Walla Illa
Tinariwen Lyrics
Ulla illa
Ulla illa
Ulla illa mizimallat gatti lilla
Adjodagh nemshi shuya ahi netrogh ghur Mizgawa
Ag adam dish offa d-illa tallaqq dagh man illa issikta
As nezdjamegh arghegh taba ed cigarette ha turhena
Ag adam dish offa d illa tallaq dagh man illa issikta
Writer(s): Ibrahim Ag Alhabib
Contributed by Penelope S. Suggest a correction in the comments below.
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Tinariwen (in Tuareg: "ⵜⵏⵔⵓⵏ"; from Tamasheq (Berber), Tenere, the desert) is a Tuareg music group, originating from Tessalit in the Adrar des Ifoghas, a region shared between southern Algeria and northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Read Full BioTinariwen (in Tuareg: "ⵜⵏⵔⵓⵏ"; from Tamasheq (Berber), Tenere, the desert) is a Tuareg music group, originating from Tessalit in the Adrar des Ifoghas, a region shared between southern Algeria and northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships, young Kel Tamashek exiles continued performing the traditional music of their Tuareg forebears in the southern Sahara while simultaneously fighting against the government of Mali.
Forced to seek an alternative to starvation and repression in drought-stricken Mali, many of these young nomads hoped to attain a better life by striking up what proved to be an uneasy alliance with Libya. The hoped-for aid in their struggle with the Mali government failed to materialize, but in the meantime some of the rebels had evolved a form of music that kept alive the music of their forefathers while simultaneously communicating radical political messages. This music is known as tishoumaren, music of the ishumar (the unemployed). Usually performed by groups of 30 and more instrumentalists and singers, tishoumaren acknowledges contemporary western music, especially rock, as well as other music forms prevalent in the Middle East, while never losing touch with the original ancient form. In some instances, players not only adapt traditional forms but also substitute modern instruments for the traditional lutes, flutes and one-string violins. The electric guitar in particular has become popular, even though circumstances demand the availability of portable generators.
The name chosen by this band, Tinariwen, means empty places, thus maintaining a further link to the vast desert regions of the southern Sahara. The musicians include Said Ag Ayad, Alhassane Ag Touhami, Eyadou Ag Leche, Ibrahim Ag Alhabib, Abdallah Ag Lamida, Abdallah Ag Alhousseyni and Bassa Walet Abdoumou.
The music itself is spare and haunting, an aural reflection of those same open spaces. The lyrics of their songs, perhaps more accurately termed sung poetry, carry outspoken political thought that draws attention not only to repression in Mali, but also to the enforced exile of many and the continuing struggle for self-determination of the Tuareg nomads. Song structures are many and varied and include elemental call-and-response patterns as well as (to western ears) discordant notes that call to mind the blue notes favoured by western blues and jazz players overlaid upon a solid four-beat rhythmic foundation that is itself uncommon to the region although compatible with much western popular music.
Tinariwen's first recordings were to cassette, sales and even possession of which carried harsh penalties in Mali and Algeria. In the early 00s, availability of albums encouraged more widespread awareness of the music and its underlying political messages.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Read Full BioTinariwen (in Tuareg: "ⵜⵏⵔⵓⵏ"; from Tamasheq (Berber), Tenere, the desert) is a Tuareg music group, originating from Tessalit in the Adrar des Ifoghas, a region shared between southern Algeria and northern Mali. The band's fifth album Tassili, released in 2011, won the Award for Best World Music Album at the 54th Grammy Awards.
Formed in 1982, in strikingly unusual circumstances for a musical ensemble, Tinariwen blend ancient musical traditions with radical contemporary politics. Despite severe natural and man-made hardships, young Kel Tamashek exiles continued performing the traditional music of their Tuareg forebears in the southern Sahara while simultaneously fighting against the government of Mali.
Forced to seek an alternative to starvation and repression in drought-stricken Mali, many of these young nomads hoped to attain a better life by striking up what proved to be an uneasy alliance with Libya. The hoped-for aid in their struggle with the Mali government failed to materialize, but in the meantime some of the rebels had evolved a form of music that kept alive the music of their forefathers while simultaneously communicating radical political messages. This music is known as tishoumaren, music of the ishumar (the unemployed). Usually performed by groups of 30 and more instrumentalists and singers, tishoumaren acknowledges contemporary western music, especially rock, as well as other music forms prevalent in the Middle East, while never losing touch with the original ancient form. In some instances, players not only adapt traditional forms but also substitute modern instruments for the traditional lutes, flutes and one-string violins. The electric guitar in particular has become popular, even though circumstances demand the availability of portable generators.
The name chosen by this band, Tinariwen, means empty places, thus maintaining a further link to the vast desert regions of the southern Sahara. The musicians include Said Ag Ayad, Alhassane Ag Touhami, Eyadou Ag Leche, Ibrahim Ag Alhabib, Abdallah Ag Lamida, Abdallah Ag Alhousseyni and Bassa Walet Abdoumou.
The music itself is spare and haunting, an aural reflection of those same open spaces. The lyrics of their songs, perhaps more accurately termed sung poetry, carry outspoken political thought that draws attention not only to repression in Mali, but also to the enforced exile of many and the continuing struggle for self-determination of the Tuareg nomads. Song structures are many and varied and include elemental call-and-response patterns as well as (to western ears) discordant notes that call to mind the blue notes favoured by western blues and jazz players overlaid upon a solid four-beat rhythmic foundation that is itself uncommon to the region although compatible with much western popular music.
Tinariwen's first recordings were to cassette, sales and even possession of which carried harsh penalties in Mali and Algeria. In the early 00s, availability of albums encouraged more widespread awareness of the music and its underlying political messages.
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Ramdan Tati
oulaila is a woman's name
the words
# oulaila mizzimalat ghat telila
@ oulaila wears her adornment
# adjodadgh namcho cheaia
@ Now we'll walk a bit until we get to
# ahintroram oor mizgwa
@ until we get to mizgwa
( It is a woman's name. other )
# agadem dich offa adila talap dgh man ila isskta
@ A person must have wisdom and good speech
# aznazghamigh arhigh taba daho in sgrit ha torhna
@ I feel sad I need some smoke
🤝❤️
margaret nesbeth
Long live Tinariwen, I love this song, it's beautiful.
abdulaziz nijaifan
اغنية جميلة رجعتني لاجواء الصحراء الجميلة . وبدون ما افهم الكلام دخلت عالم ثاني .... اخواننا الطوارق و اخواننا الجزايريين تحية لكم من السعودية و شكرا على الفن الجميل.
Kamal Boudouar
تيناروين ليسو من الجزائر و الطوارق لا يعترفون بالحدود المتوارثة عن الإستعمار فصحراء تينيري هي أرضهم و موطنهم
aziz amamoun
لو كانوا في المغرب لعلى صوتهم
على الاقل بمشاركاتهم فالمهرجانات كباقي الفرق الامازيغية
Alonza Robertson
I love this song. I can't keep listening. It touched something in my inner being.
Nasee Ma
He is singing about the only God "ALLAH" who has never a san.
João Carvalho
Muito bom esse som. No Brasil não é comum ouvirmos esse tipo de música. Mas eu pessoalmente gosto muito. A banda é muito boa!!!!
shikao suga
Que hermosa música saludos de México 🇲🇽
Zohir Mario
Ur welcome too in algeria
Bylka Lily
@Rachid Alger 🇩🇿🇲🇱