Toni Watson, known professionally as Tones and I, is an Australian singer, … Read Full Bio ↴Toni Watson, known professionally as Tones and I, is an Australian singer, songwriter, and record producer. Her breakout single, "Dance Monkey", was released in May 2019 and reached number one in over 30 countries.
In 2019, she broke the Australian record for the most weeks at number one on the ARIA Singles Chart by any artist with 16 weeks. By mid-January 2020, "Dance Monkey" had spent its 24th and final week at number one, beating Bing Crosby's all-time Australian record for his version of "White Christmas", which spent 22 weeks at the top in 1943.
"Dance Monkey" was accredited 16× platinum by ARIA for shipments of over 1,120,000 units, by mid-2021. Tones was the most awarded artist at the ARIA Music Awards of 2019, winning four of eight nominations. Tones and I released her debut extended play, The Kids Are Coming, on 30 August 2019, which peaked at number three in Australia, and top 10 in several countries. Her debut album, Welcome to the Madhouse, was released via Bad Batch on 16 July 2021. It debuted at number one on the ARIA Albums Chart. The album's lead single "Fly Away" peaked at number four in Australia and number 11 in the UK.
Toni Watson grew up in Mount Martha on the Mornington Peninsula to the south of Melbourne, in the Australian state of Victoria. Conflicting reports state she was born either in 1993 or in 2000. The artist prefers not to disclose her birth details, "I never denied my age. I never lied about it. I just don't say anything now... Everything is wrong online."
She explained choosing a music career: "One day I was at the park with my family, all my cousins and stuff, in Frankston... We were all just singing a song and my aunty was like 'oh guys, she can actually hold a note.' I think that's the earliest memory of someone actually pointing me out as someone that has an ability to sing. I was probably like 7 years old." The singer-songwriter had learned to play keyboards and drum pads while at secondary school.She started busking in Melbourne, while working in fashion retail at the Universal Store.
In 2009, as Toni Watson, she created a YouTube page and posted a cappella cover versions of songs. She performed local gigs and festivals, including the Let Go festival. Tones was the vocalist for a duo in 2014, and remembered: "I started out singing in small pubs and bars in Mornington, I was singing along to a guitarist until I ended up branching out on my own." She explained her shift to a solo career: "I actually got made redundant from my retail job and with that money I bought an RC300 (loop station) and just started to try to figure it all out." She busked "up and down the east coast with her synthesizers and loop pedal, she has been building a loyal fanbase and captivating crowds with her genre-diverse style."
In September 2017, the singer-songwriter travelled to Byron Bay in the Australian state of New South Wales to try busking there. At an early performance, she met Jackson Walkden-Brown who became her manager about a month later. Her busking success led to a greater commitment to a music career. The artist spent 2018 living between Walkden-Brown's home in the Gold Coast hinterland and in her van in Byron Bay, writing music and busking full-time. Later that year she won the Battle of the Buskers at Buskers by the Creek.
In 2019, she broke the Australian record for the most weeks at number one on the ARIA Singles Chart by any artist with 16 weeks. By mid-January 2020, "Dance Monkey" had spent its 24th and final week at number one, beating Bing Crosby's all-time Australian record for his version of "White Christmas", which spent 22 weeks at the top in 1943.
"Dance Monkey" was accredited 16× platinum by ARIA for shipments of over 1,120,000 units, by mid-2021. Tones was the most awarded artist at the ARIA Music Awards of 2019, winning four of eight nominations. Tones and I released her debut extended play, The Kids Are Coming, on 30 August 2019, which peaked at number three in Australia, and top 10 in several countries. Her debut album, Welcome to the Madhouse, was released via Bad Batch on 16 July 2021. It debuted at number one on the ARIA Albums Chart. The album's lead single "Fly Away" peaked at number four in Australia and number 11 in the UK.
Toni Watson grew up in Mount Martha on the Mornington Peninsula to the south of Melbourne, in the Australian state of Victoria. Conflicting reports state she was born either in 1993 or in 2000. The artist prefers not to disclose her birth details, "I never denied my age. I never lied about it. I just don't say anything now... Everything is wrong online."
She explained choosing a music career: "One day I was at the park with my family, all my cousins and stuff, in Frankston... We were all just singing a song and my aunty was like 'oh guys, she can actually hold a note.' I think that's the earliest memory of someone actually pointing me out as someone that has an ability to sing. I was probably like 7 years old." The singer-songwriter had learned to play keyboards and drum pads while at secondary school.She started busking in Melbourne, while working in fashion retail at the Universal Store.
In 2009, as Toni Watson, she created a YouTube page and posted a cappella cover versions of songs. She performed local gigs and festivals, including the Let Go festival. Tones was the vocalist for a duo in 2014, and remembered: "I started out singing in small pubs and bars in Mornington, I was singing along to a guitarist until I ended up branching out on my own." She explained her shift to a solo career: "I actually got made redundant from my retail job and with that money I bought an RC300 (loop station) and just started to try to figure it all out." She busked "up and down the east coast with her synthesizers and loop pedal, she has been building a loyal fanbase and captivating crowds with her genre-diverse style."
In September 2017, the singer-songwriter travelled to Byron Bay in the Australian state of New South Wales to try busking there. At an early performance, she met Jackson Walkden-Brown who became her manager about a month later. Her busking success led to a greater commitment to a music career. The artist spent 2018 living between Walkden-Brown's home in the Gold Coast hinterland and in her van in Byron Bay, writing music and busking full-time. Later that year she won the Battle of the Buskers at Buskers by the Creek.
Right Back
Tones And I Lyrics
Back, Back
You keep pulling me
Back, Back
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right
Back, back
You keep pulling me
Back, back
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right back
Back to you
Back to ya bed
Back in ya head
How I feel?
Goin back on everything I said
How I feel?
Knowing that you'll leave me out for dead
The day I fall off
I know you go gon and fuck the next instead
But that's some problems for the future me
Right now it's just you and me
And I know you gon ruin me
It's cruelty
But this the kind of shit that likes to humor me
This the kind of shit that's gon get through to me
Yeah I seen the warnings, it wasn't new to me
Comatose, I might overdose
To get a taste of you
Lower dose, still can't get enough
You're irreplaceable
Back Back
You got me trapped
And I'm fine with that
Back Back
We make 10 racks
Ain't no falling back
I keep coming right
Back, back
You keep pulling me
Back, Back
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right back
Back to you
Back to you
Back to your bed
Back to you
Back to you
Back in ya head
I've been trying to leave you alone
I don't like sleeping alone
Who you bring home when I'm not in ya city?
You be busy creeping on me
Don't you ever feel guilty and shit?
Stuck with ya now
How I even get up in ya mix?
Stuck in the city
I can't move ya away from the six
Block my number
Block my gram and block my twitter account
And you still got access to me
They can't ever find out
I'll wait until you pull up on me
Cause I know what you bout
I'll wait until you leave to call em
They can't ever find out
Okay now
Comatose, I might overdose
To get a taste of you
Lower dose, still can't get enough
You're irreplaceable
Back Back
You got me trapped
And I'm fine with that
Back Back
We make 10 racks
Ain't no falling back
I keep coming right
Back, back
You keep pulling me
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right back
I just can't leave you alone
I, I
I just can't
I don't like sleeping alone
I, I
I don't like
I just can't leave you alone
I, I
I just can't
I don't like sleeping alone
I, I
I don't like
You keep pulling me
Back, Back
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right
Back, back
You keep pulling me
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right back
Back to you
Back to ya bed
Back in ya head
How I feel?
Goin back on everything I said
How I feel?
Knowing that you'll leave me out for dead
The day I fall off
I know you go gon and fuck the next instead
But that's some problems for the future me
Right now it's just you and me
And I know you gon ruin me
It's cruelty
But this the kind of shit that likes to humor me
This the kind of shit that's gon get through to me
Yeah I seen the warnings, it wasn't new to me
Comatose, I might overdose
To get a taste of you
Lower dose, still can't get enough
You're irreplaceable
Back Back
You got me trapped
And I'm fine with that
Back Back
We make 10 racks
Ain't no falling back
I keep coming right
Back, back
You keep pulling me
Back, Back
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right back
Back to you
Back to you
Back to your bed
Back to you
Back to you
Back in ya head
I've been trying to leave you alone
I don't like sleeping alone
Who you bring home when I'm not in ya city?
You be busy creeping on me
Don't you ever feel guilty and shit?
Stuck with ya now
How I even get up in ya mix?
Stuck in the city
I can't move ya away from the six
Block my number
Block my gram and block my twitter account
And you still got access to me
They can't ever find out
I'll wait until you pull up on me
Cause I know what you bout
I'll wait until you leave to call em
They can't ever find out
Okay now
Comatose, I might overdose
To get a taste of you
Lower dose, still can't get enough
You're irreplaceable
Back Back
You got me trapped
And I'm fine with that
Back Back
We make 10 racks
Ain't no falling back
I keep coming right
Back, back
You keep pulling me
I can't leave you alone
I can't
I can't leave you alone
I can't
I keep coming right back
I just can't leave you alone
I, I
I just can't
I don't like sleeping alone
I, I
I don't like
I just can't leave you alone
I, I
I just can't
I don't like sleeping alone
I, I
I don't like
Lyrics © O/B/O DistroKid
Written by: Christine Chambers
Lyrics Licensed & Provided by LyricFind
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@dorkafeliz8973
Letra "Lyric"
Everybody's talkin' 'bout sex
Everybody's talkin' 'bout ex
Like no one really wants to find a genuine connect
Before they even look at you, they move on to the next
And I know that they say, "Don't you worry, I'm the one"
Then the very next day, they said they're done
And I don't want to listen to the shit you've spun
No, I don't want to listen to the shit you've spun
Walk into a party, feelin' out of place
Everyone's too cool, everyone's too fake
I try to start a conversation but I can't seem to relate
Yo, I'm about to get an Uber
'Cause you're so fucking cool
You're just way too fucking cool
And I don't really care if you're king
And I don't really care for gold things
You'll be pointing at some girls and saying, "Yeah, we had a fling"
But you're not fooling me
You're just a puppet on the string
Just a puppet on the string, oh
And they say, "Don't you worry, I'm the one"
Then the very next day, they said they're done
And I don't want to listen to the shit you've spun
No, I don't want to listen to the shit you've spun
Walk into a party, feelin' out of place
Everyone's too cool, everyone's too fake
I try to start a conversation but I can't seem to relate
'Cause you're so fucking cool
You're just way too fucking cool
'Cause you're so fucking cool
Walk into a party, feelin' out of place
Everyone's too cool, everyone's too fake (you're just way too fucking cool)
Walk into a party, feelin' out of place
'Cause you're so fucking cool
Where have all my friends gone?
I seem to have lost them on my way
And now, their spots are filled with Ken dolls
That tell me that I have got to stay
'Cause you're so fucking cool
You're just way too fucking cool
'Cause you're so fucking cool
Walk into a party, feelin' out of place
Everyone's too cool, everyone's too fake (you're just way too fucking cool)
Walk into a party, feelin' out of place
'Cause you're so fucking cool
@ronisiburian7917
2:14 𝐂𝐥𝐢𝐜𝐤 𝐇𝐞𝐫𝐞 ➜ youtu.be/49mwt6s95aY
》》 iPhone Giveaway 《《
在整個人類歷史上，強者，富人和具有狡猾特質的人捕食部落，氏族，城鎮，城市和鄉村中的弱者，無`'守和貧窮成員。然而，人類的生存意願迫使那些被拒絕，被剝奪或摧毀的基本需求的人們找到了一種生活方式，並繼續將其DNA融入不斷發展的人類社會。
說到食物，不要以為那些被拒絕的人只吃垃圾。相反，他們學會了在被忽視的肉類和蔬菜中尋找營養。他們學會了清潔，切塊，調味和慢燉慢燉的野菜和肉類，在食品市場上被忽略的部分家用蔬菜和肉類，並且學會了使用芳香的木煙（如山核桃，山核桃和豆科灌木
來調味食物煮的時候%^%^ 1620632117
@DRILLL9999
Everybody's talkin' 'bout sex
Everybody's talkin' 'bout ex
Like no one really wants to find a genuine connect
Before they even look at you, they move onto the next
And I know then they say
"Don't you worry, " I'm the one
Then the very next day, they say they're done
And I don't wanna listen to the shit you spun
No, I don't want to listen to the shit you spun
Walk into a party, feelin' out of place
Everyone's too cool, everyone's too fake
I try to start a conversation but I can't seem to relate
Yo, I'm 'bout to get an Uber
'Cause you're so fucking cool
You're just way too fucking cool
And I don't really care if you're king
And I don't really care for gold things
You'll be pointing at some girls and saying, "Yeah, we had a fling"
Ha, you're not fooling me, you're just a puppet on a string
Just a puppet on a string, oh
And they say, "Don't you worry, " I'm the one
Then the very next day, they say they're done
And I don't wanna listen to the shit you spun
No, I don't want to listen to the shit you spun
Walk into a party, feelin' out of place
Everyone's too cool, everyone's too fake
I try to start a conversation but I can't seem to relate
'Cause you're so fucking cool
You're just way too fucking cool
'Cause you're so fucking cool
Walk into a party, feelin' out of place
Everyone's too cool
You're just way too fucking cool
Walk into a party, feelin' out of place
'Cause you're so fucking cool
Where have all my friends gone?
I seem to have lost them on my way
And now, their spots are filled with Ken dolls
They tell me that I have got to stay
'Cause you're so fucking cool
You're just way too fucking cool
'Cause you're so fucking cool
Walk into a party, feelin' out of place
Everyone's too cool
You're just way too fucking cool
Walk into a party, feelin' out of place
'Cause you're so fucking cool
@mataelang3727
3:1 Win iPhone 12 PRO 🔽
youtu.be/49mwt6s95aY
在整個人類歷史上，強者，富人和具有狡猾特質的人捕食部落，氏族，城鎮，城市和鄉村中的弱者，無`'守和貧窮成員。然而，人類的生存意願迫使那些被拒絕，被剝奪或摧毀的基本需求的人們找到了一種生活方式，並繼續將其DNA融入不斷發展的人類社會。
說到食物，不要以為那些被拒絕的人只吃垃圾。相反，他們學會了在被忽視的肉類和蔬菜中尋找營養。他們學會了清潔，切塊，調味和慢燉慢燉的野菜和肉類，在食品市場上被忽略的部分家用蔬菜和肉類，並且學會了使用芳香的木煙（如山核桃，山核桃和豆科灌木
來調味食物煮的時候 1620634998
@tonesandi
Thanks for watching the video! Which character are you? Take the quiz 😎 https://www.tonesandi.com/usfcquiz/
@Mr.Wopper
Tones and I 😍😍😍
@sofialancioni6241
Im tones and i!!!!!!!!
@maluchis7499
Yeah
@uzna2323
You are magical
@faridaazizli8218
Patrique Santos look stop
@ShakeMusic
UR SO F**KING GOOD
@devescaliente
UR SO F**KING LIKED
@user-pg9hm2jb7e
찐
@thijskrijger3056
No she’s not