Tinariwen (Tamasheq language: ⵜⵏⵔⵓⵏ, plural of ténéré "desert") is a band of Tuareg-Berber musicians from the Sahara Desert region of northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships Read Full BioTinariwen (Tamasheq language: ⵜⵏⵔⵓⵏ, plural of ténéré "desert") is a band of Tuareg-Berber musicians from the Sahara Desert region of northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships, young Kel Tamashek exiles continued performing the traditional music of their Tuareg forebears in the southern Sahara while simultaneously fighting against the government of Mali.
Forced to seek an alternative to starvation and repression in drought-stricken Mali, many of these young nomads hoped to attain a better life by striking up what proved to be an uneasy alliance with Libya. The hoped-for aid in their struggle with the Mali government failed to materialize, but in the meantime some of the rebels had evolved a form of music that kept alive the music of their forefathers while simultaneously communicating radical political messages. This music is known as tishoumaren, music of the ishumar (the unemployed). Usually performed by groups of 30 and more instrumentalists and singers, tishoumaren acknowledges contemporary western music, especially rock, as well as other music forms prevalent in the Middle East, while never losing touch with the original ancient form. In some instances, players not only adapt traditional forms but also substitute modern instruments for the traditional lutes, flutes and one-string violins. The electric guitar in particular has become popular, even though circumstances demand the availability of portable generators.
The name chosen by this band, Tinariwen, means empty places, thus maintaining a further link to the vast desert regions of the southern Sahara. The musicians include Said Ag Ayad, Alhassane Ag Touhami, Eyadou Ag Leche, Ibrahim Ag Alhabib, Abdallah Ag Lamida, Abdallah Ag Alhousseyni and Bassa Walet Abdoumou.
The music itself is spare and haunting, an aural reflection of those same open spaces. The lyrics of their songs, perhaps more accurately termed sung poetry, carry outspoken political thought that draws attention not only to repression in Mali, but also to the enforced exile of many and the continuing struggle for self-determination of the Tuareg nomads. Song structures are many and varied and include elemental call-and-response patterns as well as (to western ears) discordant notes that call to mind the blue notes favoured by western blues and jazz players overlaid upon a solid four-beat rhythmic foundation that is itself uncommon to the region although compatible with much western popular music.
Tinariwen's first recordings were to cassette, sales and even possession of which carried harsh penalties in Mali and Algeria. In the early 00s, availability of albums encouraged more widespread awareness of the music and its underlying political messages.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships Read Full BioTinariwen (Tamasheq language: ⵜⵏⵔⵓⵏ, plural of ténéré "desert") is a band of Tuareg-Berber musicians from the Sahara Desert region of northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships, young Kel Tamashek exiles continued performing the traditional music of their Tuareg forebears in the southern Sahara while simultaneously fighting against the government of Mali.
Forced to seek an alternative to starvation and repression in drought-stricken Mali, many of these young nomads hoped to attain a better life by striking up what proved to be an uneasy alliance with Libya. The hoped-for aid in their struggle with the Mali government failed to materialize, but in the meantime some of the rebels had evolved a form of music that kept alive the music of their forefathers while simultaneously communicating radical political messages. This music is known as tishoumaren, music of the ishumar (the unemployed). Usually performed by groups of 30 and more instrumentalists and singers, tishoumaren acknowledges contemporary western music, especially rock, as well as other music forms prevalent in the Middle East, while never losing touch with the original ancient form. In some instances, players not only adapt traditional forms but also substitute modern instruments for the traditional lutes, flutes and one-string violins. The electric guitar in particular has become popular, even though circumstances demand the availability of portable generators.
The name chosen by this band, Tinariwen, means empty places, thus maintaining a further link to the vast desert regions of the southern Sahara. The musicians include Said Ag Ayad, Alhassane Ag Touhami, Eyadou Ag Leche, Ibrahim Ag Alhabib, Abdallah Ag Lamida, Abdallah Ag Alhousseyni and Bassa Walet Abdoumou.
The music itself is spare and haunting, an aural reflection of those same open spaces. The lyrics of their songs, perhaps more accurately termed sung poetry, carry outspoken political thought that draws attention not only to repression in Mali, but also to the enforced exile of many and the continuing struggle for self-determination of the Tuareg nomads. Song structures are many and varied and include elemental call-and-response patterns as well as (to western ears) discordant notes that call to mind the blue notes favoured by western blues and jazz players overlaid upon a solid four-beat rhythmic foundation that is itself uncommon to the region although compatible with much western popular music.
Tinariwen's first recordings were to cassette, sales and even possession of which carried harsh penalties in Mali and Algeria. In the early 00s, availability of albums encouraged more widespread awareness of the music and its underlying political messages.
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Nànnuflày
Tinariwen Lyrics
We have lyrics for these tracks by Tinariwen:
Aldhechen Manin Tired I'm tired Of searching for that which is not I searc…
Amassakoul 'N' Ténéré Nak Amassakul N tenere Wer hi Ggrraw taKunt Sshmara i adutan…
Arawan Agadez, Kidal, Tamanghassat, Ingall Ikallan 'n muhagh …
Arhegh Danagh Arhegh ad ànnàgh imidiwàn Wi dàr tidawàgh ad dàr djegh isdiw…
Assouf NAKID MAHEDJAK YA ASSOUF ERHLALAN What can I do with this…
Asuf D Alwa Nostalgie et solitude Longing and loneliness Asuf d alwa…
Chatma Send out the rallying cry, my sisters All over the village U…
Chet Boghassa War t'islenet chet Boghassa Is n'idja daraba iyet n'igla War…
Cler Achel Jklerh achel udwer ehadh Jklerh achel udwer ehadh Lerh azama…
Fog Edaghàn Oulhin zhaydar ahak anagh Anagh tidit hound har anagh Fog ed…
Hayati حياتي غرامي حنوا عليا شوية شوية حنوا عليا شوية شوية حياتي غر…
Imazeghen N Adagh It's like a jungle sometimes, it makes me wonder How I…
Imidiwan Ahi Sigdim Imidiwan ma tennam dagh awa dagh enha semmen Tenere den tas-…
Imidiwan Ma Tenam What have you got to say my friends? Mes amis que…
Imidiwan Ma Tennam What have you got to say my friends? Mes amis que…
Imidiwan Win Sahara Amis du Sahara My friends of Sahara Imidiwan n Sahara I…
Lulla This is not a love song This is not a love…
Matadjem Yinmixan MATADJEM YINMIXAN (Why all this hate between you) MATADJE…
Oualahila Ar Tesninam Oulahila ar tesninam Tekmi wendeghman terhinam Idjadikou ou …
Soixante Trois 63 has gone, but will return Those days have left their…
Tameyawt Tameyawt Tameyawt Tamadroyt tamayawt edey nes wan tallaq…
Tamiditin Tan Ufrawan Mon amie la cachottière! My secretive girl friend! Tamid…
Tenalle Chegret Hey oh oh You can think that I'm just playin' games You…
Tenere Taqqim Tossam Le désert est jaloux Jealous Desert Tenere ti nin tener…
Tenhert On the floors of Tokyo Or down in London town to…
Tenhert (The Doe) The doe of Azuzawa is so radiant She was leaving Tin…
Tiliaden Osamnat Les filles sont jalouses Girls are jealous Sobkh n allah so…
Toumast Walking through it Walking in the winter The desert Then I s…
Toumast Tincha Walking through it Walking in the winter The desert Then …
Walla Illa Ulla illa Ulla illa Ulla illa mizimallat gatti lilla Adjoda…
Ya Messinagh Oh Seigneur! Oh Lord! Ya messinagh hikfan lassbarr Tad …
The lyrics can frequently be found in the comments below, by filtering for lyric videos or browsing the comments in the different videos below.
C'dali XenZia
LYRICS : Nannuflay "fullfield" talk about "pursuing memories built on a dune that's always moving."
Kàla t-illegh
Ibda nànnuflày
Nilmàd s-àddunya
Harkuk tàmmuttày
Chorus
Ere-s tosed inta-ghas
Ila derhanàn-net
Harkuk osas
Chorus
Legh amidi-nin
S-inta niflas
Hi isaswen ulh-in
Alwàqq d-intas
Chorus
Ilkam e-timtar
Illegh dara-s
Tedjedit tàhona
Iday fàlla-s
Chorus
There was a time
I lived fulfilled.
Life taught me that
It can often change.
The one you find in solitude
Is prisoner of egotistical desires.
I have a friend I can trust
Who quenches the thirst
That burns in my heart.
I walk in his footsteps
Pursuing memories built
On a dune that’s always moving.
no sleepwalking,
don’t keep me apart
I’m through sleepwalking,
god be in my heart
no more sleepwalking,
been asleep too long
no more sleepwalking,
keep me with you god
ATEF KHELILI
"There was a time
I lived fulfilled.
Life taught me that
It can often change.
The one you find in solitude
Is prisoner of egotistical desires.
I have a friend I can trust
Who quenches the thirst
That burns in my heart.
I walk in his footsteps
Pursuing memories built
On a dune that's always moving.
No sleepwalking, don't keep me apart
I'm through sleepwalking, god be in my heart
No more sleepwalking, been asleep too long
No more sleepwalking, keep me with you go"
The FZ1 World
bravo
Soha Awwad
It's the story of two friends. This one with the turban one is the one who survived, always playing his guitar, remembering his old friend who died fighting the big bug (mordern nations and globalization), the one who turned into the blue tape hanging from the tree.
Zezo Laricoso
based
Shaqiri Squarepants
Sad story
rwofcomedy vandread
Appreciate it, I was wondering.
Achair Namedlinda
Awesome animation . love from Texas to Algeria and all of North Africa.
kuntrolla
sis this ain't from north Africa
اشغل اك فاهم
i`m from algeria and i love alix tiksas to match
TBF All
Thank you 😊❤
Keshinro...
@Reda Henaoui is is located in north africa but by geography some countries considered as sahel countries of west Africa are north Africa too,saying this because sahel countries like mali ,niger and chad constitutes most of the Sahara but they're not north African countries by definition because westerners said so .lol