Tom Salta writes and produces emotionally charged electronic and orchestral… Read Full Bio ↴Tom Salta writes and produces emotionally charged electronic and orchestral music for film, television and video games. Combining his expertise in programming and mixing hit records with the highest production values, Salta creates powerful melodies and hooks with a hybrid of lush orchestral strings, hard-driving percussion and edgy electronic music. As comfortable with live orchestras and choirs as he is with synthesizers, computers, and the latest software, Salta’s epic orchestral score for the top selling Xbox 360 video game Tom Clancy's Ghost Recon: Advanced Warfighter (GRAW) was nominated for “Best Video Game Score” at the 2006 MTV Video Music Awards (VMAs). Furthermore, his contemporary and traditional Japanese musical score for Red Steel, Ubisoft’s exclusive first-person action title for the Nintendo Wii console, won IGN’s 2006 Award for “Best Original Score.”
Salta’s anthemic military-themed orchestral score for the award-winning Tom Clancy's Ghost Recon: Advanced Warfighter (GRAW) was the first time a Ghost Recon game featured in-game music. Recorded with the Northwest Sinfonia Orchestra at the prestigious Bastyr Chapel in Seattle, he also fused electronic sounds into the score to capture the hi-tech aesthetic of the game. In addition to Salta’s MTV VMA nomination, GRAW was nominated for “Best Audio” at the 2006 BAFTA Video Game Awards and is a finalist for “Best Interactive Score” and “Audio of the Year” at the 5th Annual Game Audio Network Guild Awards.
Salta’s anthemic military-themed orchestral score for the award-winning Tom Clancy's Ghost Recon: Advanced Warfighter (GRAW) was the first time a Ghost Recon game featured in-game music. Recorded with the Northwest Sinfonia Orchestra at the prestigious Bastyr Chapel in Seattle, he also fused electronic sounds into the score to capture the hi-tech aesthetic of the game. In addition to Salta’s MTV VMA nomination, GRAW was nominated for “Best Audio” at the 2006 BAFTA Video Game Awards and is a finalist for “Best Interactive Score” and “Audio of the Year” at the 5th Annual Game Audio Network Guild Awards.
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Drive To The Wall
Tom Salta Lyrics
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Obi-Wan Kenobi
So, so many mistakes were made in a single scene.
1. Dwight didn't give anyone a spare key
2. No one could remember Hank's name
3. No one gave him a tip last Christmas
4. Pam hit Meredith in the face with a football
5. Toby put his hand of Pam's leg
6. No one told told Hank the cleaning ladies let them out
So many failures, such little time.
T H
I always loved that Creed knows Hank's name but can't remember the names of his co-workers.
ramees
Why do you love that?
I am a Pokerface
ok
Kuratian
maybe because he's a security threat
TeaInTheMorning4929
That actually makes sense to me somehow.
Michael Kraft
Creed? She's a black sassy lady
AdamG1983
I like how Jim didn't even get pissed off ...he genuinely blanked out as a human being
Woman of culture
Guys you don't need to instantly resort to violence to support your fragile ego
violence is just a tool to defend yourself or close ones. Only draw the sword when you are prepared to qill someone
choose tool appropriate for situation not to hide your insecurities.
But if you use violence when such necessity arises and there's no other way do it swiftly and decisively with maximum impact and be prepared to live with the consequences. because everything has a price
Dreadnought21KH
@Joe Dorben Dwight is there to protect everyone. So why fighting by yourself ? Also, Michael is prob a wimp too, but he still gets Holly.
The more you know Fools
@Michael L That’s true. I remember him running from Robert California and Andy.