The Brooklyn-based singer-songwriter waits until anything—an idea, an emotion, a memory—gnaws at her, tearing at her fingers and throat until she releases it in song. Scott escaped the confines of her churning mind in order to find herself by recording Sprinter in the market town of Bridport in Dorset, England; and then at the Bristol studio of Portishead's Adrian Utley. With his guitar riffs and synthesizers lingering in the background like a lowland mist and PJ Harvey's Robert Ellis and Ian Olliver on rhythm—the two fortuitously reuniting 23 years after the release of Dry, and in Scott's 23rd year of living—she crafted a "space cowboy" record. "That's as simply as I can say it," says Scott, who cites inspirations as diverse as Funkadelic and Nirvana, Ray Bradbury and Joan Didion.
"I wanted something that very clearly stemmed from my Southern conservative roots but that sounded futuristic and space-y at the same time." It seems like an odd thing to look for in the picturesque seaside green, rolling hills in the south of England, but Scott had never been there before, and as a stranger in a strange land she found what she was looking for: a lost childhood. Sprinter was recorded in a room that had formerly been used as a children's nursery, which combined with the alien landscape fuels the self-searching that roils TORRES' music.
Following her self-titled debut in 2013, TORRES pushes herself to even noisier extremes on Sprinter, a punishing self-examination of epic spiritual and musical proportions.
The Exchange
Torres Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Once in ’54, then later in life
The exchange was quick and quiet
The records sealed, the names made private
Her search began and ended with a judge
Her papers had been claimed in a freak basement flood
An entire family tree
An eternal privacy
Underwater
Underwater
I am afraid to see my heroes age
I am afraid of disintegration
If you’re not here, I cannot be here for you
If you’re not here, I cannot be alone
Mother, father
I’m underwater
And I don’t think you can pull me out of this
There’s virgin oil painted over my door
And hotel soap from every city
Lined up in my window
Blew my per diem on an eighth of Blue Dream
So I can breathe but I still can’t breathe
Around my mouth, brown paper bag
Founding fathers on my back
I’m no martyr
I’m no martyr
I’m just
Afraid to see my heroes age
I am afraid of disintegration
If you’re not here, I cannot be here for you
If you’re not here, I cannot be alone
Mother, father
I’m underwater
Underwater
Underwater
I’ve so much that I want to sing
But there’s no room for toothbrushes and poetry, I
Pray to Jesus Christ incessantly, I
Shine my shoes for the Fat Lady, I’m still
Underwater
I’m underwater
Underwater
Underwater
I am afraid to see my heroes age
I am afraid of disintegration
If you’re not here, I cannot be here for you
If you’re not here, I cannot be alone
Mother, father
I’m underwater
And I don’t think you can pull me out of this
I will no longer claim to know
Where we go when it’s time to go
But when you go, will I go too?
When you go, I am going too
I’m underwater
I’m underwater
Mother, father
I’m underwater
I’m underwater
I’m underwater
Mother, father
I’m underwater
The Torres song “The Exchange” delves into themes of loss and the struggle for identity. The opening lines state, “My mother lost her mother twice / Once in ’54, then later in life.” Here, Torres references how her grandmother was lost to her mother twice - first through death, and then through the sealing of adoption records. Despite her mother’s attempts to locate her biological family, the effort was met with a dead end. This sense of permanent loss and the inability to reclaim something that was once hers informs the melancholic tone that permeates throughout the song.
In the chorus of the song, Torres sings, “If you’re not here, I cannot be here for you / If you’re not here, I cannot be alone / Mother, father / I’m underwater.” This illustrates the singer’s struggle for independence whilst still needing familial support. They are saying that if their parents are not present, they cannot be present for anyone else, but if they are also left alone, they are lost in the metaphorical depths of the water. The song’s final lines, “I’m underwater / I’m underwater / Mother, father / I’m underwater / I’m underwater” repeat, emphasizing the deep sense of submersion that the singer feels.
Line by Line Meaning
My mother lost her mother twice
The singer's mother experienced the loss of her own mother twice in her lifetime.
Once in ’54, then later in life
The mother lost her own mother in 1954, and then later experienced another loss of her mother again in her life.
The exchange was quick and quiet
The transfer of information or documents related to the loss was done discretely and rapidly.
The records sealed, the names made private
The details of the lost relatives were kept confidential, and their names were kept anonymous.
Her search began and ended with a judge
The artist's mother sought out the truth about her lost family members through legal action, and the judge presided over the case.
Her papers had been claimed in a freak basement flood
The documents and papers related to the lost family members were damaged or destroyed in an unexpected basement flood.
An entire family tree
The singer's mother had lost not just one relative, but an entire lineage of family members.
An eternal privacy
The confidential details related to the lost relatives would remain hidden forever.
Underwater, Underwater
The artist delivers these lyrics repeatedly throughout the song as a metaphor for feeling drowned and trapped in her emotions and experiences.
I am afraid to see my heroes age
The artist is scared to see the people she looks up to and admires experience the inevitable effects of aging.
I am afraid of disintegration
The singer feels a sense of inner collapse and deterioration in the face of changes and aging.
If you’re not here, I cannot be here for you
The artist relies heavily on the presence of her loved ones to continue moving through life.
If you’re not here, I cannot be alone
The singer does not have the capacity to be by herself and function without the support of others.
Mother, father
The singer addresses her parents throughout the song, perhaps as a way to reach out to them for support.
And I don’t think you can pull me out of this
Despite seeking support from loved ones, the singer is uncertain if anyone can truly help her escape her emotional turmoil.
There’s virgin oil painted over my door
Virgin oil suggest a sense of purity, and this line may reference the artist's desire for a fresh start or a new beginning.
And hotel soap from every city
The artist collects soaps from her travels, perhaps suggesting a longing for a sense of home and comfort while on the road.
Lined up in my window
The singer displays these items in her window, suggesting that they serve as reminders of her past experiences and her search for comfort in the present.
Blew my per diem on an eighth of Blue Dream
The singer uses her daily travel allowance to buy a specific strain of marijuana, perhaps suggesting a desire to escape or cope through substance use.
So I can breathe but I still can’t breathe
The artist may feel a sense of relief from the use of drugs, but finds that ultimately they do not fully solve her problems.
Around my mouth, brown paper bag
This may suggest that the artist is hyperventilating and needs to use a bag to regulate her breathing.
Founding fathers on my back
The artist may feel the weight and burden of history and the past on her shoulders and in her life.
I’m no martyr, I’m just
The singer clarifies that she is not a martyr or suffering for a greater cause, but simply experiencing her own personal issues.
I’ve so much that I want to sing
The artist has a desire and need to express herself through music and song.
But there’s no room for toothbrushes and poetry, I
Despite her desire to create and sing, the singer may feel limited by the realities of daily life and the mundane tasks that come with it.
Pray to Jesus Christ incessantly, I
The singer may turn to religion or faith as a way to cope with her troubles and seek guidance.
Shine my shoes for the Fat Lady, I’m still
The singer seems to engage in ritual actions, such as shining her shoes, perhaps as a way to bring order and control to her life.
I will no longer claim to know
The artist concedes that she does not have all the answers and cannot fully understand or control her own life and experiences.
Where we go when it’s time to go
The artist is uncertain what will happen to her and her loved ones when they reach the end of their lives.
But when you go, will I go too?
The singer may fear losing those she loves and wonders if she will follow them when they are gone.
And I don’t think you can pull me out of this
The singer repeats this line once again, emphasizing her sense of hopelessness and uncertainty in the face of her struggles.
Lyrics © O/B/O APRA/AMCOS
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Hugo
I kept coming back to listen to this song. She is so underrated.
It's both suffocatingly depressing and peaceful underwater at the same time.
nitny19
the heroes lyric tore my attention from the book I was reading and left me. hallow realizing how that is inevitable
Harold White
Time to find some new ones, they're out there!
Yeah Right
Mine are all dead or dying
Barney Atkinson-Saul
I listen to this when I'm depressed.
giacomo este
It says here (in Italian) that this is one of the most beautiful songs of 'Sprinter': http://www.tomtomrock.it/recensioni/773-torres-sprinter-partisan-2015.html
Lochlan Mcgregor
Only 13 comments, wow, this song is unique
Dani Naranjo
how dare she sneak this one in at the end. i was trying to have a good day how dare she do this to me
sorcervs
once in 54 and later in life. so mysterious
elias
@Barney Atkinson-Saul Her mother lost her mother in 1954 when she was put up for adoption. Then later in life, her adoptive mother died, so she lost her mother twice.