As a teen, Hall put together a band called the Kentucky Travelers that performed before movies for a travelling theater. During a stint in the Army, Hall performed over the Armed Forces Radio Network and wrote comic songs about Army experiences. His early career included being a radio announcer at WRON, a local radio station in Ronceverte, West Virginia.
Hall's big break came in 1963 when singer Jimmy C. Newman recorded his song "DJ For a Day." In 1964 Hall moved to Nashville, TN, and within months had songs climbing the charts. Nicknamed "The Story Teller", he has written songs for dozens of country stars such as Johnny Cash, George Jones, Loretta Lynn, Waylon Jennings, and Alan Jackson.
One of the most popular songs, "Harper Valley PTA", was originally recorded in 1968 by Jeannie C. Riley, sold over six million copies, and won both a Grammy and CMA award. The song later would inspire the motion picture and television program of the same name.
Hall's own recording career took off after that and he had such hits as "A Week in the Country Jail," "Old Dogs, Children and Watermelon Wine," "I Love," "Country Is", "The Year Clayton Delaney Died," "The Old Side of Town," and "I Like Beer." He was also noted for his children's songs, the most popular being "Sneaky Snake".
He also hosted the syndicated country music TV show Pop Goes the Country.
His son, Dean Hall, is also a singer and is member of the MuzikMafia.
A hard-rock adaptation of his song I love was featured in a series of successful television commercials for Coors beer.
Hall largely retired from writing new material in 1986 and from performing in 1994; his final public performance, which was also his first in several years, was in 2011.
Discography
Singles Written and Performed By Tom T. Hall
* "I Washed My Face in the Morning Dew" (#30, 1967)
* "Ain't Got The Time" (#68, 1968)
* "The World The Way I Want It" (#66, 1968)
* "Ballad of Forty Dollars" (#4, 1969)
* "Homecoming" (#5, 1969)
* "Strawberry Farms" (#40, 1969)
* "Day Drinkin'" (#23, 1970)
* "Salute to a Switchblade" (#8, 1970)
* "Shoeshine Man" (#8, 1970)
* "A Week in a Country Jail" (#1, 1970)
* "Ode to Half a Pound of Ground Round" (#21, 1971)
* "One Hundred Children" (#14, 1971)
* "The Year That Clayton Delaney Died" (#1, 1971) (also reached #42 on the Pop Singles Chart)
* "Me and Jesus" (#8, 1972) (also reached #92 on the Pop Chart)
* "More About John Henry" (#26, 1972)
* "The Monkey That Became President" (#11, 1972)
* "Old Dogs, Children, And Watermelon Wine" (#1, 1973)
* "Ravishing Ruby" (#3, 1973)
* "Spokane Motel Blues" (#16, 1973)
* "Watergate Blues" (#16, 1973)
* "Country Is" (#1, 1974)
* "I Love" (#1, 1974) (also reached #2 on the Adult Contemporary Chart and #12 on the Pop Singles Chart)
* "Sneaky Snake" (#69, 1974) (reached #55 on the Pop Singles Chart the following year)
* "That Song Is Driving Me Crazy" (#2, 1974) (also reached #63 on the Pop Singles Chart)
* "Deal" (#8, 1975)
* "I Care" (#1, 1975)
* "I Like Beer" (#4, 1975)
* "Faster Horses (The Cowboy And The Poet)" (#1, 1976)
* "Fox On The Run" (#9, 1976)
* "Negatory Romance" (#24, 1976)
* "It's All in the Game" (#12, 1977)
* "Your Man Loves You, Honey" (#4, 1977)
* "What Have You Got to Lose" (#9, 1978)
* "Son of Clayton Delaney" (#14, 1979)
* "You Show Me Your Heart (And I'll Show You Mine)" (#11, 1979)
* "Back When Gas Was Thirty Cents a Gallon" (#36, 1980)
* "Jesus On the Radio (Daddy On the Phone)" (#9, 1980)
* "Solder Of Fortune" (#51, 1980)
* "The Old Side of Town" (#9, 1980)
* "Everything From Jesus To Jack Daniels (#42, 1983)
* "P.S. I Love You" (#8, 1984)
* "A Bar with No Beer" (#40, 1985)
* "Down At The Mall" (#65, 1986)
Singles Written By Tom T. Hall But Performed By Other Artists
* "Mad" performed by Dave Dudley (#6, 1964)
* "Artificial Rose" performed by Jimmy C. Newman (#8, 1965)
* "Back In Circulation" performed by Jimmy C. Newman (#13, 1965)
* "City of the Angels" performed by Jimmy C. Newman (#37, 1965)
* "What We're Fighting For" performed by Dave Dudley (#4, 1966)
* "Back Pocket Money" performed by Jimmy C. Newman (#10, 1966)
* "California Uptight Band" performed by Flatt & Scruggs (#20, 1967)
* "Dropping Out of Sight" performed by Jimmy C. Newman (#32, 1967)
* "Louisiana Saturday Night" performed by Jimmy C. Newman (#24, 1967)
* "Town That Broke My Heart" performed by Bobby Bare (#16, 1968)
* "Anything Leaving Town Today" performed by Dave Dudley (#12, 1968)
* "There Ain't No Easy Run" performed by Dave Dudley (#10, 1968)
* "Harper Valley PTA" performed by Jeannie C. Riley (#1, 1968) (also reached #1 on the Pop Singles Chart and #4 on the Adult Contemporary Chart)
* "Greenwich Village Folk Song Salesman" performed by Jim & Jesse (#49, 1968)
* "(Margie's At) The Lincoln Park Inn" performed by Bobby Bare (#4, 1969)
* "George (And the Northwoods)" performed by Dave Dudley (#10, 1969)
* "One More Mile" performed by Dave Dudley (#12, 1969)
* "Boo Dan" peroformed by Jimmy C. Newman (#31, 1969)
* "That's How I Got To Memphis" performed by Bobby Bare (#3, 1970)
* "Pool Shark" performed by Dave Dudley (#1, 1970)
* "If I Ever Fall in Love (With a Honky Tonk Girl)" performed by Faron Young (#4, 1970)
* "Second Handed Flowers" performed by George Jones (#5, 1972)
* "You Always Come Back (To Hurting Me)" performed by Johnny Rodriguez (#1, 1973) (also #86 on the Pop Singles Chart)
* "I Can Still Hear the Music in the Restroom" performed by Jerry Lee Lewis (#13, 1975)
* "I'm Not Ready Yet" performed by George Jones (#2, 1980)
* "Dropping Out Of Sight" performed by Bobby Bare (#35, 1981)
* "Little Bitty" performed by Alan Jackson (#1, 1996)
* "That's How I Got To Memphis" performed by Deryl Dodd (#36, 1996)
Ballad Of Forty Dollars
Tom T. Hall Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Said it really was a simple way to die ...
He laid down to rest one afternoon
And never opened up his eyes ...
They hired me and Fred and Joe
To dig the grave and carry up some chairs ...
It took us seven hours
And I guess we must have drunk a case of beer. ...
I guess I ought to go and watch them put 'im down
But I don't own a suit
And anyway when they start talkin' about
The fire in Hell, well, I get spooked
So, I'll just sit here in my truck
And act like I don't know 'im when they pass
Anyway, when they're all through
I've got to go to work and mow the grass.
Well, here they come and who's that
Ridin' in that big ol' shiny limousine
Mmh! look at all that chrome, I do believe
That that's the sharpest thing I've seen
That must belong to his great uncle
Someone said he owned a big ol' farm
When they get parked I'll mosey down
and look it over, that won't do no harm.
Well, that must be the widow in the car
And would you take a look at that
That sure is a pretty dress
You know some women do look good in black
Well, he's not even in the ground
And they say that his truck is up for sale
They say she took it pretty hard
But you can't tell too much behind the veil.
Well, listen ain't that pretty
When the bugler plays the Military "TAPS"
I think that when you's in the war
They always hide 'n play a song like that
Well, here I am and there they go
And I guess you'd just call it my bad luck
I hope he rests in peace, the trouble is
The fellow owes me forty bucks.
The ballad of forty dollars is a song that details the events of a funeral of a man who died in a peaceful way, according to the man that preached the funeral. The singer is part of a group of men who have been hired to dig the grave and carry some chairs. They spend about seven hours doing that job and drink a case of beer. However, when the time comes for the funeral, the singer is not keen on attending, mainly due to the conversation that is bound to happen about the fire in hell, which spooks him. Instead, he decides to sit in his truck and pretend not to know the man when the procession passes him. After the funeral, he has to go to work and mow the grass.
As the funeral preparations go on, the singer observes the people around him. He sees a shiny limousine that belongs to the dead man's great uncle, and he wants to look it over when it's parked. He also notices the widow and the pretty dress she has worn. It is said that she took the death pretty hard. During the funeral, the bugler plays the Military "TAPS," which the singer finds pretty, but he feels that the man owes him $40, which causes him trouble.
Overall, the lyrics portray the funeral arrangements around the dead man without focusing on the character himself. The singer is a mere bystander at this event, which speaks to how death can often be impersonal, even for those who claim to be close to the dead.
Line by Line Meaning
The man who preached the funeral
The individual who presided over the funeral service
Said it really was a simple way to die ...
The funeral preacher stated that the man's passing was an uncomplicated occurrence
He laid down to rest one afternoon
The man went to take a nap on an afternoon
And never opened up his eyes ...
He did not wake up from his nap and had died in his sleep
They hired me and Fred and Joe
The artist was hired to assist in the burial process along with two other individuals named Fred and Joe
To dig the grave and carry up some chairs ...
Their task was to excavate the burial plot and move seating arrangements into place
It took us seven hours
They worked at the job for a total of seven hours
And I guess we must have drunk a case of beer. ...
The group finished a case of beer during their labor
I guess I ought to go and watch them put 'im down
The artist felt an obligation to witness the burial process
But I don't own a suit
The artist lacked proper attire for a funeral
And anyway when they start talkin' about
The singer feels uncomfortable with
The fire in Hell, well, I get spooked
The concept is unsettling for the artist
So, I'll just sit here in my truck
The singer decides to wait in their vehicle instead
And act like I don't know 'im when they pass
The singer plans to avoid acknowledging the deceased when the funeral procession goes by
Anyway, when they're all through
Once the funeral procession has ended
I've got to go to work and mow the grass.
The artist has work to attend to following the funeral
Well, here they come and who's that
The procession has arrived and someone catches the artist's attention
Ridin' in that big ol' shiny limousine
The individual is arriving in a large, well-maintained car
Mmh! look at all that chrome, I do believe
The singer is amazed by the shiny embellishments on the car
That that's the sharpest thing I've seen
The car is very striking and catches the artist's eye
That must belong to his great uncle
The artist draws a conclusion that the fancy car must have belonged to the Uncle of the deceased
Someone said he owned a big ol' farm
Others at the funeral had mentioned that the great uncle was a landowner
When they get parked I'll mosey down
After they park the car, the singer intends to take a closer look
and look it over, that won't do no harm.
The artist does not feel that examining the vehicle will have any negative consequences
Well, that must be the widow in the car
The singer infers that the woman in the car is the widow of the deceased
And would you take a look at that
The singer is impressed by the woman's appearance
That sure is a pretty dress
The singer compliments the lady on her attire
You know some women do look good in black
The artist references the traditional attire of individuals attending a funeral service
Well, he's not even in the ground
The deceased has not yet been buried
And they say that his truck is up for sale
Rumor has it that the truck of the deceased is now available to purchase
They say she took it pretty hard
People have shared that the widow is coping with the loss of her spouse
But you can't tell too much behind the veil.
It is not always obvious when someone is struggling with grief
Well, listen ain't that pretty
The artist hears music being played and finds it to be pleasant
When the bugler plays the Military "TAPS"
The musician is playing a specific somber song typically used during military funerals
I think that when you's in the war
The singer assumes that the song is played for individuals who were in the military
They always hide 'n play a song like that
The artist suggests that the melancholic melody is common at funerals for veterans
Well, here I am and there they go
The funeral procession is now moving and the singer is still present
And I guess you'd just call it my bad luck
The singer sees their inability to collect the $40 they are owed by the deceased as an unfortunate occurrence
I hope he rests in peace, the trouble is
The singer wishes for the deceased to rest in peace
The fellow owes me forty bucks.
However, the fact remains that the deceased had an outstanding debt to the artist
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
David Scott
Tom T Hall is a national treasure. One of the greatest songwriters ever, and a great entertainer on top of that. A true gem.
uronthehill
I agree David... Thanks for stoppin' by. :) Mikey Thompson
Dallinz
It’s sad it ended the way it did
Edit: context for others that don’t know how he passed on. He was found dead in his house from a overdose.
Christian Bagley
Tom T. Hall, that storyteller, that raconteur. I think he's a national treasure! Thanks for the upload.
uronthehill
Thanks for stoppin' by Christian. :) Mikey Thompson
Paul T
Listened to him for years in New Zealand and Australia. His legacy will live on. RIP, TOM T. HALL.
William Sanders
Tom T Hall was the first person I saw in concert. Great memories...he will be missed. 🙏
uronthehill
Thanks for stoppin' by William. 🤠
Mikey Thompson
KBC
RIP to Tom T Hall. One of my dad's favorites. We listened to these songs often back in the 70s. Great memories.
Sue Fortner
I am still listening 2021