He started his career in the early 1970s as a singer in spit 'n' sawdust bars. Initially, he was deeply influenced by the beat generation, novelists like Jack Kerouac and William S. Burroughs, and poets like Allen Ginsberg and Charles Bukowski. Waits is often compared to Charles Bukowski, being similar both in content and lifestyle
Waits was unable to make a living from his music in the 70s because his classical bar music, based in pre-rock, and Americana, blues, and Vaudeville styles were not popular. Waits's voice back then was soft, warm and clear.
Waits subsequently developed a devoted cult following and has influenced subsequent songwriters, despite having little radio or music video support. In fact, his songs are perhaps best known to the general public in the form of cover versions of more visible artists, such as the Eagles, Bruce Springsteen and Rod Stewart.
Although Waits’s albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries.
Lyrically, Waits's songs are known for atmospheric portrayals of seedy characters and places; he sings about the losers on the streets: alcoholics, junkies, prostitutes and social outcasts, although he also includes more conventional and touching ballads in his repertoire.
While opening for Frank Zappa, the audience catcalled and refused to listen to him; he was an unsuitable match with Zappa's avantgarde style.
Countless cigarettes, gallons of alcohol and many all night parties eventually left their trace in his face and voice.
His more recent gravelly voice can be first heard on Small Change. This distinctive voice turned out to be his trademark. It is described by the Music Hound Rock Album Guide as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months and then taken outside and run over with a car". Small Change with its sentimental ballads, its bar-jazz attitude and Film Noir-oriented stories turned out to be his biggest commercial success in the 1970s.
Waits subsequently developed a more unique style. His songs have grown more abrasive since then, and the arrangements have turned more surreal and experimental with every new record. His life brings him to new visions, as indicated by the direction taken in his "Alice" release.
While composing the soundtrack for Francis Ford Coppola's One From The Heart Waits met Kathleen Brennan, his bride-to-be. They married in 1980 and she helped him quit drinking and smoking. Since their marriage they have been working together on his albums as co-producers and co-writers. It is hard to say which part belongs to her and which to him, but it's easy to see that they make a perfect team. Additionally, his eldest son Casey can be heard on turntables and percussion on Waits's album "Real Gone".
One of Waits's greatest successes was the album "Swordfishtrombones", released in 1983. It struck with his critics and fans alike. He achieved a new level of song writing and left former conventions (and his earlier career) behind. All songs, whether ballads, jive or jazz are played in a completely different way. It seems that Waits had taken the musical archetypes of these styles and made them his own. All tracks are in the quintessential Waits style. They have a striking rawness and listenability and they set the stage for his success and his future career.
The Bad As Me Songfacts reports that 36 years after the release of Waits' first album, Closing Time in 1973, Bad As Me became Waits's first ever top 10 album in the US when it debuted at #6 with 63,000 sales.
In the late 1980s Waits discovered an outlet for his creativity in composing musicals. His first Musical was named "The Black Rider", and is based on "Der Freischütz" by Carl Maria von Weber. It was co-produced by Robert Wilson and the lyrics come from William S. Burroughs. The story is slightly reminiscent of Kurt Weil's and Berthold Brecht's "Three Penny Opera" and the 1930s. The debut performance of the play was in 1990 at the Thalia Theater, Hamburg and has been played by various theatre groups since then.
Waits was also responsible for two other musicals, which later became albums released simultaneously in 2002. One was the musical "Blood Money," which covers the "Woyczek" theme of Georg Büchner. This one is one of the darkest works from Waits. The other musical is based on Lewis Carroll's classic children's novel, "Alice's Adventures in Wonderland". "Alice" is very romantic, dreamy and soft, and contains one of Waits most romantic songs. Even though they were released at the same time, the bootlegs of the "Alice" musical were long before traded between fans and were just rearranged and re-mastered for the official release.
Besides many film contributions as composer – the Internet Movie Database imdb.com lists 47 appearances of Waits as composer and 38 soundtracks containing songs by Waits - he also is an actor with a total of 25 appearances, ranging from some mini-roles as a trumpeter in "Heart of Saturday Night" and the R. M. Renfield in "Bram Stoker's Dracula" to the major role of Zack in Jim Jarmusch's "Down by Law". He recently appeared in Roberto Benigni's "The Tiger and the Snow", playing You Can Never Hold Back Spring at Benigni's wedding dream. Even more recently, Waits played Mr.Nick (the Devil) in Terry Gilliam's "The Imaginarium of Dr. Parnassus".
In addition to a number of concert videos, he also appeared in the critically-acclaimed concert feature film "Big Time" (1990).
Waits has always refused to allow the use of his songs in commercials. He has filed several lawsuits against advertisers for using his material without permission. Waits also successfully sued an advertiser for using a work that was stylistically similar to his work, after he had declined to sell them the rights to his song. He has been quoted as saying, "Apparently the highest compliment our culture grants artists nowadays is to be in an ad — ideally naked and purring on the hood of a new car. I have adamantly and repeatedly refused this dubious honor."
Hold On
Tom Waits Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"If you live it up, you won't live it down"
So she left Monte Rio, son
Just like a bullet leaves a gun
With her charcoal eyes and Monroe hips
She went and took that California trip
Oh, the moon was gold, her hair like wind
Said, "don't look back, just come on, Jim"
Oh, you got to hold on, hold on
You gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone's looking for someone to blame
When you share my bed, you share my name
Well, go ahead and call the cops
You don't meet nice girls in coffee shops
She said, "baby, I still love you"
Sometimes there's nothin' left to do
Oh, but you got to hold on, hold on
Babe, you gotta hold on and take my hand
I'm standing right here, you gotta hold on
Well, God bless your crooked little heart
St. Louis got the best of me
I miss your broken China voice
How I wish you were still here with me
Oh, you build it up, you wreck it down
Then you burn your mansion to the ground
Oh, there's nothing left to keep you here
But when you're falling behind in this big blue world
Oh, you've got to hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
But it's so hard to dance that way
When it's cold and there's no music
Oh, your old hometown's so far away
But inside your head there's a record that's playing
A song called "Hold On", hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
And take my hand, I'm standing right here, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
And take my hand, I'm standing right here, you gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on, baby
You gotta hold on, girl
You gotta hold on
You gotta hold on
Hold On by Tom Waits is a song about love and the hardships that come with it. The opening lines set the tone for the lyrics that follow. The verse talks about a sign that was put up in town warning people that their actions may have consequences that they won't be able to shake off. This leads to the woman in the song leaving her hometown and going to California. She is described in the song as having "charcoal eyes and Monroe hips," showing her as a beautiful and confident woman. The line "Just like a bullet leaves a gun" suggests that she left quickly and decisively. Jim is encouraged to join her by the woman saying "don't look back, just come on, Jim." This line could be interpreted in multiple ways; either the woman is saying that he should forget about his past and move on or she is saying that he doesn't need to worry because she is right there with him.
The second verse talks about the couple sharing space and how they are each other's responsibility. The woman says that when they share a bed, they share a name, meaning they are in this together. The line "You don't meet nice girls in coffee shops" suggests that their relationship isn't accepted by society. In the end, when there is "nothing left to do," the couple is encouraged to hold on. The third verse talks about how the woman is missed and how the man is struggling without her. He is reminded of their song, "Hold On," and how it gives him comfort in such a difficult time. The repetition of the chorus emphasizes the idea that they need to hold on to one another to make it through.
Line by Line Meaning
They hung a sign up in our town
"If you live it up, you won't live it down"
The town put up a warning sign that if you act recklessly, it will damage your reputation forever
So she left Monte Rio, son
Just like a bullet leaves a gun
With her charcoal eyes and Monroe hips
She went and took that California trip
Oh, the moon was gold, her hair like wind
Said, "don't look back, just come on, Jim"
The woman left town in a hurry, looking sexy and confident, ready for adventure and never looking back
Oh, you got to hold on, hold on
You gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Through all the struggles and hard times, it's important to keep moving forward and to have someone there to support and guide you
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone's looking for someone to blame
When you share my bed, you share my name
Well, go ahead and call the cops
You don't meet nice girls in coffee shops
She said, "baby, I still love you"
Sometimes there's nothin' left to do
The man gave the woman cheap gifts, but their love was still real, even if society judges them. They'll face the consequences together, knowing that true love is worth everything
Well, God bless your crooked little heart
St. Louis got the best of me
I miss your broken China voice
How I wish you were still here with me
Oh, you build it up, you wreck it down
Then you burn your mansion to the ground
Oh, there's nothing left to keep you here
But when you're falling behind in this big blue world
Despite the hardships and self-destructive tendencies, the person still loves the woman and misses her dearly. In the face of despair and loneliness, there seems to be no reason left to stay
Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
But it's so hard to dance that way
When it's cold and there's no music
Oh, your old hometown's so far away
But inside your head there's a record that's playing
A song called "Hold On", hold on
The woman is alone in a freezing motel, struggling to dance without music. She's far from her hometown and loved ones, but she's determined to hold on and keep the music of her memories playing
You gotta hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
The chorus repeats the message of perseverance and holding on, with someone by your side to help and guide you
Lyrics © Universal Music Publishing Group, JALMA MUSIC
Written by: Kathleen Brennan, Thomas Alan Waits
Lyrics Licensed & Provided by LyricFind
@froolop
They hung a sign up in our town
"If you live it up, you won't live it down"
So she left Monte Rio, son
Just like a bullet leaves a gun
With her charcoal eyes and Monroe hips
She went and took that California trip
Oh, the moon was gold, her hair like wind
Said, "don't look back, just come on, Jim"
Oh, you got to hold on, hold on
You gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone's looking for someone to blame
When you share my bed, you share my name
Well, go ahead and call the cops
You don't meet nice girls in coffee shops
She said, "baby, I still love you"
Sometimes there's nothin' left to do
Oh, but you got to hold on, hold on
Babe, you gotta hold on and take my hand
I'm standing right here, you gotta hold on
Well, God bless your crooked little heart
St. Louis got the best of me
I miss your broken China voice
How I wish you were still here with me
Oh, you build it up, you wreck it down
Then you burn your mansion to the ground
Oh, there's nothing left to keep you here
But when you're falling behind in this big blue world
Oh, you've got to hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
But it's so hard to dance that way
When it's cold and there's no music
Oh, your old hometown's so far away
But inside your head there's a record that's playing
A song called "Hold On", hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
And take my hand, I'm standing right here, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
And take my hand, I'm standing right here, you gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on, baby
You gotta hold on, girl
You gotta hold on
You gotta hold on
@paixaoandrade3653
They hung a sign up in our town
"If you live it up, you won't live it down"
So she left Monte Rio, son
Just like a bullet leaves a gun
With her charcoal eyes and Monroe hips
She went and took that California trip
Oh, the moon was gold, her hair like wind
Said, "don't look back, just come on, Jim"
Oh, you got to hold on, hold on
You gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Well, he gave her a dimestore watch
And a ring made from a spoon
Everyone's looking for someone to blame
When you share my bed, you share my name
Well, go ahead and call the cops
You don't meet nice girls in coffee shops
She said, "baby, I still love you"
Sometimes there's nothin' left to do
Oh, but you got to hold on, hold on
Babe, you gotta hold on and take my hand
I'm standing right here, you gotta hold on
Well, God bless your crooked little heart
St. Louis got the best of me
I miss your broken China voice
How I wish you were still here with me
Oh, you build it up, you wreck it down
Then you burn your mansion to the ground
Oh, there's nothing left to keep you here
But when you're falling behind in this big blue world
Oh, you've got to hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right here, you gotta hold on
Down by the Riverside motel
It's ten below and falling
By a ninety-nine cent store
She closed her eyes and started swaying
But it's so hard to dance that way
When it's cold and there's no music
Oh, your old hometown's so far away
But inside your head there's a record that's playing
A song called "Hold On", hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
Take my hand, I'm standing right there, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
And take my hand, I'm standing right here, you gotta hold on
You gotta hold on, hold on
Babe, you gotta hold on
And take my hand, I'm standing right here, you gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on
You gotta hold on, baby
You gotta hold on, girl
You gotta hold on
You gotta hold on
@dustin2207
When Beth started singing this in the prison, I was moved to tears. RIP Beth, Hersel, and Glen. YOU GOTTA HOLD ON, MAGGIE!
@placeofnoreturn5368
Me too!!
@MrEpeeFencer
Yeah that show was pretty good for the first few seasons, then it went downhill.
@fayssal926
Walking dead
@dr.horror9046
I love singing Tom Wait’s songs- not everyone knows these beautiful lyrics and I want to sing them as clearly as possible. But God bless Tom - when he dies, he will be St. Tom- of the broken, homeless, the lost and he will guide us all on a path to healing- after shooting us down the rabbit hole out of a cannon first of course though
@Ad-Ac
Songs like this are reason to live. Genius level artistry
@thatonegearguy
This got me through a very dark time in my life when I was getting out of the service years ago. I lost my closet friend in nam as soon as we got over there.. Blown in half in my arms. Still see his face and hear his last words. I worked a number of years until Desert Storm. After all that even with the wife around, I didn't want to live, but I held on..
@jmcljazz6733
God Bless you
@ronaldnoble9694
Thank you for your service Sir. God bless you.
@mingusmofaz5898
@@ronaldnoble9694Time to stop pretending that being emotionally brutalized and physically destroyed for the utterly superficial goals of nations isn't "service" but a sentence.