1. Tommy Scott -… Read Full Bio ↴There are at least three artists named Tommy Scott:
1. Tommy Scott - Singer, Songwriter, Record Producer was born in Glasgow, and worked initially in the Clydeside Shipyards.
His musical career began with appearances in theatre, radio and TV with many of Scotland's legendary entertainers, including Andy Stewart*, Chic Murray, and Lex McLean. He travelled the length and breadth of the country with "The White Heather Club", Jimmy Shand, Willie Starr and Jack Radcliffe, and also performed the cabaret circuits in England, Germany, France and Holland.
In demand as a producer and one of Britain's most consistent hit makers, charting no fewer than 34 times. Now with sales soaring over the million mark this truly does make Tommy Scott a Star.
2. Ramblin' Tommy Scott (June 24, 1917 – September 30, 2013),[1] aka "Doc" Tommy Scott, was an American country and rockabilly musician.
"Ramblin'" Thomas Scott was born outside of Toccoa, Georgia, United States, and began playing the guitar at age ten. After high school he joined Doc Chamberlain's medicine show, and got his first job in radio on WTFL in Athens, Georgia in 1933. He also sold Vim Herb on the radio. After Chamberlain retired and gave Scott the patent medicines, he landed a regular job fronting the Uncle Pete and Minervy show on Raleigh, North Carolina's WPTF, and soon after this he was offered a job with Charlie Monroe becoming the first Kentucky Partner as a feature act - Rambling Scotty. He performed on the WWVA Jamboree in Wheeling, West Virginia with Monroe and was also a frequent soloist there, and did skits involving ventriloquism and blackface. Monroe and Scott started the Man-O-Ree medicine company selling Scott's patent laxative over the radio. The group moved to WHAS in Louisville, Kentucky, where he did the early morning show. His medicine and musical partnership came to an end with Monroe and he soon launched a tent show with Curly Seckler.
He married his wife Frankie in 1940; the couple had a daughter, Sandra; both women became part of his stage show, his films and TV shows. In the 1940s he did radio transcriptions which were broadcast nationwide. By 1942 he had his own stage show traveling coast to coast, 'Ramblin' Tommy Scott's Hollywood Hillbilly Jamboree'. He began the Herb-O-Lac Medicine Company and later Katona Medicine Company selling laxatives and liniments. He soon joined the Grand Ole Opry and later went to Hollywood to begin a career in film and TV.
Beginning with Carolina Cotton in 1949, Scott's road show, which operated six days per week from January through early December, featured Scott with some guest stars from film and TV. Amongst those appearing were "Fuzzy" Al St. John, David "Stringbean" Akeman, Tim McCoy, Clyde Moody, Johnny Mack Brown, Sunset Carson, and Randall Franks. The show traveled consistently until the mid-1990s.
Bluegrass Music Hall of Famer Curly Seckler recorded with Scott numerous times throughout his career. Earliest recordings date to the 1940s with the most recent in the 1980s. Scott recorded consistently from the 1930s-2000s and released a number of solo sides in the 1950s and 1960s which branched into rockabilly. According to the introduction of his autobiography, Snake Oil, Superstars and Me, published in 2007, Scott was then 90 years old. His wife died in 2004.
Scott died in September 2013.
3. The lead singer of the band Space. In the mid 2010s, Scott began making sporadic gig appearances in his own name, and featured on a couple of guest appearances. To date, he has not released any solo material.
Help Me Make It Through the Night
Tommy Scott Lyrics
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Shake it loose and let it fall
Layin' soft upon my skin
Like the shadows on the wall
Come and lay down by my side
Till the early mornin' light
All I'm takin' is your time
I don't care who's right or wrong
I don't try to understand
Let the devil take tomorrow
Lord tonight I need a friend
Yesterday is dead and gone
And tomorrow's out of sight
And it's sad to be alone
Tommy Scott's "Help Me Make It Through the Night" opens with a visual and intimate scene, where the act of taking “the ribbon from your hair” serves as a metaphor for unrestrained vulnerability and the shedding of everyday burdens. The ribbon, often a symbol of beauty and femininity, signifies a transition from a more formal or societal presentation of self to a raw, natural state. As the singer requests this action, it denotes a yearning for closeness and authenticity. The imagery of the hair falling loosely and the feeling of the hair against the skin evokes a sense of tenderness and intimacy. In this context, the act of laying soft upon the skin perhaps signifies a moment of connection that transcends the physical—suggesting trust and warmth in an emotionally charged setting. The “shadows on the wall” can represent the ephemeral nature of their connection, as it hints at moments of solace against the backdrop of life's complexities.
In the chorus, the plea for companionship (“Come and lay down by my side / Till the early mornin’ light”) encapsulates a deep desire for intimacy and comfort during isolation. The singer yearns for emotional connection rather than a deeper commitment or expectations. The phrase "All I'm takin’ is your time" reflects a longing for presence, underscoring the theme of seeking solace in another person. This request is simple but poignant—a reminder that sometimes what one needs most is the affirmation of another's company in the dark hours of the night. Thus, the song constructs a longing that transcends the mere physical; it speaks to a fundamental human need for companionship, particularly in times of emotional distress.
As the song progresses, the singer's admission, “I don’t care who’s right or wrong,” highlights a relinquishing of the instinct to analyze or judge the relationship or the circumstances surrounding it. This raises questions regarding the nature of relationships: must they always be rationalized, or is it acceptable to embrace moments of vulnerability where rationality takes a backseat? The phrase serves as a liberating mantra; it demonstrates an acceptance that in the privacy of their shared moment, societal norms and judgments lose their relevance. The sentiment “Let the devil take tomorrow” further emphasizes this desire to prioritize the present over the anxiety of what the future may hold. It reflects a sort of escapism, a wish to momentarily evade the complexities of life by immersing in the comfort of another.
The final verses encapsulate the sentiments of fleetingness and loss that permeate the song. Lines like “Yesterday is dead and gone / And tomorrow’s out of sight” poignantly reflect the universal human experience of grappling with time's relentless passage. The singer’s feelings of solitude are palpable, evoking empathy from listeners who can relate to the heaviness of isolation. In a broader sense, the lyrics convey that in the fabric of human relationships, moments of shared struggles often create the strongest bonds. The plea for a friend during the darkest hours connects deeply with the notion of love and support being vital to navigating the labyrinth of life. Altogether, the song resonates as a heartfelt ode to the simple yet profound human desire for connection and the solace found within vulnerability, highlighting that sometimes, just making it through the night is all that matters.
Line by Line Meaning
Take the ribbon from your hair
Remove the decoration from your hair, symbolizing a desire for intimacy and closeness.
Shake it loose and let it fall
Let your hair down in a carefree manner, representing freedom and vulnerability.
Layin' soft upon my skin
The gentle touch of your hair upon me signifies comfort and tenderness.
Like the shadows on the wall
The way your hair drapes reminds me of fleeting shadows, evoking a sense of intimacy and ephemeral beauty.
Come and lay down by my side
Join me in bed, seeking solace and connection in our shared presence.
Till the early mornin' light
Stay with me throughout the night, cherishing this moment before dawn breaks.
All I'm takin' is your time
I am not asking for anything material; your presence and attention are all I seek.
Help me make it through the night
Provide me companionship so I can endure this lonely night, facing my uncertainties.
I don't care who's right or wrong
In this moment, notions of blame or correctness hold no importance; I prioritize our connection.
I don't try to understand
I am willing to forgo reasoning and analysis; I just want to be present with you.
Let the devil take tomorrow
I disregard future troubles, focusing only on the immediate need for comfort and friendship tonight.
Lord tonight I need a friend
I implore for companionship and support during this vulnerable time of need.
Yesterday is dead and gone
Past experiences and regrets no longer have influence; they are finished and irrelevant.
And tomorrow's out of sight
The future is uncertain and unclear; I cannot foresee what lies ahead.
And it's sad to be alone
The weight of solitude is heavy and disheartening, highlighting the longing for connection.
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Kris Kristofferson
Lyrics Licensed & Provided by LyricFind