Makem was born and raised in Keady, County Armagh (the "Hub of the Universe" as Makem always said), in Northern Ireland. His mother, Sarah Makem, was an important source of traditional Irish music, who was visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O'Boyle. His father, Peter Makem, was a fiddler who also played the bass drum in a local pipe band named "Oliver Plunkett", after a martyr of the Cromwell age. His brother and sister were folk musicians also. Young Tommy Makem, from the age of 8, was member of the St. Patrick's church choir for 15 years where he sang Gregorian chant and motets. He didn't learn to read music but he made it in his "own way".
He started to work at 14 as a clerk in a garage and later he worked for a while as a barman at Mone's Bar, a local pub and as a local correspondent for The Armagh Observer.
He emigrated to the United States in 1955, carrying his few possessions and a set of bagpipes (from his time in a pipe band). Arriving in Dover, New Hampshire, he worked at Kidder Press, where in 1956 his hand was accidentally crushed by a press.[4] With his arm in a sling, he left Dover for New York to pursue an acting career.
The Clancys and Makem were signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez were named the most promising newcomers on the American folk scene. During the 1960s, The Clancy Brothers and Tommy Makem performed sellout concerts at such venues as Carnegie Hall, and made television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performed for President Kennedy. They also played in smaller venues such as the Gate of Horn in Chicago. They appeared jointly in the UK Albums Chart in April 1966, when Isn't It Grand Boys reached number 22.
Makem left the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy were both booked to play a folk festival in Cleveland, Ohio, and were persuaded to do a set together. Thereafter they often performed as Makem and Clancy, recording several albums together. At a concert in 1977, Tommy noticed an audience member having a good time and exclaimed, "What have you been smoking? Good whatever you have, pass it around to the rest of them we'll all get goin'!" He once again went solo in 1988. Throughout the 70's and 80's Makem performed both solo and with Liam Clancy on The Irish Rovers various television shows, which were filming both in Canada and Ireland.
In the 1980-90s, Makem was a principal in a well-known Irish music venue in New York City, "Tommy Makem's Irish Pavilion." This East 57th Street club was a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors were Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem was a regular performer, often solo and often as part of Makem & Clancy, particularly in the late fall and holiday season. The club was also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center. In addition, the after-party for Bob Dylan's legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 was held at the Irish Pavilion.
In 1997 he wrote a book, Tommy Makem's Secret Ireland, and in 1999 premiered his own one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also established the Tommy Makem International Festival of Song in South Armagh in 2000.
Makem was married to Mary Shanahan, a native of Chicago, for 37 years, and had four children - daughter Katie Makem-Boucher, and sons Shane, Conor and Rory. They also had two grandchildren, Molly (Dickerman) Makem and Robert Boucher. Mary died in 2001.
Makem's three sons (who perform as "The Makem Brothers") and nephews Tom & Jimmy Sweeney continue the family folk music tradition.
Makem died in Dover, New Hampshire on August 1, 2007, following a lengthy battle with lung cancer. He continued to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy said, "He was my brother in every way" He is buried next to his wife at New Saint Mary Cemetery in Dover.
Makem was a prolific composer/songwriter. His performances were always full of his compositions, many of which became standards in the repertoire. Some, notably "Four Green Fields", became so well known that they were sometimes described as anonymous folk songs. During the fall of the Iron Curtain, Makem often proudly told the story that his song "The Winds Are Singing Freedom" had become a sort of folk anthem among Eastern Europeans seeing a new future opening before them.
Makem's best-known songs include "Four Green Fields", "Gentle Annie", "The Rambles of Spring", "The Winds Are Singing Freedom", "The Town of Ballybay", "Winds of the Morning", "Mary Mack", and "Farewell to Carlingford". Even though many people mistakenly believe that Makem wrote "Red is the Rose", it is a traditional Irish folk song.
Makem had a gripping stage presence – the result of years of public performance, a charismatic personality, and a bard's voice. An army of friends and fans attended his frequent concerts, many recognizing each other at far-flung venues. Performances frequently included the following familiar elements:
Original Makem compositions; the first set often began with "The Rambles of Spring"
The standard repertoire of folk and Irish music, both well-known and little-known (but never "Danny Boy", "When Irish Eyes are Smiling", "Toorah Loorah Looral", or other forbidden requests)
Oddball songs, such as "Bridie Murphy and the Kamikaze Pilot" (Colm Gallagher) or "William Bloat" (Raymond Calvert)
Poetic recitations, often as introductions to songs; a frequent source was William Butler Yeats. (Thus "Gentle Annie" usually began with "When You Are Old and Grey", and Four Green Fields usually began with Seamus Heaney's "Requiem for the Croppies".)
Jokes, often silly, made funnier through repetition:
"If your nose is running and your feet smell, you're upside down."
Rarely: monologues, such as Marriott Edgar's "The Lion and Albert"
Exhortations, nearly always successful, for the audience to join in the singing
He received many awards and honours, including three honorary doctorates: one from the University of New Hampshire in 1998, one from the University of Limerick in 2001, and one from the University of Ulster in 2007; as well as the World Folk Music Association's Lifetime Achievement Award in 1999. With the Clancy Brothers he was listed among the top 100 Irish-Americans of the 20th century in 1999.[10]
A bridge over the Cocheco River on Washington Street in Makem's long-time home of Dover, New Hampshire, was named the Tommy and Mary Makem Memorial Bridge in 2010.
Galway Bay
Tommy Makem Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If only my dear wife would pass away
She nearly has my heart broke with all her naggin'
She's got a mouth as big as galway bay
See her drinkin' 16 pints of Pat's blue ribbon
And then she can walk home without a sway
If the sea were beer instead of salty water
See her drinkin 16 pints at pat joe murphys
When the barman says "I think its time to go"
She doesn't try to speak to him in gaelic
But a language that the clergy do not know
On her back she has tatooed a map of Ireland
And when she takes her bath on Saturday
She rubs the sunlight soap around by Claddaugh
Just to watch the suds roll down on Galway Bay
Tommy Makem's Galway Bay is a humorous and bittersweet song about missing one's homeland but only wanting to return if their nagging wife would pass away. The narrative builds on the main character's humorous depiction of his wife, who is a heavy drinker capable of consuming 16 pints of beer at pat joe murphys and still walk home without a sway. The song implies that the wife never speaks the traditional Irish language but has a language of her own that even the clergy do not understand.
The humor in the song develops as the wife's body is further described as having a tattooed map of Ireland on her back. The character's love for Galway Bay and its shining beauty is juxtaposed against the character of his wife, who has a mouth "as big as Galway Bay." The song's humor culminates as the wife rubs sunlight soap on herself, so the suds roll down on Galway Bay. The song's commentary on relationships' complexity and the humorous take on the Irish tradition of heavy drinking and mystical beliefs make Galway Bay a timeless classic.
Line by Line Meaning
Maybe someday, I'll go back again to Ireland
The singer longs to visit Ireland once again in the future.
If only my dear wife would pass away
The singer wishes his nagging wife would die so he can go to Ireland.
She nearly has my heart broke with all her naggin'
The singer is tired of his wife's constant and annoying complaining.
She's got a mouth as big as galway bay
The singer's wife is loud and obnoxious, just like the large bay on the west coast of Ireland.
See her drinkin' 16 pints of Pat's blue ribbon
The singer's wife can drink a lot of beer without getting drunk.
And then she can walk home without a sway
Even after drinking a lot of beer, the singer's wife can still walk home without stumbling.
If the sea were beer instead of salty water
The singer is suggesting that his wife would love the sea if it were beer instead of water.
She would live and die in galway bay
The singer believes his wife would be perfectly content living and dying in Galway Bay if it were filled with beer.
See her drinkin 16 pints at pat joe murphys
The singer's wife drinks a lot at a specific bar called Pat Joe Murphy's.
When the barman says "I think its time to go"
The bartender has to tell the singer's wife it's time to leave because she is so drunk.
She doesn't try to speak to him in gaelic
Despite being in Ireland, the singer's wife doesn't attempt to speak the native language with the bartender.
But a language that the clergy do not know
The singer's wife speaks in a way that is unfamiliar and possibly vulgar to the religious leaders in Ireland.
On her back she has tatooed a map of Ireland
The singer's wife has a tattoo of a map of Ireland on her back.
And when she takes her bath on Saturday
The singer's wife takes a bath on Saturdays.
She rubs the sunlight soap around by Claddaugh
The singer's wife uses a specific brand of soap near the Claddagh, a fishing village in Galway Bay.
Just to watch the suds roll down on Galway Bay
The singer's wife enjoys watching the soap suds roll down her back like the waves in Galway Bay.
Lyrics © THE ROYALTY NETWORK INC.
Written by: ARTHUR COLAHAN
Lyrics Licensed & Provided by LyricFind