers, Arena's nine year stint was also one of the show's longest. "Strong As Steel" Like most of the children who left the show, Arena carried with her a stigma that made it difficult to be taken seriously as an adult vocalist, and for a short time she contemplated ending her career, and found employment with an insurance company. She was invited to support Lionel Richie on his Australian tour, but despite this success and the profile it gave her, record companies were unwilling to offer her a recording contract. Arena persevered, playing nightclubs in Melbourne and in several stage musicals, before finally being offered a contract.
Her album Strong as Steel, released in 1990, contained one major hit single, the uptempo dance track, "I Need Your Body", whose accompanying video demonstrated Arena as a sexy and confident adult. The contrast between her adult image and that of the seven year old child she had been when she first became famous attracted considerable publicity in Australia, but some elements of the media insisted that she was little more than a novelty act. Despite the success of the further singles, The Machine's Breaking Down and the Diane Warren title track, the album failed to establish her as a major act, and she relocated to the United States.
After signing a contract with Sony Music, Arena released the album Don't Ask in 1994. It became one of the highest selling albums of the year in Australia and provided her with her first substantial hit single "Chains". The song also reached the Top 10 in the United Kingdom and Top 40 in the United States. Arena's career was said to be a priority of record executive Tommy Mottola who envisioned her achieving the level of success of Céline Dion or Mariah Carey, but the album failed to sell well in the US, and Mottola moved on to other projects. Other hits followed in Australia and Europe, including "Heaven Help My Heart", "Wasn't It Good" and "Sorrento Moon". The album won Arena five ARIA Awards for "Album of the Year", "Song of the Year" ("Chains"), "Pop Release of the Year" ("Chains") and "Best Female Vocalist", as well as a special award for "Highest Selling Female Artist in Australian History".
After more than twenty years she was finally accepted as a credible performer by both the record buying public and the Australian music industry.
Her next album In Deep (1997), produced by Foreigner's Mick Jones contained a cover version of their hit "I Want To Know What Love Is" (with backing vocals by the song's original vocalist Lou Gramm) and another major hit single "Burn". In Deep was the highest selling Australian album of the year. During this time she recorded the theme song for the film The Mask of Zorro, a duet with Marc Anthony titled "I Want To Spend My Lifetime Loving You". This song was highly successful in Europe, and Arena embraced European culture, recording several songs in French and relocating temporarily to France. During this period her greatest successes were these French recordings and they were major hits in France. A repackaged version of the In Deep album including the new French versions, and a cover version of the Edith Piaf song "Les Trois Cloches" was a major hit throughout Europe and reached number 3 in France.
Her 2001 album Just Me was a moderate success and included such hit singles as "Soul Mate #9", "Dare You To Be Happy" and "Symphony of Life". In 1998, Arena was invited to perform the role of Esmerelda in the West End production of Notre Dame de Paris in London. In 2000, she performed to the largest audience of her career at the Opening Ceremonies of the 2000 Summer Olympics in Sydney. Later that year she received an outstanding achievement ARIA Award for her career achievement, with the award also specifically recognising her success in France.
In 2003 she was recruited by Dance DJ Ray Roc to sing on his single "Never (Past Tense)". The song was one of the year's longest running hits on the Hot Dance Club Songs charet where it reached number one.
Arena completed her contract with Sony Music in the Fall of 2004, releasing a Greatest Hits album and a Greatest Hits DVD marking the end of her association with them. She was also released her Greatest Hits Live which features 90 minutes of LIVE concert footage recorded during her 2004 Greatest Hits tour in Australia.
After resigning a record deal with Columbia France, Arena recorded a new entirely French album, called Un Autre Univers (Another Universe). The album was co-written by Arena and an assortment of French and English writers and producers. The first single "Aimer jusqu'a l'impossible" (Love Till The Impossible) received airplay across French radio and debuted on the French national charts at #3. On November 17th 2005, Arena and partner Vincent Mancini became parents, with the birth of a son, Gabriel Joseph, in Paris.Arena's sixth studio album titled Songs of Love & Loss was recorded independently and self-financed as she no longer had a recording contract in Australia. The album was eventually released on 1 December 2007 after a new deal was struck with EMI Australia. The record was primarily made up of torch songs originally recorded by women in the 1960s and 70s such as Dusty Springfield and Diana Ross and the arrangements featured a full string orchestra conducted by Simon Hale. A promotional tour of Australia in early November included appearances on Dancing with the Stars and Sunrise. Five concert dates backed by a 35 piece orchestra were held in December–January: three at the Sydney Opera House and two at Melbourne's Hamer Hall. The album peaked at #3 on the ARIA Top Albums chart and was nominated for the ARIA Award for Best Selling Album.
While Arena was still promoting Songs of Love & Loss in Australia, her first French single in two years, "Entends-tu le monde?", was made available to French radio. The video was shot in and around Sydney during the promotional tour of her home country and went on heavy rotation on French music television channels upon its release. The song was the first single from her sophomore French album 7 vies which was released on 28 January 2008 and debuted at #12 on the official French charts, her highest debut ever in the country. The single "Entends-tu le monde?" was physically released on 11 February 2008 and debuted at #10 on the French charts, becoming her sixth top ten single there.
August 2008 saw Arena performing with Andrea Bocelli during his Australian tour. The two performed well received duets of "The Prayer", "Canto della Terra" and a cover of Elvis Presley's "Can't Help Falling in Love". Prior to the tour she had been in the UK recording her eighth studio album Songs of Love & Loss 2, which was released on 15 November 2008.[4] For this album, her vocals were recorded live with the London Studio Orchestra, again conducted by Hale.[5]
Arena & Alison Jiear at Sydney Mardi Gras 2009.Alongside fellow Australian singer and songwriter Darren Hayes, Arena appeared as a guest judge during the London auditions of Australian Idol's sixth season. The episode featuring Arena and Hayes aired on 27 August 2008. She again appeared as a guest judge on 16 November while she was in Australia to promote Songs of Love & Loss 2.
Arena has been awarded a Knighthood of the Order of National Merit, the second highest civil honour in France, by French President Nicolas Sarkozy in February 2009 for her contributions to French culture.
In March 2009, Arena toured Australia in support of her album Songs of Love & Loss 2 and also appeared as a surprise guest performer at the Sydney Gay & Lesbian Mardi Gras party singing a medley of "Aimer jusqu'à l'impossible" and "No More Tears (Enough Is Enough)" at 3 am accompanied by Alison Jiear on the latter.
2009 also saw the release of Arena's first French greatest hits album, The Best & le meilleur, and The Peel Me Sessions, an album of original material recorded in 2003 but rejected by her label at the time Sony.
A live CD and DVD was released in Australia in January 2010, The Onstage Collection, where the album peaked at #22 on the ARIA Charts.
Arena announced that she will release her seventh English studio album in 2011.
Be A Man
Tina Arena Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If you believe everything's alright
Then you don't know day from night
You don't see the tears I cry can't you see I feel the fire
I can't deny the way you touch that desire in me
Oh baby God knows you do like nobody can
So baby baby be a man
I'm doing everything I can to make you understand
Be a man to me
Used to be love at all hours
I never got a good night's sleep
Now it's hard to believe not long ago
You couldn't get enough of me
I know that you can deliver
Why don't you lay down and give it to me
If you don't want me to leave, just take my hand
And baby, baby be a man
Baby be a man, baby be a man, be a man to me
I'm doing everything I can to make you understand
If you want me for your woman, then baby, baby, baby
Come to me, talk to me, tell me what's wrong
But baby don't keep me waiting too long
I can't hold on
The lyrics to Tina Arena's song "Be A Man" speak to the singer's frustrations with her partner's lack of communication and passion in their relationship. The opening lines indicate that the partner is unaware of the singer's struggles and hardships, as they believe everything is fine. The singer clearly feels differently and is crying tears that go unnoticed by the partner. The second verse elaborates on the lack of passion in the relationship, with the singer reminiscing about the good old days when there was love "at all hours" and "you couldn't get enough of me."
It is clear that the singer still desires her partner, as evidenced by lines like "I can't deny the way you touch that desire in me." However, it seems that she needs her partner to step up and start communicating and putting effort into the relationship. The chorus urges the partner to "be a man to me" and to take action and make things right. The bridge of the song provides an opening for communication, as the singer invites her partner to talk about what's wrong but also cautions not to keep her waiting too long.
Overall, the song is a plea for communication and passion in a struggling relationship. The singer wants her partner to take responsibility and make things right before it's too late.
Line by Line Meaning
If you think I'm satisfied
If you believe that I am content
If you believe everything's alright
If you believe that everything is fine between us
Then you don't know day from night
Then you don't understand the reality of our situation
You don't see the tears I cry
You don't see the pain that I am going through
Can't you see I feel the fire
Can't you see that I am passionate about us
I can't deny the way you touch that desire in me
I can't deny that you ignite a desire in me with your touch
Oh baby God knows you do like nobody can
Oh baby, God knows that you satisfy me like nobody else can
So baby, baby be a man
So, baby, you need to step up and be a responsible partner
Baby be a man, baby be a man, be a man to me
You need to act like a mature man and treat me with respect and love
I'm doing everything I can to make you understand
I am making an effort to make you see my perspective
Used to be love at all hours
We used to be in love all the time
I never got a good night's sleep
I was always thinking about you and couldn't get good sleep
Now it's hard to believe not long ago
It's hard to believe that things were so different just a little while back
You couldn't get enough of me
You were always craving my company
I know that you can deliver
I know that you are capable of meeting my expectations
Why don't you lay down and give it to me
Why don't you show me your love physically
If you don't want me to leave, just take my hand
If you want to keep me in your life, show me through your actions
And baby, baby be a man
And, baby, step up and be responsible and committed
If you want me for your woman, then baby, baby, baby
If you want me to be yours, then you need to act like my partner
Come to me, talk to me, tell me what's wrong
Communicate with me and share your feelings and problems
But baby don't keep me waiting too long
Don't keep me waiting for too long to address our issues
I can't hold on
I can't wait indefinitely without feeling neglected
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: PAMELA RESWICK, FILIPPINA LYDIA ARENA, STEPHEN ELLIOT WERFEL
Lyrics Licensed & Provided by LyricFind