Verlaine was often considered as one of the most talented performers of the early punk rock era. Verlaine's poetic lyrics, and his accomplished guitar playing technique were highly influential and widely praised in the music media. He, and Television bandmate, Richard Lloyd were one of rock music's most acclaimed and inventive guitar duos.
Verlaine's stage name is a reference to French symbolist poet Paul Verlaine.
Famed for his trailblazing work as the singer and guitarist for the seminal New York punk band Television, Verlaine also carved out an acclaimed and eclectic solo career. Verlaine trained as a classical pianist but gravitated toward rock music after an encounter with Rolling Stones' song"19th Nervous Breakdown." In 1968, he and bassist Richard Meyers (later Richard Hell) moved to New York's Lower East Side, where they and drummer Billy Ficca formed the group The Neon Boys. The Neon Boys quickly disbanded after failing to recruit a second guitarist (despite auditions by Dee Dee Ramone and Chris Stein). They reformed as Television a few months later, finding a guitarist in Richard Lloyd, and began playing at seminal punk clubs like CBGB and Max's Kansas City. In 1975, Verlaine kicked Hell out of the band for his erratic playing and behavior, and, with Fred Smith replacing Hell, they released their first single.
Beginning with their landmark 1975 debut single "Little Johnny Jewel," Television became one of the most renowned groups on the burgeoning New York underground scene; though lumped together with the punk phenomenon, the band's complex songcraft -- powered by Verlaine's strangled vocals, oblique lyrics and finely-honed guitar work -- clearly set them apart from their peers. However, after only two albums, 1977's classic Marquee Moon and the more subdued 1978 follow-up Adventure, Television disbanded, and Verlaine started a solo career.
He resurfaced in 1979 with a self-titled debut which featured the song "Kingdom Come," later covered by avowed fan David Bowie. 1981's dense Dreamtime earned significant acclaim, and even hit the U.S. album charts. Both 1982's diverse Words From the Front and 1984's Cover drew raves from the British press, spurring Verlaine to take up residency in London. After a three-year hiatus, he returned with Flash Light, regarded as one of his best solo efforts.
Following 1990's The Wonder, Television briefly reformed for a self-titled album and tour; the group again broke up.
In 1992 Verlaine issued his first instrumental LP, Warm and Cool. In 1994, he composed the score for the film Love and a .45. Currently, he and his jazz-influenced punk guitar are touring. He is responsible in part for popularizing the Fender Jazzmaster, along with Elvis Costello. In 1997 he was asked by Jeff Buckley to produce his follow-up album to "Grace", "Sketches For My Sweetheart The Drunk", before Buckley's death by drowning that year.
During the 1990s he collaborated with different artists, including Patti Smith, and composed a film score.
Verlaine was part of The Million Dollar Bashers, a supergroup also featuring Sonic Youth musicians Lee Ranaldo and Steve Shelley, Wilco guitarist Nels Cline, Bob Dylan bassist Tony Garnier, guitarist Smokey Hormel, and keyboardist John Medeski. Their work appears on the original soundtrack to "I'm Not There", a biographical film reflecting on the life of Bob Dylan.
In 2012, Verlaine collaborated with former Smashing Pumpkins guitarist James Iha on his second solo album Look to the Sky.
Prayer
Tom Verlaine Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Move from night to day.
You're a rainbow, darling, a special kind
That never fades.
Well I could picture this and
I could picture that.
But what I see before me darling,
No kind of camera will ever catch.
[Chorus]
All the love I gather.
All the love you gather.
All the love we gather in our hearts.
All the love I gather.
All the love you gather.
All the love we gather in our hearts.
There are brighter shades,
And much deeper hues.
And they're in the light,
Of the sweetest honeymoon.
[Chorus]
Seems to me, it could be
Much more than what it should be.
By any old opinion I have of you,
Or any old design,
That pops up in the mind,
There's always so much more, and it's so new.
[Chorus]
The lyrics to Tom Verlaine's song Prayer express love and admiration for a special someone who the singer metaphorically describes as a rainbow that never fades. The singer watches as this person moves throughout the day, fascinated by their beauty and uniqueness, and admits that no camera could ever capture the essence of what they see. The chorus repeats the phrase "All the love we gather in our hearts," emphasizing the depth and profundity of the singer's feelings.
As the song continues, the singer notes that there are "brighter shades" and "much deeper hues" of love than what is traditionally recognized, perhaps suggesting that their feelings go beyond conventional norms. The mention of a "sweetest honeymoon" further reinforces the idea that their love is both deep and passionate. Despite any preconceived notions the singer may have had about this person, they realize that there is always more to discover and appreciate, and their love only continues to grow.
Overall, Prayer is a heartfelt tribute to a special person, whose beauty and unique qualities continue to captivate the singer.
Line by Line Meaning
Well, I love to watch you
Move from night to day.
I greatly enjoy observing you transition from darkness to light.
You're a rainbow, darling, a special kind
That never fades.
You are a unique and beautiful individual who always maintains their radiance.
Well I could picture this and
I could picture that.
But what I see before me darling,
No kind of camera will ever catch.
I can imagine many things, but nothing compares to the beauty that stands before me, which no camera or other device could capture.
[Chorus]
All the love I gather.
All the love you gather.
All the love we gather in our hearts.
All the love I gather.
All the love you gather.
All the love we gather in our hearts.
We collect all the love in our hearts and share it with each other.
There are brighter shades,
And much deeper hues.
And they're in the light,
Of the sweetest honeymoon.
There are even more vibrant and profound aspects to our relationship, which are illuminated by the joyous atmosphere of a honeymoon.
[Chorus]
We continue to gather and share love between us.
Seems to me, it could be
Much more than what it should be.
By any old opinion I have of you,
Or any old design,
That pops up in the mind,
There's always so much more, and it's so new.
It appears that our connection could be even greater than expected. Despite any preconceived notions or biases, there are always surprises and new discoveries to be made in our relationship.
[Chorus]
We continue to collect and exchange love in our hearts.
Lyrics © BMG Rights Management
Written by: TOM VERLAINE
Lyrics Licensed & Provided by LyricFind