His often chameleonic image and genre-bending musical style (which he himself has dubbed Nureau) have made him alternately revered and reviled among conservative fans of Gospel music. Nonetheless, he has carved out a niche for himself as a formidable vocalist, and prolific songwriter and record producer. After honing his producing skills with a series of experimental independent recordings, TON3X made his national debut with a re-release of his most successful independent album "Pronounced Toe-Nay." His first high-profile television appearance was performing a medley of "Trinity" & "One Good Reason," blowing the crowd away on the Stellar Awards, which was a coup as TON3X (then Tonéx) was a relative unknown at the time.
A single and music video from Pronounced Toe-Nay were serviced to media outlets for "Personal Jesus". Upon its release, the album bore 5 different record label logos: Rescue Records, the independent label that originally released the album; MSS Records, TON3X's then-active vanity imprint label; Tommy Boy Gospel, the label to which TON3X was signed as an artist; Verity Records, the label to which his independent label Rescue Records sold his album's masters; and Jive Records, the mainstream umbrella over Verity Records.
Two years later, he delivered the musically progressive and pop-leaning album "O2" which got off to a great start with the popularity of the upbeat music video for the single "Bout A Thang" featuring energetic hip-hop dance and an edgy urban image not usually associated with Gospel artists. The album received it's greatest boost from the momentum gathered by the single "God Has Not 4got" on Gospel radio. The song was nominated for multiple Stellar Awards the following year. Reminiscent of the style of R. Kelly, an additional single "That's When" also garnered much radio airplay.
His 2004 double CD "Out The Box" earned him the most widespread acclaim so far, debuting at #1 on the Billboard Magazine Top Gospel Album Chart in September of 2004. He also netted a Grammy nomination for Best Soul Gospel Album the following year, and had a bonafide radio hit with the ballad "Make Me Over". The same year, TON3X won a total of six Stellar Awards including "Artist of the Year" for Out The Box.
Following Out The Box, TON3X took the independent route, gaining creative control as well as control of his brand as a whole. TON3X has been releasing old albums, mixtapes, EP's, and singles through iTunes and his online store under the label heading of Nureau iNK. Among these releases are, a 2-track single from his hip-hop alter ego T. Bizzy, an exclusive remix album "Pronounced Remyx", and a sprawling two-disc confessional opus called "Oak Park 92105" previously only available through underground websites. A special version of "Oak Park 92105" was given a limited release to the Christian market and re-titled "Oak Park 921'o6" featuring a new song "Fail U" as lead single. Fail U was supported by a urban Japanese themed music video which is available on YouTube and iTunes. A primarily Jazz collection entitled "The London Letters" was released through Nureau iNK on iTunes and has garnered rave reviews and strong support from the Jazz community and gained secular fans that knew not of TON3X.
In March 2007, a reconciliation with Zomba Label Group was announced, which would be a joint venture for his Nureau iNK label. The deal was struck under the auspices of new Zomba president Jazzy Jordan who has previously guided the careers of R. Kelly and Salt-N-Pepa. However, as of June 2007, a split with Zomba was again announced. In the wake of several candid and revelatory songs and video blogs, TON3X is facing much scrutiny, with the bulk of criticism centering on his use of profanity in both his songs and his blogs. Though a single, "Joy," was released to radio as of May 16, 2007, his new album "Stereotype: Steel & Velvet" was stalled by Verity Records. The release date of September 11, 2007 was pending on the Verity Record label, and ultimately canceled.
Most recently, TON3X has released two mixtapes which fans consider actual albums as they both contain 20 tracks. "The Naked Truth" and "Bapost.o.g.i.c." were both released in on CD as limited edition pressings. Fans and supporters scrambled to their copies of The Naked Truth as it contains material that resulted in him being shunned by the Gospel community as well as material documenting his struggles, challenges, and revelations over the last five years. The Naked Truth and Bapost.o.g.i.c. could have been released as a set as they completely support each other in documenting where TON3X had been and where he was going. Bapost.o.g.i.c. is a new era that took TONEX from his old self to the new and improved TON3X. Bapost.o.g.i.c. is a vision, and a focus to erase the lines between C.O.G.I.C., Apostolic, and Baptist religions and bring the focus back to God. Supporting and citing the movement of 1906's Azusa Street Revival, TON3X wants unity and focus on God and not on religion and traditions.
Currently TON3X is completing a three week run starring as James "Thunder" Early in the musical play DREAMGIRLS at The Lyceum Theater located in downtown San Diego. The musical play received rave reviews and is the first of many musical and acting endeavors in the near future for TON3X. From November 2008 to January 2009, TON3X will also be starring in The Princess And The Black Eye Pea at The Lyceum Theater in downtown San Diego. TON3X is also working as a writer and staff producer for Nextlyfe Entertainment (Brandy, Eric Benet, Something for the People, Ne-Yo). TON3X wrote and produced songs for upcoming/current projects by Janet Jackson, Michael Jackson, Brandy, Usher, Pussycat Dolls and Danity Kane.
Taxi
Tonéx Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just expected rain
Waiting for my taxi at a quarter to three
If we were so naughty
We could be happy
But now I'm
Waiting for my taxi at a quarter to three
On a cloudy Thursday
Waiting for my taxi at a quarter to three
If we were so naughty
We could be happy
But now I'm
Waiting for my taxi at a quarter to three
On a cloudy Thursday
Waiting for
My taxi
Waiting for my taxi
On a cloudy
Thursday
La la la la la la
La la la la la
La la la la la la
La la la la la
The lyrics to Tonéx's song 'Taxi' describe a lonely individual waiting for a taxi on a cloudy Thursday afternoon. The repetition of "waiting for my taxi at a quarter to three" highlights the monotony of the situation and the overall mundane nature of the singer's life. They mention the possibility of finding happiness through being "naughty," but it seems that they have resigned themselves to simply waiting for their taxi in the rain. The use of repetition, as well as the simple and somewhat melancholic language, creates a sense of emptiness and longing for something more in the singer's life.
Overall, the song can be interpreted as a commentary on the mundanity of everyday life and the desire for something more exciting. The repetition of waiting for a taxi symbolizes the monotony of daily routines, while the mention of potential happiness through breaking the rules highlights the singer's desire for excitement and adventure. The simple, almost childlike language used in the lyrics also emphasizes the sense of longing and innocence present in the singer's search for something more in life.
Line by Line Meaning
On a cloudy Thursday
Today is a Thursday and the sky is overcast
Just expected rain
The singer anticipates that it will rain soon
Waiting for my taxi at a quarter to three
The singer is waiting for a taxi at 2:45pm
If we were so naughty
The artist is contemplating the idea that being bad could lead to happiness
We could be happy
The artist believes that being naughty could make them happy
But now I'm
However, the current situation is different
Waiting for my taxi at a quarter to three
The singer is still waiting for the taxi at 2:45pm
On a cloudy Thursday
The setting is still a Thursday with an overcast sky
Waiting for
The artist is still waiting
My taxi
The artist is waiting for their taxi ride to arrive
On a cloudy
The sky is still overcast
Thursday
It is still Thursday
La la la la la la
This line does not have a clear meaning, but it adds a rhythmic effect to the song
La la la la la
This line continues the rhythmic effect without adding new meaning
La la la la la la
This line concludes the rhythmic effect of the song
La la la la la
This line does not have a clear meaning, but it adds a rhythmic effect to the song
Lyrics © Universal Music Publishing Group, Capitol CMG Publishing
Written by: GEOFFREY WILLIAMS
Lyrics Licensed & Provided by LyricFind
Arris Stephane Ibouily Boucka
on Cry No More
Still waiting on the next...