Ton Koopman was born in Zwolle in 1944. After a classical education he stud… Read Full Bio ↴Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. Almost from the beginning of his musical studies he was fascinated with authentic instruments and a performance style based on sound scholarship.
Even before completing his studies he laid the foundations for a career as a conductor of seventeenth- and eighteenth-century music and this fascination with the Baroque era led him in 1969, at age 25, to establish his first Baroque orchestra and, in 1979, to found The Amsterdam Baroque Orchestra followed in 1993 by the Amsterdam Baroque Choir.
Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LP's and CD's for labels like Erato, Teldec, Sony, Philips and DGG. Recently Ton Koopman has created his own record label: 'Antoine Marchand', with which he will publish his future recordings.
Over the course of a forty-year career Ton Koopman has appeared at the most important concert halls and festivals of the five continents.
As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka. Over the past ten years Ton Koopman has been engaged in 'the recording project of the '90's' (so described by 'The Guardian' in London). Between 1994 and 2004 he has conducted and recorded all the existing cantatas by Johann Sebastian Bach, a massive work for which he has been awarded with the Deutsche Schallplattenpreis "Echo Klassik 1997", the Prix Hector Berlioz, and been nominated for both the Grammy Award (USA) and the Gramophone Award (UK). In March 2000 he received an Honorary Degree from the Utrecht University for his scholarly work on the Bach Cantatas and Passions and in February 2004 he was awarded both the prestigious Silver Phonograph by the Dutch recording industry and the VSCD Classical Music Award 2004 by the Directors of Theatres and Concert Halls of Holland. Ton Koopman is also very active as a guest conductor and he has worked with many prominent orchestras in Europe, the USA and Japan including the Amsterdam Concertgebouw, the Boston Symphony, the Vienna Symphony, the Deutsches Symphonie Orchester Berlin, the Rotterdam Philharmonic, the Danish Radio Orchestra and many others. He has been for eight years principal conductor of the Radio Chamber Orchestra in Holland and he is principal guest conductor of the Lausanne Chamber Orchestra. In the coming season he will be working with the Chicago Symphony, the Tonhalle Orchestra Zurich, the Orchestre Philharmonique de Radio France, the Helsinki Radio Orchestra, the Deutsche Kammerphilharmonie, the Frankfurt Radio Orchestra, the Symphonieorchester des Bayerischen Rundfunks, and the Vienna Symphony Orchestra.
Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Handel Organ Concerti for Breitkopf & Härtel. Pedagogy has been an important factor in Ton Koopman's life for many years and to that end he is professor of harpsichord at the Royal Conservatory in The Hague and is an Honorary Member of the Royal Academy of Music in London.
http://www.tonkoopman.nl/
Even before completing his studies he laid the foundations for a career as a conductor of seventeenth- and eighteenth-century music and this fascination with the Baroque era led him in 1969, at age 25, to establish his first Baroque orchestra and, in 1979, to found The Amsterdam Baroque Orchestra followed in 1993 by the Amsterdam Baroque Choir.
Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LP's and CD's for labels like Erato, Teldec, Sony, Philips and DGG. Recently Ton Koopman has created his own record label: 'Antoine Marchand', with which he will publish his future recordings.
Over the course of a forty-year career Ton Koopman has appeared at the most important concert halls and festivals of the five continents.
As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka. Over the past ten years Ton Koopman has been engaged in 'the recording project of the '90's' (so described by 'The Guardian' in London). Between 1994 and 2004 he has conducted and recorded all the existing cantatas by Johann Sebastian Bach, a massive work for which he has been awarded with the Deutsche Schallplattenpreis "Echo Klassik 1997", the Prix Hector Berlioz, and been nominated for both the Grammy Award (USA) and the Gramophone Award (UK). In March 2000 he received an Honorary Degree from the Utrecht University for his scholarly work on the Bach Cantatas and Passions and in February 2004 he was awarded both the prestigious Silver Phonograph by the Dutch recording industry and the VSCD Classical Music Award 2004 by the Directors of Theatres and Concert Halls of Holland. Ton Koopman is also very active as a guest conductor and he has worked with many prominent orchestras in Europe, the USA and Japan including the Amsterdam Concertgebouw, the Boston Symphony, the Vienna Symphony, the Deutsches Symphonie Orchester Berlin, the Rotterdam Philharmonic, the Danish Radio Orchestra and many others. He has been for eight years principal conductor of the Radio Chamber Orchestra in Holland and he is principal guest conductor of the Lausanne Chamber Orchestra. In the coming season he will be working with the Chicago Symphony, the Tonhalle Orchestra Zurich, the Orchestre Philharmonique de Radio France, the Helsinki Radio Orchestra, the Deutsche Kammerphilharmonie, the Frankfurt Radio Orchestra, the Symphonieorchester des Bayerischen Rundfunks, and the Vienna Symphony Orchestra.
Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Handel Organ Concerti for Breitkopf & Härtel. Pedagogy has been an important factor in Ton Koopman's life for many years and to that end he is professor of harpsichord at the Royal Conservatory in The Hague and is an Honorary Member of the Royal Academy of Music in London.
http://www.tonkoopman.nl/
Jesus bleibet meine Freude BWV 147
Ton Koopman Lyrics
We have lyrics for these tracks by Ton Koopman:
brunnquell aller güter bwv 445 Brunnquell aller Güter, Herrscher der Gemüter, lebendiger …
Brunnquell aller Güter BWV 445 Brunnquell aller Güter, Herrscher der Gemüter, lebendiger …
Dir dir Jehova will ich singen BWV 452 Dir, dir Jehova will ich singen denn wo ist doch ein…
Matthäus Passion Mache dich, mein Herze, rein, Ich will Jesum selbst begraben…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@shanti2278
"Jesus bleibet meine Freude,
Meines Herzens Trost und Saft,
Jesus wehret allem Leide,
Er ist meines Lebens Kraft,
Meiner Augen Lust und Sonne,
Meiner Seele Schatz und Wonne;
Darum lass ich Jesum nicht
Aus dem Herzen und Gesicht."
(english)
"Jesus will always be my joy,
My heart's comfort and essence,
Jesus is there through all suffering,
He is my life's strength,
The desire and sunshine of my eyes,
My soul's treasure and bliss;
Therefore I will never let Jesus go,
Neither from my heart nor from my face. "
@eva-mariakonig9565
Dieses Lied gibt mir immer wieder Kraft, dafür bin ich sehr dankbar ❤
@christercollin5853
Yes for me to!
@yehudiistenhaz4956
Dies ist meine Lieblingsmusik, sie bewegt mich immer, wenn ich die Musik dieses außergewöhnlichen Komponisten, des Mannes Gottes, höre, der seine Gabe nutzte, um den Schöpfer, Jesus Christus, meinen ewigen Retter und Erlöser, zu preisen, dem ich unendlich vertraue!!!Frohe Ostern an die ganze Menschheit, lasst uns die Auferstehung Jesu Christi feiern, Yehudi Istenhaz von São Paulo Brazil
@wilmulder
Ik vind dit prachtige muziek daar geniet je van
@1guitarlover
J. S. Bach war ein Geschenk Gottes an die Menschheit. ❤
@petrosbe
Ja, und das eigentliche Geschenk ist es, dass Gott sich durch Jesus selbst geschenkt hat
@1guitarlover
@@petrosbe Das stellt niemand in Frage. Jesus ist gleichzeitig vollkommener Gott und vollkommener Mensch. Amen. ✝️♥️
@ernst-dietmarhorstmann4949
"Jesus bleibet meine Freude"..."Jesus joy of man's desiring". No more words to say. God bless you all ! Greetings from Hamburg/Germany.
@tatjanakomatowsky5251
May more people understand that Jesus is the only savior !!! Our days need him
more than ever these days.
@ernst-dietmarhorstmann4949
@@tatjanakomatowsky5251 Greetings Madame. Your words are absolutely true. When I am in church and see the cross, then I think the following: Since 2000 years he hangs there. Arms spread because he loves everyone. What did we learn ? Money is unimportant. We can't take anything with us on our last way. This man's words are the only treasure we have. Let's keep him! God bless You Madame. Best wishes from Hamburg/Germany