Makem was born and raised in Keady, County Armagh (the "Hub of the Universe" as Makem always said), in Northern Ireland. His mother, Sarah Makem, was an important source of traditional Irish music, who was visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O'Boyle. His father, Peter Makem, was a fiddler who also played the bass drum in a local pipe band named "Oliver Plunkett", after a martyr of the Cromwell age. His brother and sister were folk musicians also. Young Tommy Makem, from the age of 8, was member of the St. Patrick's church choir for 15 years where he sang Gregorian chant and motets. He didn't learn to read music but he made it in his "own way".
He started to work at 14 as a clerk in a garage and later he worked for a while as a barman at Mone's Bar, a local pub and as a local correspondent for The Armagh Observer.
He emigrated to the United States in 1955, carrying his few possessions and a set of bagpipes (from his time in a pipe band). Arriving in Dover, New Hampshire, he worked at Kidder Press, where in 1956 his hand was accidentally crushed by a press.[4] With his arm in a sling, he left Dover for New York to pursue an acting career.
The Clancys and Makem were signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez were named the most promising newcomers on the American folk scene. During the 1960s, The Clancy Brothers and Tommy Makem performed sellout concerts at such venues as Carnegie Hall, and made television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performed for President Kennedy. They also played in smaller venues such as the Gate of Horn in Chicago. They appeared jointly in the UK Albums Chart in April 1966, when Isn't It Grand Boys reached number 22.
Makem left the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy were both booked to play a folk festival in Cleveland, Ohio, and were persuaded to do a set together. Thereafter they often performed as Makem and Clancy, recording several albums together. At a concert in 1977, Tommy noticed an audience member having a good time and exclaimed, "What have you been smoking? Good whatever you have, pass it around to the rest of them we'll all get goin'!" He once again went solo in 1988. Throughout the 70's and 80's Makem performed both solo and with Liam Clancy on The Irish Rovers various television shows, which were filming both in Canada and Ireland.
In the 1980-90s, Makem was a principal in a well-known Irish music venue in New York City, "Tommy Makem's Irish Pavilion." This East 57th Street club was a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors were Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem was a regular performer, often solo and often as part of Makem & Clancy, particularly in the late fall and holiday season. The club was also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center. In addition, the after-party for Bob Dylan's legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 was held at the Irish Pavilion.
In 1997 he wrote a book, Tommy Makem's Secret Ireland, and in 1999 premiered his own one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also established the Tommy Makem International Festival of Song in South Armagh in 2000.
Makem was married to Mary Shanahan, a native of Chicago, for 37 years, and had four children - daughter Katie Makem-Boucher, and sons Shane, Conor and Rory. They also had two grandchildren, Molly (Dickerman) Makem and Robert Boucher. Mary died in 2001.
Makem's three sons (who perform as "The Makem Brothers") and nephews Tom & Jimmy Sweeney continue the family folk music tradition.
Makem died in Dover, New Hampshire on August 1, 2007, following a lengthy battle with lung cancer. He continued to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy said, "He was my brother in every way" He is buried next to his wife at New Saint Mary Cemetery in Dover.
Makem was a prolific composer/songwriter. His performances were always full of his compositions, many of which became standards in the repertoire. Some, notably "Four Green Fields", became so well known that they were sometimes described as anonymous folk songs. During the fall of the Iron Curtain, Makem often proudly told the story that his song "The Winds Are Singing Freedom" had become a sort of folk anthem among Eastern Europeans seeing a new future opening before them.
Makem's best-known songs include "Four Green Fields", "Gentle Annie", "The Rambles of Spring", "The Winds Are Singing Freedom", "The Town of Ballybay", "Winds of the Morning", "Mary Mack", and "Farewell to Carlingford". Even though many people mistakenly believe that Makem wrote "Red is the Rose", it is a traditional Irish folk song.
Makem had a gripping stage presence – the result of years of public performance, a charismatic personality, and a bard's voice. An army of friends and fans attended his frequent concerts, many recognizing each other at far-flung venues. Performances frequently included the following familiar elements:
Original Makem compositions; the first set often began with "The Rambles of Spring"
The standard repertoire of folk and Irish music, both well-known and little-known (but never "Danny Boy", "When Irish Eyes are Smiling", "Toorah Loorah Looral", or other forbidden requests)
Oddball songs, such as "Bridie Murphy and the Kamikaze Pilot" (Colm Gallagher) or "William Bloat" (Raymond Calvert)
Poetic recitations, often as introductions to songs; a frequent source was William Butler Yeats. (Thus "Gentle Annie" usually began with "When You Are Old and Grey", and Four Green Fields usually began with Seamus Heaney's "Requiem for the Croppies".)
Jokes, often silly, made funnier through repetition:
"If your nose is running and your feet smell, you're upside down."
Rarely: monologues, such as Marriott Edgar's "The Lion and Albert"
Exhortations, nearly always successful, for the audience to join in the singing
He received many awards and honours, including three honorary doctorates: one from the University of New Hampshire in 1998, one from the University of Limerick in 2001, and one from the University of Ulster in 2007; as well as the World Folk Music Association's Lifetime Achievement Award in 1999. With the Clancy Brothers he was listed among the top 100 Irish-Americans of the 20th century in 1999.[10]
A bridge over the Cocheco River on Washington Street in Makem's long-time home of Dover, New Hampshire, was named the Tommy and Mary Makem Memorial Bridge in 2010.
Four Green Fields
Tommy Makem Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"What did I have?" this proud old woman did say
"I had four green fields, each one was a jewel
But strangers came and tried to take them from me
I had fine strong sons, they fought to save my jewels
They fought and died, and that was my grief" said she
"Long time ago" said the fine old woman
"There was war and death, plundering and pillage
My children starved by mountain valley and sea
And their wailing cries, they shook the very heavens
My four green fields ran red with their blood" said she
"What have I now?" said the fine old woman
"What have I now?" this proud old woman did say
"I have four green fields, one of them's in bondage
In stranger's hands, that tried to take it from me
But my sons have sons, as brave as were their fathers
My fourth green field will bloom once again" said she
The song "Four Green Fields" by Tommy Makem is a ballad that tells the story of a proud old woman who reflects on her past and the tragedy that befell her family and land. The woman begins by asking, "What did I have?" and proudly declares that she once possessed four green fields, each a jewel in their own right. However, strangers came and tried to take them from her. Despite her possessions being threatened, the woman also had fine strong sons who fought to save her jewels. Unfortunately, the battle ended in tragedy as her sons fought and died to protect their land, and this was her grief.
The woman time travels in her recounting and reflects back to a long time ago when war, death, plundering, and pillage were rampant. Her children suffered from starvation in both the mountain valley and sea, and their cries of pain could be heard from the heavens. Again, her four green fields ran red with their blood, and the woman mourned their loss.
Despite the many trials and tribulations that have come her way, the woman who was once proud and powerful still remains defiant. She asks, "What have I now?" and declares that she still has four green fields, although one of them is in bondage, in the hands of a stranger who tried to take it from her. However, her sons have sons, and they are as brave as their fathers. So it is with hope and determination that the proud old woman declares that her fourth green field will once again bloom.
Line by Line Meaning
What did I have?" said the fine old woman
The proud old woman wondered about what had she in the past.
"I had four green fields, each one was a jewel
She had four excellent fields which she treasured.
"But strangers came and tried to take them from me
Foreigners tried to steal her treasures.
"I had fine strong sons, they fought to save my jewels
Her strong and robust sons fought to defend her jewels.
"They fought and died, and that was my grief" said she
Her sons put up a fight but eventually they passed away, which was truly devastating for her.
"Long time ago" said the fine old woman
The proud old woman reflected back long ago into the past.
"There was war and death, plundering and pillage
During that time there was a lot of fighting, looting, and killing.
"My children starved by mountain valley and sea
Her children went through extreme hunger while stuck between the mountains and seas.
"And their wailing cries, they shook the very heavens
Their cries were sorrowful enough to cause a disturbance in the heavens.
"My four green fields ran red with their blood" said she
Her fields became red as her children's blood drenched them.
"What have I now?" said the fine old woman
The proud old woman wonders what is left for her at this point.
"I have four green fields, one of them's in bondage
One of her fields is still held captive.
"In stranger's hands, that tried to take it from me
The strangers who tried to steal her jewels still hold one of her fields.
"But my sons have sons, as brave as were their fathers
Her grandchildren are just as fearless as their parents.
"My fourth green field will bloom once again" said she
She feels that her fourth field will come back to life, just like it was before.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Fiona
Magnificent. My mother
, Lord have Mercy on her used to sing this song. She was a fine Irish woman who prayed for a United Ireland.
EllieRocksAtLife
"But my sons had sons, as brave as were their fathers My fourth green field will bloom once again said she."
Jimmy Malone
Only irish understand this. Fair play
paddyballgame
Our day will come
john kennedy
Us as republicans stand on the shoulders of giants we have witnessed the best generation of republicans and now Irish unity is feels closer than ever before may god bless our patriot dead🇮🇪32
Seamie McGeown
It's a song his mother or granny must have sang first
chrometanned
A very sad song. One of the best written songs ever, Tommy was a poet. God rest his soul.
Julie Whelan
He was a poet! Listen to him on his song
Come by the hills
scottfallon1
"My children starved by mountain, valley and sea. And their wailing cries, they shook the very heavens."
Jesus.
Moos
That's what England did to Ireland. And much more then that even.